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Posts from the ‘Photography’ Category

Florence Nocturne

The inspirational capability of Florence is extreme. There is no doubting the city’s role in the rebirth of art in the western world and its transformation into the greatest proliferation of creativity seen since the age of antiquity. So there can be no surprise that it has inspired artists to paint, draw, sculpt and write ever since. I could paint the city endlessly. But time never stands to indulge me. I had time for just one small gouache, hastily designed on the train from Florence to Milan, but executed when time allowed me to reflect on the pastel shades and Renaissance brilliance of that impeccable city.

Florence Nocturne

Florence Nocturne (©2018, Nicholas de Lacy-Brown, gouache on paper)

My work, Florence Nocturne, is like a musical homage to a city lost in the dream-world of sleep but whose elegant topography remains unchanged by the twilight. It mirrors the city with simple lines – it was after all a city known for the relative austerity of its grandeur compared with the later embellishments of baroque Rome and romantically Gothic Venice, and its palette reflects the pink and green marble of the ornamental Duomo.

It captures the moment when the tourists have gone home and the city sleeps, but its pearly white facades remain aglow against the dark night sky. It is my poetic dedication to Florence, the city which inspired the greatest lights of Art, and which has continued to ensnare new generations of creatives ever since.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

Florence, Land of the Medici (Part 1): The Loggia dei Lanzi

I was in Florence in my imaginings, long before I set foot there on the eve of Christmas Eve. In the weeks preceding our trip, I had been variously transported to the great city of the Renaissance by Mary Hollingsworth, whose new revealing narrative of the Medici family enchanted me before I even turned to the first page. Charting the multiple highs and lows of a family who came to dominate the city of Florence and shape the very fabric of the city to their taste and fancy, the book reminded me that love them or hate them, without the Medici, Florence would never have become the gem which catapulted it to international fame and admiration.

So when I returned to Florence for Christmas, my first visit in over six years, I did so with a mind filled to the brim with tales of the Cosimos and the Lorenzos, of the audacious Grand Dukes and their self-made apotheosis. And in such a state, I could not help but notice their stamp wherever I turned in the city. Barely a metre would pass without their family crest of the 6 balls appearing like an apparition on every stone and surface of Florence. And in striving to fill my trip with some of the city’s greatest masterpieces of art, I was of course undertaking an inadvertent journey along the road of great Medici patronage which, most will agree, underpinned the birth of the Renaissance and promoted artistic excellence to new heights.

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No place quite smacks of Medici prowess as the Piazza della Signoria where our trip began. Not only does it play host to the Palazzo Vecchio, once Medici palace and seat of the Florentine government with its sturdy fortress-like walls ensuring all knew of the powerhouse within; it also contains some of the finest works of sculpture ever commissioned during the thriving Florentine Renaissance. Yes, there’s a copy of Michelangelo’s ravishing David (more about him another day), and a rather magnificent bronze statue of Cosimo I, mounted on a horse, but the very best works are contained within the Loggia del Lanzi, the great gallery of public proclamation and official ceremonies. Named after the Lansquenets guards posted there by Cosimo I de’ Medici, today it contains some of the most recognisable masterpieces of the Medici patronage (as well as a good number of ancient treasures collected by the family in Rome).

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You can spend a fortune on buying entry tickets for Florence’s many art museums, and a even greater amount of time in queuing, but spend an hour in the Loggia del Lanzi, and you will feast upon true treasure of art history and all for free. Thus we passed a wonderfully calm morning on Christmas Day, drinking in the drama, the emotion and the sheer artistic skill of these incredible works; of Pio Fedi’s ravishing but deeply traumatic Rape of Polyxena, and the equally dramatic, soaring masterpiece of Giambologna’s Rape of the Sabine Women; gazing at the sheer muscle and brawn of Hercules and the Centaur, and admiring the dexterity of antiquity as we enjoyed an equal number of early Roman lions and graceful Trajan women.

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Firenze is a city with much to offer. You could spend your time focusing on its famous gelaterias, its bustling leather markets or ambling from one glittering church to another. But one thing which you cannot fail to miss is the influence of the Medici. In many ways, their output will provide the visitor with the most enchanting treat of them all.

© Nicholas de Lacy-Brown and The Daily Norm, 2011-2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Seeing Out Seventeen: NYE in Zürich

Happy New Year from The Daily Norm! I know, I’m five days late in wishing you these tidings, but what are 5 mere days when you have 360 left to enjoy? Plus, it has taken me as many days to recover my stride since touching down into normal-land after a grand tour of magnificent proportions, taking festive Florence, magnificent Milan, and the stunning Swiss city of Zürich in my stride. Of course there is much to share, and while I should be methodical about it, and take you straight into the bosom of Michelangelo’s prodigious David, back in Firenze where it all began, I am throwing chronology to the wind.

