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Posts from the ‘Travel’ Category

Art-in-Amalfi – Painting 4: Positano IV (Yellow Vespa)

As much as Capri may have entranced me, it was Positano that we returned to at the end of the day, the beautiful clustered town gripping for dear life onto the steep mountain slopes of Italy’s stunning Amalfi Coast. And such is the geography of that nature-defying location, that almost everywhere you go in Positano, you end up gazing in wonder at incredible views, either across the sea, the valley in which the bulk of the town is situated, or up at the vast mountains rising almost unendingly up behind it. No wonder then that I was inspired to paint so much when I stayed on the Amalfi Coast and although I was only painting with a small travelling watercolour book and a box of gouache paints, I got the most out of my limited materials.

This fourth and final painting of Positano is loosely based on a charming walk we took along the upper mountain road, where the town feels more authentic and Italian when compared with the tourist-centric core of the town down by the sea. This area, being Italy, was full of all of the characteristics which make a place intrinsically Italian – gossiping old women sitting outside their homes, old men propping up the bar and drinking espresso, and outside one of the most Italian sights of all – the Vespa. This painting captures the moment when we stumbled into a perfect specimen of Vespa – a bright yellow one which, when propped up by the side of this incredible mountainous view, just begged to be painted. And here is the result.

Positano IV (Yellow Vespa) (2014 © Nicholas de Lacy-Brown, gouache on paper)

Positano IV (Yellow Vespa) (2014 © Nicholas de Lacy-Brown, gouache on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

My travel sketchbook: Capri 2 – The Arco Naturale

The Arco Naturale in Capri is one of those sights which just takes your breath from you, propelling it into the atmosphere is a shower of fireworks. For there is nothing quite so stunning as the unexpected, and this mighty towering limestone arch looked so deliciously precarious as it balanced several hundred metres above the turquoise sea below that it felt almost like a stage set. There was something almost arousing about its huge teetering mass, thrust upwards into the blue sky like a declaration of robust resilience in the face of nature’s cruel seas; its hardy mass a swollen emboldened spectacle rising above the battered cliffs and sumptuous plant life besides it to frame the surrounding landscape with its gravity-defying arc. And despite the fact that the little pathway skirting alongside this awesome sight was something of a vertiginous spot, with a sheer drop right below it, I could not resist swinging my legs over the side and getting out my sketchbook to capture the impressive prospect before me.

So my fourth sketch of the Amalfi Coast trip was not made without risk, and although my legs were firmly curled around the railings above the cliff edge, I could easily have dropped my pens, or even my beloved sketchbook down that sheer drop – goodness knows how I didn’t. And it wasn’t like I didn’t have distractions – my sketching attracted not just the attention of fellow tourists, but also a dear little cat who curled around me, rubbing itself against the hard edges of my sketchbook, and at times appearing to teeter horrendously closely on the knife edge of the cliff-edge, its perfectly balanced slender body somehow nonplussed by the drop just below. But as you can see, my sketchbook lived to tell the tale – and indeed to be shared, on today’s Daily Norm.

Capri Sketch 2: The Arco Naturale (2014 © Nicholas de Lacy-Brown, pen on paper)

Capri Sketch 2: The Arco Naturale (2014 © Nicholas de Lacy-Brown, pen on paper)

My sketching companion

My sketching companion

Now that's what I call an artist's studio...

Now that’s what I call an artist’s studio…

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Positano & beyond | Capri: Part 2 – Geology, Geraniums and a Granita de Limon

There is no denying the unique pull of ritzy glitzy preened and perfected Capri Town, the bustling micro-sized centre of the stunning Neapolitan island of Capri. But beyond the Dolce and Gabbana, the YSL and the Chanel is an island whose real gleaming star is its jaw-droppingly beautiful natural scenery. Capri’s unique landscape is owed solely to its vast mountainous geology. Capri Town for example is a good 20 minute hike up steep stairways that climb one of the island’s two main mountainous peaks and which leave very little room at sea level for a capital town. And it’s because of this wonderful craggy mountain geology that the island is characterised by a series of stunning natural phenomena – the blue lagoon, the Arco Naturale, and the rocks that jut out to sea like characters from mythology. 

