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Posts from the ‘Paintings’ Category

Terracotta Collective: Chania Harbour

Those eagle-eyed amongst you might have noticed a painting in progress hidden in amongst the photos paying homage to Crete in Tuesday’s post. Perched on a little travel easel on the balcony of our hotel in Chania, a canvas, quickly filled with the sun-soaked colours and gently bouncing water which filled our view. So lucky we were to enjoy such an extensive and exclusive platform from which to enjoy Chania’s harbour at all times. It would have been a travesty not to have painted it.

So the very same afternoon I set about erecting my easel and filling my bite-sized canvas. I started with the background – a broad, roughly applied swathe of terracotta, colour of the rich soil which underpins the geography of Greece. Next, the sea and the sky, roughly applied with ultra marine, brush stroke daubings still visible across both. Then came the houses and the mosque which characterise the view – that pink blancmange dome and the gently crumbling whitewash of nearby houses. I tried to capture something of the delicate, transient beauty of the place, with roughly applied dappled paints and terracotta roofs allowing that original tone to shine through from the base of the canvas.

Terracotta Collective 1 CHANIA

Terracotta Collective 1: Chania Harbour ©2018 Nicholas de Lacy-Brown, acrylic on canvas

This is the first painting in my new Terracotta Collective. Painted on a terracotta background whose rich earthy colour is allowed to shine through amongst surface brush strokes of differing thickness, it is a collection which references the rich ground which underpins the life and vivacity of the wider Mediterranean. 

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

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A Windsor Weekend, Part V: The Landscape

Ravishing greens, resplendent sweeping hedgerows, and the dappled light of richly verdant, leafy trees at the end of their mighty display of seasonal prowess…such were the impressions left upon me as we strolled from the imperial statue of George III in Windsor Great Park into the wealth of bucolic pastures beyond. However what really struck me about this particular spot were the two groups of trees which accumulated to make two perfectly oval collectives, almost like green mushrooms or large rosettes of broccoli.

Windsor Landscape FINAL

Windsor Landscape (©2017 Nicholas de Lacy-Brown, acrylic on canvas)

Utterly mesmerised by the sight of these rounded groupings, together with the composition of fields, green strata, and an old fallen gate, I started collecting images which would later inform a quick painting of the scene. Painting en plein air this was sadly not, but I started this small landscape as soon as I got home, when the mesmeric joys of these idyllic Windsor pastures captivated me still.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

Cassata Siciliana

Following hot on the heels of my last Sicilian sketch, today the final curtain falls upon my Sicily series with this, probably the best showstopper I could conceive in dedication to a holiday so rich in inspirational sources – my latest painting, Cassata Siciliana. 

Measuring some 100cm squared, it’s the largest painting I have completed in a long while and utterly dedicated to the joyful colours, textures and landscapes of South Eastern Sicily. Both its name and its central theme revolve around Sicilian desserts, more particular the Cassata which, in both its sponge-cake original and the ice cream alternative is a dish typical of the island comprising different layers of chocolate, pistachio, ricotta and candied fruit, all representing the wealth of Sicily’s locally available produce. Taking inspiration from that multi-layered dessert, I sought to paint a scene of Sicily made up of layers of squares and outlines, colours and textures, all of which combine to represent a jovial Sicilian scene, a town piazza at its centre, and the tables and chairs and striped awning of a gelateria dominating the scene.

Cassata Siciliana FINAL

Cassata Siciliana (2017 ©Nicholas de Lacy-Brown, acrylic on canvas)

Whether it be the little ice cream cart on wheels, or that other famous Sicilian treat – the cannolo – proudly sat upon a marine-striped building, this is a painting dedicated to the joy of sunny afternoons filled with chatter, happiness and above all things, dessert. But it is also a homage to the beauty of the Sicilian landscape, whether the baroque brilliance of its cathedrals – such as this reference to the yellow-stoned magnificnetly-domed cathedral in Noto – or the natural scenery which characterises the island, in particular the startling shadow of Etna which defines Sicily.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com