Posts tagged ‘Reflection’

Feb 23

Mallorca My highlights – Part One: The First Year

A big move is in progress. The Daily Norm has one gelatinous leg in its new London home, and the other floating somewhere in transit as we await the delivery of all the possessions – and post importantly the computer – which makes writing of The Daily Norm a regular possibility. So excuses are sought from all readers for the temporary scarcity of posts. But at the same time, as any self respected blogger, I don’t want to lose this moment to reflect upon the magnitude of this change, nor to miss the opportunity to look back on my time in Mallorca. For two short years it may only have been, but those 27ish months provided a lifetime of unforgettable experiences for which I am so grateful.

So in the next two posts, I plan to reflect back upon those two years, doing so by way of the medium of my photos which is surely the best way of reliving the memories. For the mere process of selecting these photos for part one of these posts – the first year of my Mallorca experience – demonstrated with such potency what an incredible time we had. The colours alone speak of a thousand moments, of all those sunsets and sunny days and spring flowers and autumn leaves. The incredible mountains and the craggy coast, the windmills and the sheep and the little shops of Palma’s Casco Antiguo. All goes in the mix as I reflect on my first of two years in Mallorca – two years which can be very easily labelled the best in my life. So far.

: Mountain Valleys

: Deia at sunset

: Valldemossa street

: Breakfast at the Son Viscos, Valldemossa

: No photos! Mallorca produce for sale

: Formentor

: Sa Foradada, Deia

: The mighty scale of the mountains

: The Church of San Francesc

: The bay of S’Estaca

: The stunning landscape of Formentor

: Christmas light delight

: Autumn arrives

: Robert Graves’ house

: Church doorway, Palma

: Yachts in Palma

: Awaiting his owner at S’Estaca

: The gardens at Alfabia, Soller

: Colour contrast

: The Baños Arabes

: Olive terraces

: The Cala Deia in summer

: Traditional craftsmanship

: Turquoise perfection

: Pollensa Bay

: Soller’s famous lemons

: Alfabia Gardens

: Turquoise seas

: Another incredible sunset

: Tramuntana locals

: Sun through the reeds, Andratx

: The coast near Valldemossa

: The Caves of Drach

: Lilies in shadow

: Old town reflection

: Old town basket shopping

: The best sweet shop

: The Cala Deia

: The beach at Palma

: Palma’s enchanting old town

: Skyline, Palma old town

: Sa Foradada

: Cemetery tiles

: Sunshine in Deia

: Old Town fountain, Palma

: Mallorca’s famous windmills

: Ducks at sunset

: The graveyard at Deia

: The beach at Formentor

: Almond blossom season

: Mallorca “lenguas” in production

: Mountain resident

: Easter parades

: Day of the Dead

: Rippled water

: Palma’s City of the Dead

: 2 days before Christmas

: Easter parades

: Biniaraix

: Miramar monastery

: Palms by sunset

: Sunset over Palma old town

: The palms of Palma

: Dominik, the explorer

: Flowers, Deia

: The church at Pollensa

: Cala Figuera

: Beyond repair, Palma

: The monastery of San Francesc

: Porto Colom

: Palma’s resident swan

: The stunning beauty of the Malloquin countryside

: First days

: Ripened winter oranges

: Grape harvest

: Fountain, Passeig del Born

: Wine harvest

: Refracted colour

: The freshest produce

: Valldemossa

: Portixol

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacybrown.com

Oct 3

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Mallorca Moments: The Sea at Sunrise

As much as I love the autumn, one thing which I find somewhat depressing about the ongoing march of the year is the reduction in light. It seems that as each day of the year begins, there is a little less light available to assist in the difficult emergence from under the warmth of a snuggly duvet. Nevertheless, work does not wait for any man, and the need to start the day shrouded in a Wintery darkness will soon become a reality. However, every seasonal change brings with it its fair share of visual spectacles, and now that the light is fading, my customary morning walk now coincides with the precise moment when the sun rises above the silhouette of Palma de Mallorca’s impressive gothic cathedral.