No sooner had we finished our lunch in Capri Town, we bumped into this breathtaking beauty, for mere metres out of the town’s quickly dissipating urbanisation, you are led out into verdant bucolic lanes which simply take your breath away. Of course today much of these areas are overtaken with luxury hotels, but even those maintain huge lush gardens, and the result is an island bursting with almost tropical greenery and the vibrant pinks of abundant bourganvilla. 

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However to see flowers at their best and some of the most amazing views of the island, we headed to the Giardini di Augusto, a small shady set of manicured gardens once owned by German steel industrialist Friedrich Krupp, but begrudgingly given up when he was forced to leave the island in shame after his romantic liasons with local fishermen came to light! Today the gardens are given over to the pleasure of tourists and locals alike, and what pleasure they provide. But the most dazzling aspect of these gardens was not what could be found within, but seen from their periphery. Views so stunning of the turquoise waters and rocky outcrops jutting out to sea below that only photos can really tell of their true beauty…

In the garden…

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and the views from within…

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From one paradise to another, we headed over to the other side of Capri Town, embarking on a walk which at times seemed mad in the searing heat of day, but which was happily broken with a welcome lemon granita enjoyed over lavish sea views, and made all the more worth it by the final destination: the Arco Naturale. I’ve seen some views in my time but this was just something else. A huge rocky arch jutting out to see forming a window onto a little glittering bay below. This huge mass of limestone rock looked to be teetering on a knife edge – at its thinnest point, large cracks could already be seen and it became clear that this natural phenomenon cannot last forever. But this transience made the sight all the more beautiful and we sat and admired it for what seemed like hours. 

The Arco Naturale and taking a rest beside the view

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Of course there were so many other stunning views seen on our day in Capri, although we barely saw a quarter of the island on our short visit. All too soon the last boat back to Positano was calling, but surely a future visit to Capri will be required. After all, the best things in life are always worth the wait. 

Capri fades off into the distance as we head back to Positano

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All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. 

My travel sketchbook: Capri 1– Roof of the Church of Santo Stefano

Being as the island of Capri is not exactly short of a tourist or two, and seeing as the prices which a café there can evidently get away with are sky high, you can understand why the cafés packed into the little Piazzetta at the centre of Capri Town are keen to do a quick turnaround of customers. After all, at nearly €10 a pop for a glass of wine or something similar, why would they not want to churn out the customers like a supermarket conveyer belt? So there must have been some extent of vexation for the waiters of one such café located directly beneath the square’s famous ceramic-faced campanile when I sat down at the café table and, after ordering myself a coffee, proceeded to open up my travel sketchbook and start sketching. Fearing no doubt that I would be there all day on the price of one coffee, I could almost feel their frustrated eyes burning into the back of my head as I began to sketch. And yet how could I do otherwise? After all, Capri is undoubtedly a place of beauty, and in the centre of its small capital city, the architecture is so cutely quaint that it feels a bit like Toytown. In particular, I adored the rooftop of the church of Santo Stefano, whose small little domes and white-washed walls captivated me from our first steps in the town. And it was those which I sat down to sketch at that little front line café table.

