Posts tagged ‘food’

Jan 8

Natale Italiano | Venice – Day 2: All that glitters is Venetian gold

A London tourist knows when he is abroad when he awakes, not to the ear-splitting wail of a police siren, but to the tolling bells ringing out from old renaissance bell towers, their calming peal harmonious to the ears, especially when, in Venice, there is no nearby traffic to otherwise preclude the passage of that early-morning melody. And perhaps it is also because we are so used to the animated streets of London that the comparative silence of Venice’s tranquil canals struck such a chord on this misty bright first morning, when the only sounds were the gentle lapping of waters when a lonely gondola passed by.

Now that’s a view to wake up to…

That we should rise, with some degree of Casanovian elegance, in our sumptuous hotel room lined with fabric wall coverings of golden thread, under a bed spread which reflected this glory with its own ample gold thread-count kick-started what was to become something of a theme to the day, if not to the whole Venice trip: Glorious and Golden. For all its decay, the neglected paint work, the stagnant waters, and the dirt-ridden façade of the Piazza San Marco’s colonnaded palazzos, Venice is, at its heart, a city of insuperable decadence, glamour and sophistication. And just in case the point could not be made obvious from the lavish boutiques, the jewel-covered masks and the elaborate architecture, one building more than any other shouts out glamour more than any other: from its richly coloured marble façade right up to its astonishing golden cupolas. The Basilica San Marco. And it was to this beating heart of Venice’s identity that we headed first, as we set out on a new day ambling amongst the jewels of the Queen of the Adriatic.

The Basilica’s marble-clad exterior

Ever since its first construction in the 9th century to commemorate the arrival in Venice of the (allegedly) stolen remains of St Mark, this magnificent cathedral, prime example of the Byzantine style of architecture, has been at the heart of the city. Adorned with 8000m squared of golden mosaics, and jewels and treasures aplenty collected from across the world in the aftermath of Venice’s many historical conquests, the Basilica is not just a symbol of religious devotion, but also historical prowess. Above all things, it is a temple of the utmost opulence. When visitors first enter, you can literally hear the little eruptions of “wow” escaping from tourists’ mouths as their astonishment is articulated at a first glimpse of this heavenly space.

For me, with its expanse of paradisal golden cupolas glimmering and sparkling across every curve and corner of the cathedral’s vast ceiling, Saint Mark’s is without a doubt the most stunning church in all the world. And while photo taking was banned, Dominik and I naturally ignored this, surreptitiously taking photos, largely from cameras wrapped up in our scarves (before we became a bit more brazen in our approach). So while gazing at the incredible majesty of the Basilica as represented in these photos, don’t forget the extra effort we had to go to in order to bring them to you!

…but the real treasure is inside

Having become almost tongue-twisted with awe in the Basilica, we spent the rest of the morning largely ambling around Venice’s superfluity of canals and side streets, shop-lined passages and piazzas – for what greater joy is there than to get lost in Venice. And while it would be difficult to beat the splendour of St Mark’s, even in that pursuit we could not help but be wowed by the opulence which scatters its luxurious bounty all over the city: Gondolas with their highly ornamented damask seating fringed with golden unicorns and lions glided elegantly down canals and under bridges; in the shops, windows came alive with glinting gold masks and sparkling glass Christmas trees; and lining canals and cobbled streets, Venice’s palazzos and houses, while often tired and ageing, retain the unique grace and characteristic elegance which has made them famous throughout the world.

All that glitters is Venetian gold…

Jan 7

3 Comments

Natale Italiano | Venice – Day 1: The Arrival

There is something unquestionably unique about arriving in Venice, the Floating City of Italy. The city’s swish mainland airport, surrounded by its main roads and cars, is the last reference to the real world you will have. Leaving the airport behind, and walking left along a progressively foggy winding road, you head towards a mode of transportation far more suited to transporting visitors to the City whose very foundations are forged in partnership with water: a boat. Taking the step from firm ground onto the bobbing wooden floor of a water bus, attempting to balance luggage with one hand, and steadying yourself with the other, suddenly the ordinary becomes a little more extraordinary, as the next stage of the journey to Venice makes its progress across water. And this is when it hits you – that Venice is indeed no ordinary place; cut off from reality not just because of the very unique look and feel to the city, but because stranded out in water, it is literally an island separated from the rest of the world. This sense of separation and mystery increases as the journey by boat steadily increases in length, as the boat heads further and further into the thick mists of the lagoon until suddenly, without so much as a warning, the elegant facades of palazzos, and the stripy gold-fringed finish of poles for tying boats begins.