While Palma’s autumn sun rises make for quite a spectacle, it is the effect of the morning light on the water in the port which really entices me. Enveloped in a warm glow varying between a nectarine yellow and a peachy pink, the gentle movement of the water against the port’s forest of white yachts and sailing boats creates reflections and ripples which are a true vision to behold. Readers of The Daily Norm will know that I am no stranger to the charm of a good ripple – these watery movements have inspired many an artwork in my past repertoire. But in the current light of autumn, Palma’s ripples are surely at their colourful best, a fact well in evidence in this collection of photos.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2016 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Feb 4

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Autobiographical Mobile: My painting diary – Day 16: Water reflection and Enid

The 2013 return to my latest large-scale painting is well and truly kick-started now. After last week’s update on the progress of my autobiographical mobile painting, I am now able to report on another day’s technical painting work on the canvas which has taken over my artistic output for the last 9 months.

Day 16 of work saw me concentrate on the lower right-hand corner of the panel. There, having completed my large cliffs, it was now time to undertake the rather arduous chore of reflecting the cliffs into the pool of water below. I like this watery area… it has a sense of darkness and mystery for me, a bit like a large lake in a cave, a sense which is no doubt heighted because of the vast area of hostile rock face above.

In order to undertake the reflection, I started by practising a very small rock area in one of the little pools in the centre of the canvas (I anticipate that there will be a fair few rock pools by the time the canvas is finished). Having tested the art of reflection in that small area, I went on to the vast reflection of the right-hand cliff. It’s not easy to repeat what you have painted before, but all the more so to do so in reverse, as a reflection requires. It requires you to almost go back on yourself, to flip over every angle and to mirror every shade and colour, while ensuring that proportions are kept the same.

It took me most of the morning to repaint the cliffs in the pond. Once finished, I achieved what looked to me like a mirror reflection, but was not watery enough. The distinction between water and a mirror of course in the propensity of water to move, and therefore even on a still day, the reflection in water is bound to be distorted compared with a normal mirror reflection. Deciding that I’d give my scene a gentle sea breeze, I set about distorting my reflection with various ripples, many of which I created through dragging a dry brush over the surface of what I had just painted. This was a slightly scary moment, especially when I’d just spent the whole morning meticulously painting the reflected area. And of course if I got this bit wrong, the smudges of dark and light oil paint would dirty the canvas and it would be sometime before I could correct it.

At the beginning of the day

First stage of reflection done

Made into a watery reflection

Sufficiently pleased with my watery reflection for now (it will undoubtedly change as other details of the image materialise and alter), I moved on to a detail at the foot of the canvas. While Bilbao and Fluffy, my teddies at the centre of the canvas, represent myself and my partner (they were our gifts to each other at the early stages of our relationship and now follow us around the world), Enid, the little “golly” down on the right, is a representation of my mother, and my childhood.

Enid in reality

My mother, who herself has a large collection of gollies, some from her childhood, gave me Enid for a birthday present some 10 or so years ago. I was so pleased with her, I used to take her travelling with me. That was at least until travelling with a golly aroused too much anxiety on my part – This was in part because people displaying gollies in their windows have been arrested and accused of racial hatred… Is this the world gone “politically correct” mad? Perhaps so, and frankly it’s not a debate I want to entertain on my art blog, but all I know is that I grew up with gollies being to me, at most, as harmless as teddies and barbie dolls. My sister and I used to have golly picnics, where we would gather all the family’s gollies together and picnic with them, like your typical teddybears’ picnic. And I used to collect golly badges which one could only obtain having collected a sufficient number of vouchers from the jars of Robertson’s Jam. They are, needless to say, no longer available, but perhaps for that reason I alone, I prize my collection.

So in representing both my Mother, and my childhood, Enid is an integral feature of this autobiographical canvas. She’s all finished now, save for her label, to which I will add writing when the paint is dry.

Enid completed

And that was my day’s work. More to come, I hope, soon.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2012. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content.