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Posts from the ‘Interpretative Abstracts’ Category

Memories of Marrakech, in Abstract

It seems incredible that the summer is now drawing to its close. Why is it that time always goes so fast in the summer, yet the winter always seems to be an interminable torture without end? Yet the excitement with which this last summer season started infects me still, and I remember with what feverish anticipation we headed to the wild planes of Africa for the first time in our lives, to visit the Moroccan city of Marrakech.

In all the bustle of the new summer season, I barely had time to reflect upon the mesmerising pink tones of a city so unlike others I have visited previously. I created a few small art works, but soon my mind was focused towards Sicily. Amongst them, I painted this small study of the terracotta hued rooftops of Marrakech – a rather traditional work, but capturing something of the essence of that hodgepodge of a city. Yet when I looked upon the work the other day, sitting as it does on my bookshelf, I felt incomplete. This work, like the Windsor landscape and abstract coupling I have just completed, needed its abstract counterpart. And that is exactly what I set out to create.

Marrakech Abstract FINAL

Memories of Marrakech (©Nicholas de Lacy-Brown 2017, acrylic on canvas)

Featuring the same very Moroccan palette of pinks, blues and earthy tones, this abstract seeks to reinterpret my earlier rooftop study, injecting a whimsicality into the composition. In reimagining this work, I was also able to layer the abstract with double meanings. The round arc of a satellite dish also resembles, for example, the crescent and star which is the design of many an Arabic flag, while another dish is placed so as to recall the dome of a mosque.

Abstraction, as a concept, intends to remove something of the figurative and pictorial, at least from its normal compositional placement, if not from the canvas altogether. What interests me about this piece is its clear abstract quality, while retaining an evident illustrative quality of both Morocco and Marrakech. For me, that makes it the perfect souvenir of that fantastically unique city.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

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A Windsor Weekend, Part VI: The Abstract

There is often too much pressure on artists to stick to one particular style. Collectors like the work of an artist to be immediately identifiable – too much wavering from that course is never a good thing, they say. And while I suppose there is something inherently identifiable about the way an artist applies his or her brush to canvas, each is capable of doing very different things. Look at Gerhard Richter for example. He would paint vast stark abstracts one minute, and sumptuously emotional portraits the next. And good on him. For I am an artist who doesn’t like to stick to the same narrow path. As much as I have enjoyed painting more abstract scenes of late, I have also enjoyed reverting to the traditional.

Having said all of this, two very divergent painting styles needn’t be kept apart. From each traditional painting, I believe there is an abstract interpretation just waiting to emerge. And that is just what I did when I finished my traditional landscape of Windsor: I set about paintings it companion in abstract.

Windsor Abstract FINAL

Windsor Abstract (©Nicholas de Lacy-Brown, 2017 – acrylic on canvas)

So what you see here is a work which is created from the same natural palette of browns, greens and blues as used in my landscape, and which is based upon a simplified version of the same shapes of trees and paths, strata and clouds, but all set into a very jumbled abstractive composition. Its much the same as my abstract interpretation of Las Meninas by Velazquez, except this time I am interpreting my own work.

I’m not sure I can say which of my Windsor works I prefer – this or the traditional. I believe there is a place for both. And together, they are even better.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

Cassata Siciliana

Following hot on the heels of my last Sicilian sketch, today the final curtain falls upon my Sicily series with this, probably the best showstopper I could conceive in dedication to a holiday so rich in inspirational sources – my latest painting, Cassata Siciliana. 

Measuring some 100cm squared, it’s the largest painting I have completed in a long while and utterly dedicated to the joyful colours, textures and landscapes of South Eastern Sicily. Both its name and its central theme revolve around Sicilian desserts, more particular the Cassata which, in both its sponge-cake original and the ice cream alternative is a dish typical of the island comprising different layers of chocolate, pistachio, ricotta and candied fruit, all representing the wealth of Sicily’s locally available produce. Taking inspiration from that multi-layered dessert, I sought to paint a scene of Sicily made up of layers of squares and outlines, colours and textures, all of which combine to represent a jovial Sicilian scene, a town piazza at its centre, and the tables and chairs and striped awning of a gelateria dominating the scene.

Cassata Siciliana FINAL

Cassata Siciliana (2017 ©Nicholas de Lacy-Brown, acrylic on canvas)

Whether it be the little ice cream cart on wheels, or that other famous Sicilian treat – the cannolo – proudly sat upon a marine-striped building, this is a painting dedicated to the joy of sunny afternoons filled with chatter, happiness and above all things, dessert. But it is also a homage to the beauty of the Sicilian landscape, whether the baroque brilliance of its cathedrals – such as this reference to the yellow-stoned magnificnetly-domed cathedral in Noto – or the natural scenery which characterises the island, in particular the startling shadow of Etna which defines Sicily.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com