As much as Capri may have entranced me, it was Positano that we returned to at the end of the day, the beautiful clustered town gripping for dear life onto the steep mountain slopes of Italy’s stunning Amalfi Coast. And such is the geography of that nature-defying location, that almost everywhere you go in Positano, you end up gazing in wonder at incredible views, either across the sea, the valley in which the bulk of the town is situated, or up at the vast mountains rising almost unendingly up behind it. No wonder then that I was inspired to paint so much when I stayed on the Amalfi Coast and although I was only painting with a small travelling watercolour book and a box of gouache paints, I got the most out of my limited materials.
This fourth and final painting of Positano is loosely based on a charming walk we took along the upper mountain road, where the town feels more authentic and Italian when compared with the tourist-centric core of the town down by the sea. This area, being Italy, was full of all of the characteristics which make a place intrinsically Italian – gossiping old women sitting outside their homes, old men propping up the bar and drinking espresso, and outside one of the most Italian sights of all – the Vespa. This painting captures the moment when we stumbled into a perfect specimen of Vespa – a bright yellow one which, when propped up by the side of this incredible mountainous view, just begged to be painted. And here is the result.
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