Capri Sketch 1: The church of Santo Stefano (2014 © Nicholas de Lacy-Brown, pen on paper)

Capri Sketch 1: Roof of the church of Santo Stefano (2014 © Nicholas de Lacy-Brown, pen on paper)

The waiters needn’t have been worried however. As ever with my impromptu sketches made in pen, I wasn’t working on this for long, and in fact had to leave said café before the sketch was completely finished owing to the fast approaching time of the last ferry back to Positano. And yet I’m glad I risked their wrath for the short time I did, because this is definitely one of my favourite sketches of the holiday.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Positano & beyond | Capri: Part 1 – People, Prices, Paradise

It was of course long ago that I heard of the seductive allure of super-chic Capri, rocky Island paradise beloved of celebrities, royals and couturiers alike. The island, which is just off the Sorrento Peninsula in Italy, was first the beloved of Emperor Tiberius himself, who spent much of his reign luxuriating on the island, and since it has been home to some of the worlds most famous creatives, from John Singer Sargent to DH Lawrence. Of course alongside its innate popularity is also a reputation laced with tales of pompous overpriced fashion boutiques, snobby restaurants and not for the feint hearted lavishly expensive hotels. This reputation both repelled and entranced me, and while I was always procrastinating over whether or not to go, my decision was made up when I watched the delightful 1960s film, It Started in Naples. Starting Sophia Loren and Clark Gable, the film is a tribute to the stunning beauty of its island backdrop, as Capri is made just as much of a star of the film as Loren and Gable themselves. Although itself alluding to Capri’s over popularity amongst tourists, and the capitulation of the island to its predominantly American visitors (the satirical song Tu vuò fa l’americano is performed by Loren in the film), this 60s masterpiece made multiple promises of Capri’s geographical and social allure, and I knew I had to go there. 

So keeping Positano on the Amalfi coast as our base (this avoiding at least the expense of Capri hotels) we set off on the morning high speed jet to the island and in under 45 minutes found ourselves approaching a jagged mountainous island so geographically surprising that it looked like an upturned knife searing out of the sea. There in the old harbour were the eye wateringly large luxury yachts (even our jet had cost is a cool €70 for the journey) although happily the scattering of colourful old fishing boats meant this port retained much of its Italian charm. 

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But the real charm was reserved for Capri town, a 20 minute hot uphill walk (or a more leisurely funicular ride for those who can be bothered to brave the long queue of tourists, and the price). Everything up in the town was like a pristine city in miniature. A half sized campanile with a charming yellow and blue ceramic face, little twisting streets containing small boutiques of the worlds most recognisable names: Gucci, D&G, Valentino, Prada, Versace, and at the centre of it all, a bustling central square, not even an 8th of the size of Madrid’s Plaza Mayor or London’s Leicester Square, but bustling and crammed with 4 or 5 cafes spread out over the whole area. Of course we headed straight to one such cafe – second Capri price shock: €17 for two glasses of house wine. Gulp. 

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There, sat in the Piazzetta (as it’s known), in the shadow of the white-washed Santo Stefano, one could really feel the essence of Capri. The square evoked the glamour that makes Capri so unique, fizzing with gossip and preening glitterati; waiters with their noses slightly upturned, regulars sat at the best cafe tables, their carefully coiffed dogs curled up beneath them, shiny boutique-bought handbags reflecting the sunlight, and the ice of morning cocktails glinting in the sun. Yes this was surely the reputed Capri – the very pinnacle of Paris couture in the tiniest cluster of toy-sized civilisation.

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Feeling all the merrier for the wine, ignoring its hefty price, we wandered onwards, out of the square and into the town’s little streets which became ever more quaint and charming as one led to another. Our only attempt at shopping was thwarted by the sight of the price tag of a rather ordinary looking pair of sunglasses: a snitch at €1500. Happily, a sumptuous sun-dappled lunch in the cool gardens of the Hotel La Palma was easier on the wallet and even more so on the stomach. This left us well nourished (if a little tipsy) to explore the rest of Capri. Oh and what wonders were to come.

