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Posts from the ‘Photography’ Category

A Cretan Odyssey | Part 2 – Chania’s Labyrinth

Crete is an ancient land. Its very rocks breathe a thousand tales of nymphs and satyrs, of the birth of Zeus and the anger of Pasiphaë. But the most famous tale of all is spun from the endless twists and turns of the renowned labyrinth, built by master craftsman Daedalus to house the bloodthirsty Minotaur, bastard son of King Minos’ queen. There, somewhere in the labyrinthine grounds of the great Palace of Knossos, Ariadne spun her thread to lead Theseus out of the complex maze, but only after his bravery put the Minotaur to death. Today, there remain many theories about exactly what shape the labyrinth might have taken; some even suggest it was the Palace of Knossos itself. However, one things is certain in modern day Crete: head to the utterly quaint, twisting and convoluted streets of Chania’s old town, and you will feel like you have found the ancient relics of Daedalus’ mastery.

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We adored Chania. How could it be otherwise? With cosy little streets, strung with canopies of the pinkest bougainvillea, offset against yellow, blue and dusky pink houses and white-edged cobbled streets, it is a town of picture-perfect quality. Everything about the archetype of postcard Greece is embodied here: the bright blue rickety wooden chairs set outside cafes and tavernas serving Greek salad on blue and white checked table clothes, wine in terracotta pitchers, and lazy cats strewn languidly across the streets in the afternoon sun. Unlike many places which have fallen foul of the ravages of tourism, Chania has upped its game. Its shops and restaurants are positively up-market; there is a real feeling of Capri town or the Amalfi Coast about this town. And our unbroken record of finding perfect eateries, night after night, only confirmed the consistent quality of the place.

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So while Chania’s true highlight may be its dazzling Venetian harbour, just behind the front line of seaside houses, this maze of quaint alleyways will ensnare with equal charm. This is one labyrinth to enthusiastically get lost in. 

© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

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A Cretan Odyssey | Part 1 – Chania’s Venetian Harbour

You’ll excuse the long absence of The Daily Norm from your inboxes and browsers: We’ve been on an adventure; an Odyssey if you like, to the birthplace of Zeus and the land of the entrapped Minotaur, haunt of Olympian gods and roaming mystical beasts. For as the year rolls on and the summer reaches a glorious pinnacle, our 2018 travels continue – we’re off to the delectable Greek island of Crete.

Laced with mythological connotations, imbued with the smell of wild oregano, and jangling to the sound of wild goats and the sea which swishes upon its mammoth mountainous coastline, Crete is one of the longest continuously inhabited and historically relevant of all European destinations, as well as one of the Southernmost located. Yet for our summer holiday, it provided all of the luxuries, the aesthetics and the charm that could possibly be required of a modern holiday. Daily Norm readers: I welcome you, to Crete.

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We start our adventure in Crete’s second city: Chania. Sprawling along the coast on the North-Western side of the island, Chania doesn’t feel like a city at all when you’re nestled inside the ancient walls of its richly-encircled old town. The sensation is one of a quaint little village, with picturesque roaming streets winding steadily down to a waterfront which is the beating heart of the city.

This harbour, so called Venetian because of time of its construction under the dictate of La Serenissima, is understandably the focal point for the city. It is alive at all hours with the bustle of its bars and restaurants whose collective unity beguiles the visitor with a harmonious panoply of sun-drenched little buildings hugging the shore. It is a waterfront which sparkles and ripples as water bounces off the crystal clear sea and makes fun of the straight lines adjacent, and a place imbued with a historical ambience translated through the presence of ancient stone houses and cobbled pavements. But pulling focus on the harbour is undoubtedly the Küçük Hasan Pasha Mosque, a leftover from Ottoman rule, and which today looks like a perfectly balanced candy-pink blancmange which turns ever so butterscotch in the golden evening sun. 

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We were lucky: our hotel room enjoyed the most stunning balcony views over this harbour, affording us the opportunity to revel in the changing faces of Chania’s ancient heart as it metamorphosed from slow and sleepy morning village to a bustling evening spectacle whose lights sparkled across the deep inky waters. We saw its colours dance vividly in the morning sun, and bathed in the golden light of early evening. And we breathed the deliriously fresh seawater perfume which pervaded the entire harbour, morning till night.

Chania’s Venetian harbour was the perfect way to commence our Cretan Odyssey, promising great things were in store from this island of plenty.

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© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Compendium // Porto > The secret side of a garden city

It’s hard not to get comfortable in among the wash of blue and white tiles and the swill of a good sweet port served alongside them, but to rest on ones laurels in Porto is to miss out on one of the city’s best kept secrets: its gardens. Though not obvious from the heart of the Ribeira, even when the city is seen from the rooftops, it’s remarkable how frequently this densely packed city is punctuated by an exquisite green space. And in fact Porto’s gardens not only provide respite from the bustle of the centre: they also provide the perfect viewing platform from which to admire the city… in utmost tranquility.