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I’m starting instead at the end, rewinding the clock just a few days to New Year’s Eve, to the wonderful city of Zürich. My reason for doing so is clear: Zürich is one of those places which is so idyllically Christmassy that it could appear on any Christmas card all covered in snow. Consequently, if I post my photos in three weeks time, Christmas will be as outmoded as turkey left overs, and that would do the city little favours. For as we discovered upon this first visit, Zürich is a gem of magnificent proportions. Far from being the glittering metropolitan of its banking-centre reputation, you will find a city with a true historical apotheosis at its heart: An old town emboldened with delicately gilded and modestly coppered greed spiked spires and oversized chiming clocks, characterised by twisting cobbled lanes and varnished wooden shop fronts which invite you to enter and bask in the glow of cosyness.

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It is a city which knows how to do Christmas, whose streets are strung with lights not just horizontally, but vertically too, so that the result is a total immersion in the magic of the season, almost like hypnotherapy into the world of the festive fairy. Meanwhile, it’s patisseries and grand cafes are an orgy of festive abundance, with light-strung, foliage-packed decor filling every last inch to create a true winter wonderland to engorge the senses.

Zürich is a place truly deserving of this voluptuous description, but for the rest, I’ll let the photos do the talking, from the pink rosy sunset over the magnificent Swiss lake on whose banks the city was born, to the light-strewn streets and picture-perfect chocolate shops. This post ends with the stunning 20 minute firework display which entranced the whole city who hung out on its bridges to see the sky aflame with colour. It was a truly spectacular way to see out 2017, and a privileged moment in which to get to know a fine European city.

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© Nicholas de Lacy-Brown and The Daily Norm, 2011-2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

2017: My Year in Photos

There is no doubt that my favourite post of every year is this one: the moment when, in looking back over a year of photos, I am able to consolidate the last 365 days and review an overarching visual picture of the year. There’s nothing quite so fulfilling as the recognition of a year well spent, and looking back over this year’s photos, I am able to confidently conclude that 2017 has been an extraordinary year.

It was extraordinary for many reasons, not least for the variety not only of our holidays, but of our lifestyle changes too. At the beginning of the year, we were living in Mallorca and I was working in Marketing. By the end, I am once again a hardened (but wiser) Londoner, but with an altogether more exciting role in commercial law. It was consequently a year of big changes, and not least in our home, where a total redecoration accompanied our return to the big smoke, and Farrow & Ball calke green became the indubitable shade of the season.

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But if I was to remember 2017 for one thing, it would be for the breadth and diversity of our travels. 2017 saw us setting foot on African soil for the first time, and the cultural shift which resulted just a few hundred miles south of Spain is an experience which will stay with me forever. But similarly variable were the sun-baked lands of Sicily whose Eastern shores we explored in June. Whether it be the explosive volcanic soils surrounding Etna or the proliferation of baroque architecture peppering the ancient towns, Sicily was a true hot bed of unique creative and natural passions. Then there were the lush vineyards of Tuscany, the ochre glow of Aix, aperol spritz in Siena, the great stags of Windsor…

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So scan your eyes over the photos above and below and bask in a glorious plethora of multicoloured captures – clear evidence of a year which punched above its weight in scintillating sites and alluring appeal. It was a year of great holidays, but also of staycations too – a warm and balmy English summer provided us with the perfect excuse to explore the leafy gardens of South West London and enjoy the very visible changes of the English seasons, from floral Spring in Battersea Park to an auburn Autumn on Clapham Common.

Now the seasonal chapter is shifting once again. Christmas is over and the days of wintery cold have just begun. But just as I reflect with relish upon this last year in its final fading hours, I look forward with anticipation to the year soon to come. New sights, news sensations, and another cycle of seasonal variations has started all over again.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Christmas Comes Home: Party time!

I’m not ashamed to spend many an hour making my home wonderful for Christmas just for myself and my partner to enjoy. Who else really matters? After all, it is us who get the ultimate pleasure of waking and sleeping to lights twinkling like an enchanted forest all around us. Nevertheless, there is something of the Nigella in me, and I can’t help but revel in the opportunity to share my winter wonderland with friends. So in this last post extolling the virtues of my home at Christmastime, why not take a glimpse of the flat all trussed up for a small soiree we held last weekend.