A water bus into Venice

This was how we arrived into Venice; our senses gradually reprogrammed so that by the time we arrived into the city, we knew that we were coming upon something special; a conclusion which cannot have been doubted when the boat took us into Venice’s heart via the Grand Canal, and before us the glittering lights of the bustling Rialto Bridge met our line of vision. Oh the beautiful Serenissima – Queen of the Adriatic. Is it any surprise that so many visitors have fallen under your spell, ensnared by your unquestionable beauty from palazzo to palazzo, bridge to bridge?

First views of Venice – the Rialto and the Grand Canal

Stepping off the water bus just after the Rialto bridge, we could still feel the bobbing and rocking motion of the boat as we took our first steps on land, before gradually realising that we were on firm ground again, albeit ground with the most stunning views of the Grand Canal and of all the little shopping streets and side canals which run off it. Like being in a film, we wound our way through those small streets and across tiny bridges in search of our hotel, all the while pausing only to close our mouths which would otherwise hang open in astonishment. Was a city ever as beautiful as this?

Inside the Aqua Palace Hotel

Upon arriving at our hotel, the splendid Aqua Palace Hotel, we were afforded yet further opportunity to gaze in wonder at this truly incredible city – being given, as we were, a superb room with not one, not two, but three windows looking directly onto the Guerra canal which surrounds the hotel. Barely able to comprehend the beauty of what lay beyond our windows, we managed to stagger away from those windows and out into the city, heading first and foremost to the place where any visit to Venice must begin – the Piazza San Marco. The proximity of our hotel meant that this joy was not long awaited, and within minutes, the staggering view of the onion shaped roofs of Saint Mark’s Basilica rose into sight, along with its campanile whose roof was already shrouded in the mysterious mist which had enveloped its way around the city.

The Piazza San Marco

Where to next? Why the Caffe Florian of course which, having opened its doors in 1720, is a contender for being one of the world’s oldest cafes and which has continued to woo visitors and locals alike in all of the years which have since passed. With its elaborate gilded and frescoed interior, together with its cute little corner seats nestled next to the window with a colonnaded view over Saint Mark’s Square, Florian’s is truly the best place to begin a trip to Venice – something we clinked our glasses to there an then; a glass of prosecco on one side, and a glass of Venetian Valpolicella on the other.

Florian’s

From there, time before dinner afforded us ample opportunity to stroll around and acquaint ourselves with the city. For me, this was a re-acquaintance, having very briefly studied art history here in 2001, and visited for a short weekend a few years thereafter. For Dominik: this was a first visit to Venice, and for him, all of the inevitable excitement at discovering this gem afresh was evident to be seen – a glistening to his eyes caused, if not by the beautiful Christmas lights lining the colonnades of St Mark’s and the plush shopping streets surrounding it, then by reason of the emotion which greets one when the sheer beauty of Venice is taken in for the first time. Past baroque churches and small piazzas, over bridge after bridge crossing quiet little canals, their greeny waters still like ice, and along finally to the Accademia Bridge, from which that famous view, stretching down the Grand Canal towards the Santa Maria della Salute, could be enjoyed in all its elegant majesty.

The Accademia view and walking the streets of Venice

With our eyes nearly popping, and our legs already exhausted from the continuous ascent and descent over bridge after bridge, it was time for a rest, and for a heart-warming culinary welcome to the city: dinner. Our gastronomic benvenuto was provided by the perfect little eatery: Alle Testiere (Calle del Mondo Novo). Able to give their full attention to the few little tables squeezed into the restaurant, the staff were wonderfully attentive, spoke perfect English, and made this culinary welcome a warm one. The wine – some more of that Venetian Valpolicella – was as sensationally smooth as was our gentle arrival onto the Grand Canal but hours earlier.

But the food was something beyond mere description – taste sensations which need to be sampled rather than photographed or described. But in an attempt to at least provide some insight into that perfect little meal, let me tell you that my pumpkin and shrimp ravioli with which I started (but alas did not photograph) was amongst one of the best dishes of food I ate in 2013 – perfectly cooked al dente pasta, with a fusion of sweet creamy pumpkin and delicate salty shrimp which had my palate dancing for joy. The creamy saffron gnocchi with fennel and prawns which I gorged upon afterwards did likewise. For Dominik meanwhile, the freshness of a squid salad presented all of the benefits of eating in a city surrounded by water, while his main of spaghetti vongole made us realise just how mediocre the same dish can be when eaten locally in London.