The first garden on my list is the Jardim da Cordoaria. Nestled in between some of Porto’s principle sights – the blue tiled Igreja das Carmelitas and the tall, narrow Torre dos Clérigos, the Cordoaria gardens provide an oasis of calm in the city centre. There, an avenue of what look like birch trees but which seem to grow out of huge almost deformed trunks sets the scene for a garden which is dappled with filtered sunlight and which benefits from a very tranquil pond surrounded by perfectly placed benches. The park is not only peppered with pretty pink flowers and curving meandering paths: it is also a veritable outdoor art galley, filled with amusing sculptures depicting groups of men in conversation or at play. They make a perfect little selfie spot… for those so inclined.

Jardim da Cordoaria

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Next up in the garden which satisfies every element of the kind of magical secret garden you long to find in childhood dreams: the Jardim das Virtudes. Literally lining the sloping sides of a masterfully terraced valley, blink and you will miss the discrete entrance to this garden which only starts to come into view when you enter the verdant valley. Once down there, what opens up is a place of spiritual magnitude, with seemingly deserted moss-covered fountains managing only the most meagre trickle into green ponds, while all around, stone walls, topiary and wild flowers give the garden the impression of carefully constructed desertion. And best of all, look between overhanging boughs and around mighty tree trunks and you will be treated to beautiful views over the Duoro river.

Jardim das Virtudes

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Down the road from the Virtudes gardes is the biggest and perhaps the most impressive garden of them all – the Jardim do Palácio de Cristal. Because here, the visitor with time of their hands (which we sadly lacked) will be treated to not one but a whole handful of differing garden styles and topography, each sharing unbeatable views over Porto’s rooftops and the breathtaking Duoro as it widens on its way down to the sea. In these gardens, asides from a peculiar flying saucer-style construction at its centre, you will see nature at its manicured best, with knot gardens and tropical palms swaying in the breeze, a cafe next to a Monet style waterlily pond and bridge, and roaming free, peacocks and cockerels who defy any form of control on the extravagance of their coats of many colours.

Jardim do Palácio de Cristal

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My final tip would be to leave yourself time to explore these gardens and sink stupendously within their atmosphere of mesmerising stupor. It’s the only way to really experience a garden at its best, leaving thoughts of city life and travel far, far behind.

© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Folio // Porto from the Rooftops

When I look through my photos of Porto, one thing really stands out, even more than the blue and white ceramics which embellish the houses – the rooftops. Swathes of terracotta dominate my photographic collection, and as many will know, I do like a good rooftop, especially when offset by the colours which inherently characterise southern Europe. Porto is no exception for a city resplendent in colour, but what it has more than your average city is a most unusual topography – one which rises and falls over undulating hills so that, even if you’re not climbing up towers and high stories, you can benefit from the most glorious views of warm red roofs and green bushy treetops.

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This little collection of rooftop photos enjoys a variety of angles, from the Miradouro de Vitoria, an almost hidden street which suddenly opens up into a splendid view over the Ribeira and across to the cellars of the Vila Nova de Gaia, and the spectacular square outside the Sé Cathedral, to the stunning vistas afforded by the Ponte Dom Luís Bridge, and from the heady heights of the dominating Torre dos Clérigos. There, laid out before us, rooftops seemed to jostle for space, vying for light light trees in a forest. And in that forest, cranes seems to rise above the city like new shoots of spring – a sign perhaps that Porto is itself enjoying a new regrowth, as it repairs and reinvents itself in response to its renewed popularity.

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© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Compendium // Porto > Port tasting in the Vila Nova de Gaia

It is a truth universally acknowledged that you cannot go to Porto without tasting the port. It would be like going to York without a trip to Betty’s, or indeed to Champagne without a glass of the bubbly stuff. So having crossed the Duoro river over the mighty Dom Luís Bridge, you will find yourself ideally located to wet your taste buds with the sweet and delectable nectar which has maybe made Porto the favourite haunt of the Olympian gods. For in the Vila Nova de Gaia, the quaint riverside zone bang opposite Porto’s Ribeira, you will find the air filled with the subtle perfume of oak barrels soaked with wine, as you wander past the headquarters of practically every of the most important Port manufacturers in the world.

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Walking away from the bustling quayside, where boats carrying barrels of port from the vineyards up the Duoro valley can still be seen (probably more for show, but still…), you will find yourself in narrow little streets filled with port showrooms and cellars. Look up, and the large illuminated lettering of each port house exhibits the most famous names in port: Graham’s, Ramos Pinto, Fonseca, Porto Cruz… they’re all there for the tasting. But being mildly patriotic, we decided to head to one of the most famous British-founded brands, and one which today still wears the seal of approval of the British royals: Taylor’s.