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Central to the event was the table. A vase at its centre hosted a flurry of discarded Clapham Common tree branches. What the wind had cast asunder, I recycled, creating the perfect skeleton for a cornucopia of lights and dazzling gold and glass decorations. On those branches, our glass treasures from Venice have never looked so beautiful, hanging freely, suspended in mid air, rather than getting caught up in the denser gathering of Christmas tree branches. Beneath this composition, a plethora of festive food gathered: a cheese board bedecked with berries and nuts, freshly cut meats from Italy and, best of all, the “Merookies” (a cross between meringues and cookies) recently featured on the newest Christmas episode of Nigella Lawson’s At My Table series. With an exquisite salty pistachio balance to the sweetness of the meringue and the rich depth of chocolate chips, I was completely sold on these Nigella creations. So was everyone else – they disappeared in seconds.

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I love Christmas parties. I love sharing with friends. And I love seeing my home so pristine in its presentation for a night out on the town. But even more, I love the clearing up at the end of the evening – when empty champagne flutes tell of hours of merriment enjoyed, and the crumbs of cookies and Christmas biscuits intermingle with fallen shards of glitter flickering in the dying candlelight. Home sweet home.

Merry Christmas, everyone.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

An Autumn Overview

Time is moving fast. I opened my eyes the other day and suddenly realised that Autumn was already being displaced by Winter. The tree opposite our apartment is clinging pathetically to its last remaining leaves which will be jealously snatched away by Winter winds in a matter of days. And the heavy fall of foliage is gradually being reduced to a new layer of mulch as rains and morning frosts start the process of decomposition before Spring.

Of course the light at the end of this cold and windy tunnel is Christmas, and it’s already close at hand. In London, the streets are sparkling with wall to wall lights and glowing shop windows exhibit more and more extravagant festive displays. And in my own home I am giving myself over to plans of how to diversify my customary Christmas decor to match new interior designs.

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But before The Daily Norm immerses itself once again in the festive season, I thought it an apt time to review a few photos I took of the stunning autumnal colours which graced London this autumn. My shots are largely collated in Clapham Common, the large expanse of grassy planes and tree-lined paths which we are lucky enough to call our front garden and to enjoy every day of the year. I don’t know whether it was a combination of climatic factors, but something about the colours of autumn really excited me this year. And I didn’t have to go far to find them.

So let us enjoy a little last glimpse of Autumn in these final months of November. Very, very soon the Winter will be upon us…

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Marseille to Marbella, Part VIII: Home Sweet Home

No matter how riveting the travel or how dazzling the sights, there is nothing quite like coming home, especially when that home happens to be combined with a holiday. For I am lucky to call Marbella, as well as London, my home, and every year I look forward to heading down to Andalucia, to the jasmine-perfumed, sun-baked land of my youth, and the ever present inspiration of my adult years. So, much perfumed, sun kissed, and infused with something of a je ne sais quoi spirit, we left Marseille and the lavender filled hills of Provence, and flew down to the earthy, olive-honeyed lands of Southern Spain. We had finally made it from Marseille to Marbella.

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Marbella has featured countless times on The Daily Norm, as is only appropriate for my second home, and each time I feel the need to justify the town’s place as one of Andalucia’s true gem. The fault is the ravages of tourism and crass hedonism, although this species of club-land savagery is luckily limited to the outskirts of Marbella’s coastal sprawl and has left the charm of the casco antiguo – where our home is to be found – quite mercifully untouched. Marbella for me is no club land. It is, instead, a place of true calm. Where bird song fills the air, the smells of garlic and seafood, barbecued sardines and sweet evening jasmine waft in perfumed waves, and the sound of the sea resonates across the town.

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Like the face of a favourite grandmother, Marbella is a town whose sun-baked walls are cracked with age, and its streets warped from the passage of time, but it is a place whose history has been preserved in every layer of its thickly white-washed walls, and which unites with its locals and countless bars, restaurants and little boutiques to make it one of the most welcoming and quaint towns on Andalucia’s magical Mediterranean coastline. And above all things it is my home. How lucky I am to say it.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Marseille to Marbella, Part VII: Aix, Le Marché

Colour, colour, colour! Shiny red apples, ruby like strawberries, resplendent silver fish and emerald green herbs. Courgettes in forest green, sage green, yellow green and white, blackboards written with curly french writing. And king of it all those sunflowers: a full, powerful sunshine punch of yellow with a deep fury chocolate brown at its centre, signalling the very epitome of this Provençal heartland. This is the market of Aix-en-Provence, the sensory spectacle to which I rushed on my birthday morning, and which is such a sight for the eyes that it deserves a post all of its own.

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I can only imagine how Paul Cezanne, famous son of the city, became inspired by the bustling, vivid life of Aix’s morning market. Who could not become an artist when basking in the glories of a sun filled square, filled with stripy umbrellas casting a warm glow over stalls full of just-picked produce and carefully nurtured harvests. Yet despite its beauty, this is no artwork to be admired on a gallery wall: The beauty of le marché in Aix is that it continues to be such a vital cog in the life of the city. It is a place for bargaining and butchering, for perusing and tasting. And in Aix’s market, watching the picky locals carefully choose the very best from an already magnificently presented selection was almost as captivating for me as the produce itself.