Our evening was rounded off, as all evenings should be. by an equally sensational dessert of smooth ricotta cheesecake, a glass of dessert wine with cantuccini for dipping, and a further stroll around the tiniest of alleyways and grandest of Piazzas which the area of our hotel provided in their multitude. After only a few hours in Venice, we returned to our hotel well aware that in visiting the city, we were living out some kind of dream; a surreal experience like none other. Where there are no roads or cars to wake you, taxis and buses that move on water, and houses that plunge straight into water. And if we needed further clarification of the surreal character of this very unique city, a glance out of the window that night to see Santa, dressed in red, crossing a bridge a little further down the canal (no joke) was confirmation that there truly is no place quite like Venice.

Join me on The Daily Norm for a whole load more in homage to Venice and beyond – coming soon.

Dec 25

4 Comments

Composition No.12 – Christmas Dinner

A crispy skinned, moist roast turkey, its skin alive with the unctuous effluvia of hot meaty gravy; accompaniments of smokey soft sausages wrapped in bacon and carrots caramelised in honey, crunchy steamed sprouts and sharp cranberries; and a dessert of sticky-sweet Christmas pudding, drizzled with creamy custard, and served alongside the buttery pastry of mincemeat filled pies – this is the feast that Christmas days are made of; the abundant dinner which sits at the heart of the festive celebrations, and with which I wish all readers of The Daily Norm a very happy Christmas this Christmas Day.

Composition No. 12 (Christmas Dinner) (2013 © Nicholas de Lacy-Brown, gouache on paper)

Yes, painted some weeks ago, when the spirit of the festive season began to seep into my bones and inject an energetic spring in my step, this 12th composition of a gouache collection started this summer marks the culmination of my year’s creative efforts. In style it mixes both a focus on realistic figurative efforts together with the overlapping transparencies which have characterised a lot of my “compositions” work. Thus while one brussel sprout is depicted realistically, the others around it are semi-transpararent reflections on a theme; shades of green darkening and lightening depending on their surroundings. Added to a scene complicit with Christmas spirit is a whimsical nutcracker together with the hearty walnuts it has been cracking, glasses of wine adding cheer to the dinner, and finally a cosy candle, providing warmth and intimacy to this festive scene.

It’s a scene that I hope is being repeated the world over this 25th December as we all celebrate this festive event, a time of togetherness, of socialising and of hearty indulgent feasting.

Happy Christmas everyone!

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2013. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Dec 17

3 Comments

Paris | Photography Focus – Campana d’Orsay

The last post of my recent Parisian adventure, and the fourth set of photographs emanating from the trip pulls something of a sharp focus on a particular place in Paris, and not one that is all that well known either. In the insuperably brilliant Musee d’Orsay, behind one of the two huge round glass windows which double as the prominent clock faces which characterise the building’s impressive riverside façade, is a super chic new café opened following the major renovations of the museum in 2011. The café, which was designed by the Campana brothers, and now carries their name, is very different from the typical bistros and brasseries which are so characteristic of Paris. Ultra modern in its design, throwing diners into something of an undersea aquarium-come-fairy tale palace with its waving lines, bubble like round-patterned chairs, and striking aquamarine backdrop, this café is nothing if not eccentric, but therefore perfectly placed in its location next to the galleries containing France’s foremost collection of impressionist art – after all, these were the artists who challenged all of the art which had gone before them. As a café, the food isn’t all that great, and the selection is even worse, but the design is such a winner that I couldn’t help but give this genius of café design its own little space on The Daily Norm.

The photos which follow focus mainly on the various unique features of the Café Campana, but also include some cheeky shots of fellow diners. I’m not even sure that I’m really allowed to take photos of people without their permission, and still less publish them online. But if that’s the case, it’s a real shame, because there is nothing quite like a voyeuristic glance at fellow dinners to really capture the essence of a place. In fact like the Impressionists before me, these photos represent my way of doing what those artists did best: representing real life, and recognising reality as a thing of beauty in itself. Surely no activity could be more appropriate at the d’Orsay’s café, where only rooms away, Degas’ famous painting of desolate drinkers staring into their glasses of Absinthe in a Paris bar (l’Absinthe) hangs amongst the masterpieces on show.