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Walking into Taylor’s was bit like visiting a colonial embassy. It felt very British, very sophisticated, but with all the hallmarks of a much hotter climate: plush gardens, a vine dappled courtyard with a tricking fountain, all traversed by peacocks walking haughtily around their dominion. Inside we were given a very handy self-toured audio guide which led us through a vast vault filled on all sides with barrel upon barrel of the famous fortified wine, and the heady scent of fermenting grapes. Past the barrels, a state of the art exhibition taught us more about port than we can ever have wished to know: I can now tell you the difference between a tawny and a late bottled vintage; why tawny’s are honey coloured and standard port red, and the traditions which accompany the human-trod grape harvesting process.

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All more interesting than it sounds, although the real treat came at the tasting, enjoyed in the heavenly surroundings of a perfectly tamed box-hedged garden alive with the scent of roses and accompanied by the solemn call of those same majestic peacocks. Served with chocolate truffles picked to perfectly balance the rich syrupy nectar served to use by a manicured waiter, we could quite easily have closed our eyes and followed those gods back to Olympus. Naturally we could not leave without buying a bottle of our favourite: the 20 year old tawny. And whenever it is opened the heady scent will remind me of that moment in Porto’s winey paradise – a treat not to be missed. 

© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Compendium // Porto > Traversing the Duoro

While it may have to beat off competition from ample bottles of port, a rolling city geography and ceramic tiled houses, the Ponte Dom Luís I, aka the Bridge of Luis I, is the undisputed icon of the city of Porto. Extending across the Duoro river with a mighty 172 metre span and a boasting a double decker construction allowing trains to rumble across the top and cars to take the lower road (pedestrians can enjoy both routes), Porto’s bridge is the ultimate way to cross the river which otherwise splits the city in two.

While many assume that the 1886 iron construction was the work of the legendary Gustave Eiffel, it was in fact the design of one of Eiffel’s chief disciples, Théophile Seyrig, Eiffel’s single-story idea having been previously rejected owing to the rapidly expanding city demographic. At the time, it was the widest bridge ever to have been constructed. Today, it may have lost that epithet, but it remains one of the most recognisable bridges in Europe.

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After exploring the wonderful region of the Ribeira, next on your list should be a visit to the Dom Luis bridge which will not only provide you with some stunning rooftop views of Porto, but also take you across to the Vila Nova de Gaia region of the city, where the all important Port houses are to be found. While pedestrians can choose between the upper or lower decks, the latter being reached pretty easily from the riverbank of the Ribeira, we opted for the somewhat more vertiginous upper deck, this being reached by walking in a straight line from the wonderful tile-covered central train station. I’m not a vertigo sufferer, but I have to admit that from up there, my arms turned a little shaky as I extended my camera over the side of the bridge to capture the beautiful views it affords of the city.

But as these photos will demonstrate, those both enamoured and feared of heights should opt for the Ponte Dom Luís I – ultimate icon of Porto and the undisputed platform from which to see the city. And so long as you head over the bridge from the Ribeira to the Gaia, you can rest assured that a glass of ruby coloured port will be waiting for you on the other side. 

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© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Folio // Porto, Ceramic City

Porto is a city which literally smiles through its tiles. Every facade is alive with the glinting sheen of ceramic glaze. Their colours are abundant, their pattern even more so, and there is barely a house without a tile attached. When one wanders around Porto, gazing in abject fascination at these dazzling facades, one tends to question why we don’t all affix tiles to the front of our houses and buildings? Isn’t this the simplest way to give our exteriors something of the personality within, while – practically speaking – saving the need to repaint every year?

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Be they a practical solution or a traditional embellishment, the ceramic tiles of Porto are completely characteristic of the city. From the simple geometric designs and slightly more elaborate three dimensional variations emblazoned on homes to the pure masterpieces of blue and white illustrative design which narrate the walls of churches and (best of all) the San Bento central station, there are tiles to be admired throughout Porto. Here is a folio of my photos of just a few of them.

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© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Compendium // Porto > The enchanting Ribeira

As mellow as the perfume of port-filled oak barrels, but as vivacious as the glint and sparkle of that same honeyed wine as it sloshes into an eagerly waiting glass, the Portuguese city of Porto has all of the tempting characteristics of the sweet nectar which put the city on the world’s map. But if Porto was to be described in a palette of colour, its rich amber terracotta tones are to be offset by the bedazzlement of blue and white in its omnipotent ceramic tile-covered buildings, and in the dazzling stretch of the Douro River carving the city in two on its broad sweep down to the Atlantic Ocean.

Porto is a city alive with the spirit of its geography, as though enlivened by Atlantic breezes and nourished by the hilly fertile Duoro valley beyond. Its hilly topography has created a city which is topsy-turvy to say the least. Take a step back and houses appear to balance atop one another as streets zigzag along steep hillsides which rise and fall like ocean waves. It’s a city which defies the typical sense of direction, but which is generous to whomsoever gets lost in its maze of streets. For in Porto there is something enchanting to behold at each narrow corner.