Read more about those in Part 2.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Positano & beyond | Photos Part 4 – Mountain Passage

The thing about the wildly romantic mountainous geography of the Amalfi coast is that its pure altitude and geological breadth gives rise to equally dramatic weather conditions. And so in the short time that we were on the coast, we not only enjoyed days of glorious sun and blue skies, but also intense humidity, evening temperatures in the 30s, thunderstorms which came as barely a relief, and some mornings when clouds were literally tumbling over the mountains which loom large over the town. These days, while not as dazzling as the sunny ones, were still gloriously warm, but not so uncomfortable as when sun is beating down upon your shoulders, and so they made for the perfect weather conditions to hike up the steep stairs and slopes of which Positano is comprised, and explore the town.

On one such day, instead of turning right out of our hotel and down into the valley and onto the beach of Positano as we usually did, we headed up a very small little set of stairs opposite our hotel to try and establish where they led to. Unbeknownst to us, those stairs led up and up and up, almost to an endless infinity of altitude, until we reached an until then undiscovered upper road snaking around the town. This road not only led us along the quaintest of little shops, garden stores, and one of the most charismatic coffee bars we visited on our whole trip (where the coffee was by far the best – the most authentic flavour of Italy), but it also afforded us some of the most stunning views across the mountainous valley, stretching all the way down to the town below.

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One gets the feeling that much of the glitz and glamour of Positano’s boutique lined streets is put on for the tourists, and as lovely and extravagant as the experience of walking in amongst them is, the little mini town, higher up in the mountains, felt truly, authentically Italian. Old locals sitting outside doorways gossiping; others meeting in a bar clad with old adverts for coffee; garden shops and groceries overflowing with the most mouthwateringly fresh produce and stunning floral displays; and old fiats and scooters parked haphazardly in the streets in a way that looks as though they had been set up for a vintage movie shoot.

That wonderful walk, and all of the sights it delivered are the subject of this fourth photo display from my trip to the Amalfi coast. I hope you enjoy them.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Art-in-Amalfi – Painting 2: Positano II (the other side of town)

So excited was I by my first gouache interpretation of the Italian town of Positano, that as soon as I had completed it, I started another. This one is based on the other side of town, Positano viewed from the densely packed cluster of houses which had inspired the first painting, with only the rooftops of that view visible in the immediate foreground. Otherwise, the town’s iconic domed duomo takes centre stage in this depiction of the town, alongside a number of buildings which, like before, are stripped back to their basic cubic elements, devoid of all of the architectural details which might have spoilt the simplicity of the image. Meanwhile, in the background, the awe-inspiring silhouette of the Amalfi Coast’s mountainous scenery fades gradually off into the background, towards the little white-washed down of Praiano.

Positano II (2014 © Nicholas de Lacy-Brown, gouache on paper)

Positano II (2014 © Nicholas de Lacy-Brown, gouache on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

My travel sketchbook: Positano 2 – View from the Beach

You will have seen from yesterday’s Positano beach post just how incredible the views of the town were from the average sunbed on its wide pebbly beach. They were indeed the same views that inspired my first gouache painting of the holiday (posted last week). The views were so good in fact that it felt sinful to simply lie out on a lounger, eyes closed against the sun, ignoring the view. Rather, not only did I feel compelled to keep my eyes on the view for fear of wasting such an incredible sight, but I also felt the inspiration rise within me to sketch it.

And so, stretched out on a beach lounger, a glass of wine in one hand and a pen in the other, I set about sketching this very detailed but fairly quick impression of the town of Positano – the gem of the Amalfi coast. Unlike my gouache interpretation of the same scene, this sketch is more fastidious in capturing the details of Positano’s buildings, and all of their details – windows, balconies, garden terraces and so on. But devoid of the pastel shades contrasting against the grey-purple and forest green backdrop of the mountain, the whole architectural force of Positano appears to melt more permissively into the mountainside, as though nature and mankind have become a single inseparable form. And it’s a beautiful form to behold, both in reality and, I think, on the pages of my sketchbook.