Admittedly the diners in my photos are enhanced by their surroundings, and in particular the glittering gold lights which are by far my favourite aspect of the design. Hanging in their multitudes, these lights give the feeling of being in a kind of Olympian paradise, where over-sized golden blue bells hang abundantly above. Their splendid shiny gold surface, and their installation, hung from great steel joists also painted gold, makes for a lavish spectacle in a way that only gold can; a spectacle which is all the more enhanced by the sheer abundance of it – when you have gold, why not have plenty of it? And hung as they are, all at different lengths, in irregular groupings, these lights seem so unplanned as to be a natural phenomenon; the kind of visionary wonder that makes you appreciate the glory of the world all around.

In short, the Musee d’Orsay is well worth visiting for the Café Campana alone. Not necessarily to anticipate a gastronomic revolution – it is only a café after all, and a museum café at that – but to gaze in wonder at what must be one of the most impressive contemporary restaurant designs in Paris. I leave you with my photos – which include a few inevitable shots of the impressive d’Orsay itself – a former left bank station which has more than found its own as a bastion of 19th and 20th century art. Until next time Paris…

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2013 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Paris | Photography Focus – Les Jardins et les chaises (daily-norm.com)
Paris | Photography Focus – The city by night (daily-norm.com)
Paris | Photography Focus – Rues and Rooftops (daily-norm.com)

Sep 13

7 Comments

A Weekend in Kraków | The traditions and innovations of Kraków’s food

Poland isn’t exactly known as one of the centres of European gastronomy. For years, that crown, once worn so complacently by the French has been shared intermittently between the likes of Spain, Denmark and the UK. The only Polish food I had really tried before my departure was a packet of shrivelled up long smoked sausages from our local tesco’s (catering for the not insignificant Polish population living down the road in Balham). So I didn’t exactly have high expectations for what I was going to find food-wise when I went to Kraków for the weekend. In fact, I didn’t really have any expectations at all.

But, as with so much about my weekend in the stunning little city of Kraków, I was pleasantly surprised by the array of high quality food on offer. First off, there was the traditional fare – I say that I went along to Poland without any expectations in respect of food, but that’s something of a lie. Because I was pretty determined to try at least a sausage in its native Polish environment, and of course it was only reasonable that such sausage (of which I found plenty in the bustling markets in and around the Rynek Główny) should be washed down with another export of the country – a glass of ice-cold Polish beer. Both objectives were achieved (the best sausages being the preserve of our hotel breakfast, while an ice cold beer proved to be the perfect accompaniment to watching the world go by in the Rynek Główny).

Oscypek cheese

Pierogi dumplings

However, my explorations of Polish traditional cuisine went further. Only minutes into the trip, and I was already sampling another of the local specialities (spurred on by my Polish partner I should add). The first was oscypek, a super-salty waxy cheese from the nearby Tatra mountains – it reminded me of greek halloumi, albeit much smokier in flavour; the very taste of the flames licking the sides of the cheese dominating. The second – pierogi – are a kind of traditional dumpling. Rather like ravioli in appearance, they taste more doughy in flavour, and every bit as juicy and flavoursome as a dumpling should be. I’m not sure you’d necessary sample them looking quite so trendy as these all over Poland, but sitting by the side of the Rynek Główny in the café “Vintage”, we were served only food which was consistently well presented and full of flavour – a real surprise for a restaurant located so close to the tourist heart of the town.

But for all its traditions, Kraków is a city which remains young at heart (its large student population keeps it so); a city embracing innovation and cultural dynamism, and so it is perhaps unsurprising that Kraków’s food offerings are both extensive as they are varied, with numerous restaurants presenting food which is both modern in flavour and in presentation. Pretty much all of the food we had was of a consistently high standard (although a rather demented looking piano player supplying diners with “mood-music” somewhat put us off our food experience on the first night). But of all the places we visited, two really stood out.

Studio Qulinarne

The first of the two is Studio Qulinarne, located in a rather grotty backstreet of the Kazimierz (Jewish district) (I assumed my Partner had got us lost) but which, inside, is the height of sophistication, draped in flowing white sheets, complete with loaded bookshelves and a grand piano (happily being played by a less-demented looking pianist on this occasion). Being that the day was fine when we visited for lunch, we opted to sit outside on their back patio, which reflected the industrial mood of the area, but was made chic and cosy through low sofa seating and an abundance of plants.

The real star of the show at Studio Qulinarne however was the food. Dominik opted for a crayfish consommé which was as delicious as it was presentationally excellent. I had fettuccine ribbons with chanterelle mushrooms which were very much in season at that time (and consequently featuring on the specials menu of many a Krakóvian eatery). The pasta was perfectly cooked, the mushrooms earthy and salty, and that edible flower added just the class of touch that makes me swoon over my food. As for dessert, well we had a bit of a quandary there – unable to choose between a white chocolate semi-freddo, a lavender crème brûlée and an earl grey and mint panna cotta, we felt compelled to try them all (when I say “try” I naturally mean wolf down unapologetically…oh well).