The market of Aix is a king amongst European street markets. Not big, not intimidating, but utterly authentic and wonderfully, completely charming.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Marseille to Marbella, Part VI: Aix, Le Birthday Boy

I adore Aix-en-Provence. Apart from the inimitable Paris, it is undoubtedly my favourite city in France. Elegant, leafy, filled with bustling squares and trickling fountains, it is a city which is inescapably gentrified, and which exudes a real sense of cultural enrichment and a proud artistic heritage which resonates at every corner. Ever since we first went back in 2013, a visit which led to my painting, Aix: City of a Thousand Fountains, Aix has held a prominent place in my heart. If you want true Provence, the kind of Provence which you’ve seen on postcards or dreamt about in visions framed by lavender-scented cobbled streets and rosé wine supped amongst stripey-shirted waiters and vichy table-clothes, this is really it. Aix is a veritable feast of pretty squares and idyllic leafy shopping streets. Dare I say that it is close to perfect?

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So when we decided to head down to Marseille around the time of my birthday, Aix had to feature, and given that it is truly my favourite place in the region, it felt like the perfectly appointed seat of celebration for my impending anniversaire.  Soon enough we were bedded into a lovely little attic room in the Hotel des Quatre Dauphins (very La Bohème) named after the four dolphin fountain of the same name which trickles away in this very ochre-coloured stately area of Aix. Within seconds we were on the main leafy thoroughfares of Aix, where Cezanne, Aix’s most famous son, used to sip on wine and consider how best to capture the nearby Mount St Victoire. And all around we were surrounded by cafes and galleries and boutiques aplenty. During 24 hours in Aix we must have seen over 200 paintings in exhibitions which ranged from the Jaeger collection to a retrospective of Sisley landscapes. We had breakfast opposite the multi-coloured food market (more about that later in the week), lunch in the imperial surroundings of the Hotel de Caumont and dinner in a tiny patio hung with decorative laundry and bourganvilla. Could there be a better way to spend a birthday?

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So once again Aix proved to be the perfect Provençal destination, and a flawless birthday gift. It’s one of those towns which seems to glow with a golden sheen, like Rome whose streets bask in the reflected light which bounces of its terracotta walls. Here the effect is created by walls painted in butterscotch and caramel, and reflected across the streets with the aid of sunlight magnified in trickling fountains. It really is an aesthete’s paradise. That’s why Aix can make a Cezanne of us all.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Marseille to Marbella, Part V: Cassis

As soon as we stepped out of the train station at Cassis, the little port town a few kilometres East of Marseille, I declared that I was in love. The smell of heated pines, coupled with the accompaniment of persistently chirping cicadas was confirmation that we had entered a kind of Mediterranean paradise. That conclusion was further fortified as we made our way closer to the coast, and found plunging into a slightly opaque dazzlingly turquoise sea steeply cast mountains rippling with shades of terracotta and violet. But best of all was the harbour itself, a kind of St Tropez in miniature, with splendidly multi-coloured houses in every shade of pastel lining the waterfront, while before them, a veritable collective of fishing boats and yachts added luxury to the scene.

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Living in Mallorca for close on 3 years means that this kind of glittering seaside scene is no stranger to me. Yet there is something about a port in the French Riviera that exudes a kind of innate elegance which is somewhat less tangible elsewhere in the Med. Maybe it’s the old men gathered drinking pernod and exchanging gossip in the tree-lined squares which neighbour the harbour. Or perhaps it’s the perfume of Marseille soap and lavender which manages to pervade and harmonise with the delicate scent emanating from the sea. Or maybe it is the cafes and bistros, whose location affords them the very freshest of seafood and extravagant shell fish, and of course the very best in chilled Provencal rose. I’m not sure I can truly put my finger on what it is that singles out these Riviera havens, but I know that Cassis is as insuperably handsome as it gets.

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A few minutes was all we needed to located the best table alongside the waterside, a large plate of gigantic grilled prawns and several glasses of rose so cold that ice clung to the side of the gently perspiring wine glass. Somewhat heady on all that peach-coloured elixir, we wafted around the port like fallen bourganvilla petals dancing in a light summer’s breeze, utterly caught up in the aesthetic delights of the place. That momentum pushed us towards the emerald sea, and there in water frothed up by a robust Mediterranean current, we plunged into the ambient waters from where Cassis appeared all the more stunning.

Compared with the urban cacophony of Marseille, Cassis proved the ultimate Riviera balm; a true treasure of the French Mediterranean whose soft palette and pervasive elegance ensnared our senses and charmed our imagination, long after the Riviera train scooped us back into the smoggy fold of Marseille.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.