Positano Sketch 2 - View from the beach (2014 © Nicholas de Lacy-Brown, pen on paper)

Positano Sketch 2 – View from the beach (2014 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Positano & beyond | Photos Part 3 – Giornate in Spiaggia

Ah beach days. Those heady days of sunshine bliss, when you can lie out in the sun, meditating upon the swish of the waves curling in upon the sandy shore; when lying back enjoying the sun makes relaxation feel purposeful (after all, you are getting your intake of vitamin D, with all of the protections of sun lotion, naturally); when a refreshing dip in the sea affords all of the thirst-quenching satisfaction of an icy drink on a hot summer’s day; and when, at the day’s end, your skin feels sweetly sun kissed and your whole body groans in the pleasure of having embraced the good life. I’ve always been a beach lover, my partner even more so, and in Positano on Italy’s Amalfi Coast, we were afforded the opportunity to enjoy beach life with an indisputable bonus: a view which has to be one of the most stunning I have ever experienced from a sun bed.

From Positano’s surprisingly long stretch of beach, your lounger gives you a view not only on the crystal clear Mediterranean sea, with the swish yachts moored a little further out and the small ferries gliding in and out from the island of Capri and the town of Amalfi further down the coast, but it also gives you an unbroken panorama of the splendidly clustered town of Positano, its little pastel houses gathered together on the steeply plunging mountain sides. There was therefore no greater pleasure than simply lying out on a lounger gazing at this view – on one particular occasion I don’t think I was able to close my eyes once for fear that I would somehow betray the beauty of this landscape. And when taking a dip in the sea, and therefore straying a little further out, the views just got better and better.

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This set of photos was taken either from the beach, or of the beach, both viewpoints providing wonderful vantages from which to catch a beach and a town full of abundant colour in the Mediterranean sunshine. On one particular occasion, we managed to bag two sunbeds set out on their own on a jutting rock, giving us unrivalled views of the town and the beach below – no wonder we had to toast the occasion with a glass of chilled white wine. This was a beach experience which is unlikely to be beaten.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Art-in-Amalfi – Painting 1: Positano I (viewed from the beach)

Having seen my post of photos on yesterday’s Daily Normand perhaps even my photos of the incredible views which we were lucky enough to enjoy for our week’s stay at the Palazzo Talamo Hotel, you will easy to understand why I was inspired to create by the town of Positano on Italy’s Amalfi Coast. Not only is the town a picture perfect dazzlement of beautiful houses clustered against a vast imposing mountain backdrop, but it is also a riot of pastel colours in an otherwise natural landscape of verdant greenery and sheer greyish purple rock. The most striking thing about Positano is the fact that the small town appears to defy nature as a small cluster of dwellings clinging, almost like limpits, to the sheer side of the otherwise inhospitable mountain sides. The effect is a stark and beautiful contrast between the man-made regularised geometric forms of buildings and the irregular looming presence of the nature-made mountains, and it was this contrast which struck me the most as I set about painting my first homage to the town.

Positano I (viewed from the beach) (2014 © Nicholas de Lacy-Brown, gouache on paper)

Positano I (viewed from the beach) (2014 © Nicholas de Lacy-Brown, gouache on paper)

Stretched out on the beach a day after our arrival, I started work on this piece: Positano I (viewed from the beach). Using simplified geometric forms and stripping away all of the details which otherwise characterise the houses and hotels of Positano (windows, balconies and so on), this painting purposefully reduces the buildings of Positano to their most basic cubic form in order to emphasise the contrast between rigid geometry and rugged mountain, all the while expressing the beauty of Positano’s very colourful cluster of houses. The result is a painting I love. Made in gouache on paper, for me its colours and sunshine brightness sum up the mediterranean mood, while the geometric gathering of cubes echoes the shape of this small town which makes it so unique on much publicised postcards and travel guides throughout the world.

As with all of my travel-inspired art works, this painting gave me great satisfaction to create, all the more so because it was started on the beach and completed on my balcony with a view. Now who can ask for a better  art studio than that?

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com