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Our new compendium tour starts where that maze is at its most convoluted: in the knotty twist of streets which work their way over and around the hilly slopes which plunge down dramatically into the Duoro river – the Ribeira. Famed throughout the world and appropriately UNESCO protected, the Ribeira area is undaunted by the tourists naturally attracted to its streets and squares, retaining the authenticity of its carefree locals who can be seen enjoying the views and the sun from their ceramic tiled balconies with as much enthusiasm as the zealous tourist.

It is an area which exhibits numerous personalities. At its apex, the fortress bulk of the grand Sé Cathedral and it’s domineering Episcopal palace soar above the twisting mass of narrow lanes below, offering unbeatable rooftop views and an appreciation for Porto’s undulating geography. Delve into the streets beyond, and an impenetrable shadiness is punctuated by light only near the rooftops. However, soon enough, those darker alleys give way onto the soaring light of the riverbank, which is where the true heart of the Ribeira pulsates to the rhythm of street musicians and crowded restaurants, all benefiting from an unrivaled view of the Ponte de Dom Luis I, iron icon of the city.

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An encounter with the Ribeira marks an ideal introduction to this multifaceted city, suggesting something of the charismatic nuances of Portugal’s second city, as well as the distinct geography which has shaped Porto into a true feast for the eyes at every turn. 

© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

London, Rediscovering My City: Eltham Palace

Of all London’s historical palaces, rich in Medieval armour, Tudor ceilings, Stuart art and lavish Georgian interiors, there is one which is a little more unique in its ability to showcase a chapter in England’s history. For Eltham Palace, located just a few miles away from Greenwich, was not just the childhood home of Henry VIII. It was also later the jazz-age cocktail-swilling party palace of Stephen and Virginia Courtauld who found the Tudor palace in a stage of complete ruins. Therein began an ambitious architectural project which not only undertook to restore the Great Hall of the Tudor age, but to create a brand new palace alongside it which would turn out to be the very celebration of the Art Deco age.

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Looking at its heavy stone exterior, created to intone with the Great Hall, only the addition of some curving but unmistakeably 1930s nudes in the stone work betray the modern masterpiece within. Step through the doors and you enter a modern, minimalistic space where decadence and luxury are founded in a perfect, uncluttered line, curved white spaces inlaid with gold and aluminium leaf, and a complete dedication to perfecting the design fashions of the era.

The result is a true wonder of Art Deco, and as historical houses go, this is one that truly comes alive as you imagine the endless society receptions which went on there. The character of the hosts is evident wherever you look, from the lavish gold-mosaic bathroom of Virginia (I want one of those) to the centrally heated suite created solely for use by the eccentric couple’s ring-tailed lemur.

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But as ever, half the joy of visiting a great house is to enjoy its great gardens, and we cannot have picked a better time of the year to go. For the grounds of Eltham Palace were alive with the most lavish display of multi-coloured tulips and fragrant blossom which wafted gently in the breeze, settling upon the sparkling pond which, like a castle moat, encircles the palace like a silk scarf from a 1930s couturier.

Eltham Palace is a true example of how the ancient and modern can partner one another with spectacular results. And while the Art Deco house is now itself something of a historical artefact, it feels as modern and liveable today as it would have done 90 years ago. So if English Heritage ever feel like giving it up, send me the keys… I’m moving in!

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© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Folio // Rome mid-Winter

Ready yourselves, the Spring is here at last. It’s felt like an eternal winter, in England at least, and as Spring arrives – and a new sense of optimism for the season of Summer dawns upon us – I’m whisking Daily Norm readers off to the land of verdant Spring-like plenty: Tuscany. But before we depart for there, let’s wish Rome arrivederci the proper way, with a good old fashioned photographic exhibition of some of the city’s most characterful details.

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Taken back in January, during a very sunny weekend which was more than sufficient to blow away the chill of winter, this folio of photos is full of a warmth which betrays little of time of year. Walking through streets emboldened with strong creamy sunlight and hard long shadows, it was hard to believe that we were not enjoying Rome mid-summer. Only the lack of leaves, and the odd presence of a Christmas decoration left-over conveyed the time of the year. But if all winters were like this, even I, summer fanatic, could probably cope with them.

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Terracotta walls, cobbled streets, the shiny silvery Tiber and silhouettes of church domes and pine trees – these photos which are less Rome landmark and more street details. For my favourite part of Rome sightseeing is not exploring the Forum, and less the Colosseum. Rather it is having the chance to wander streets steeped in history, to enjoy the glow which emanates from sun filled streets, and the vivacious, edgy attitude which characterises Romans and their city alike.

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© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.