Wentzl Restauracja

Second of our restaurant favourites has to be Magda Gessler’s impressively quirky Wentzl restaurant; an elegant high-end affair situated directly above the Rynek Główny (and happily for us, also in our hotel). I have already raved about the richly embroidered, elegantly presented versaille-come-hunting-lodge look of this wonderfully lavish restaurant, since our hotel rather graciously serves its breakfast in the same place. But when I saw those brilliantly eccentric pheasant chandeliers and the completely over the top silk curtains, I just knew that we had to try this place by night. If breakfast had wowed, then dinner was like a firework display of superlatives. Perfect service and our already extolled elegant surroundings accompanied what was a night of consistently delicious food. It was my turn to opt for crayfish this time, which I did by way of a creamy Masurian crayfish stew with cognac, while Dominik opted for his favourite of fish: herring done two ways.

For mains, I had a smoked duck breast salad with raspberries and orange – the duck was cooked to perfection, and happily the orange based accompaniment in no way resembled the duck a l’orange disaster which was so popularly served up at dinner tables in the 70s and beyond (I know this from the beyond – I wasn’t around in the 70s myself). Dominik in the meantime went for a very Christmasy goose leg with cranberry “bow” – well, we may as well start getting into the spirit of things. Finally, for dessert I enjoyed a Delicacy of white chocolate with pear mousse favoured with rose – the white chocolate taste was altogether a little too delicate for me, but it was certainly a fragrant and pleasing end to the night which, for Dominik, concluded in a fruit of the forest jelly.

So the restaurants were ticked, some fine wine drunk (though warning for all visitors: wine is not cheap in Kraków – expect to pay at least £40 for a bottle), traditional fare sampled, and both a polish beer and vodka polished off. There was only one thing still to do in this hip arty town: why, head down into one of the dank little cellars for a live jazz show of course. We headed to the U Muniaka jazz club which was small, atmospheric and everything a jazz club should be, and there sat mesmerised by the inherent skill of those jazz musicians long into the night. Kraków, I love you.

A weekend in Kraków | Day 1 – Jewellery box city (daily-norm.com)
A weekend in Kraków | Day 2 – Kings, Communists and the Kazimierz Ghetto (daily-norm.com)
A Weekend in Kraków | Mariacki Sunrise (daily-norm.com)

Sep 6

3 Comments

The Daily Norm’s Photo of the Week: Shard Triptych

Love it or hate it, you have to admit that the Shard, currently the tallest building in all of Europe at 306 metres high, and the newest addition to the London city skyline, makes for quite an impression on the eye, not least because its construction in the London Bridge area rather than the more developed City, means that the skyscraper is something of a lone ranger in amongst a terrain of far shorter historical constructions. While I had my reservations at first, particularly when I saw the building on completion and realised that the jaggard edges at its summit (said to resemble shards of glass – hence the name) were not going to come together into a satisfying point, I have to admire the way that this vast building stretches into the sky for as far as the eye can see, bursting out of the Bermondsey skyline as an indisputable symbol of man’s quest to build higher and higher into the realms where only nature has previously reined free.

But seeing the mighty Shard from a distance is one thing – how about dining at its foot, on the roof top of a nearby restaurant with the more recognisable skyline of riverside London reflected in the Shard’s huge glass facades? Well that was exactly the dining experience I enjoyed at the end of last week when, with my dear friend Celia, master baker and author of the indefatigably brilliant Lady-Aga blog, we spent the late-summer’s evening at the Rooftop Café of the Exchange building, a laid-back antipodean affair, where aussie chefs and suitably chilled-out waiters serve a menu loaded with tantalising light summer treats, to be savoured while enjoying the view which, thanks to the reflective surfaces of skyrise buildings all around, could be seen wherever the eye did venture.

So while you must excuse the fact that, for all those fine views, my memory of the food is less precise (luckily my fellow diner was more astute in that respect, and I will let her review on Lady-Aga fill you in on all the gastronomic details), as The Daily Norm’s favourite photo(s) of the week will testify, the view of London was simply too breathtaking to let food take centre stage. I could, in fact, fill this post with photos of the views which I took on my handy iphone that evening, as the sky over London went from a fair-weather cloud scattered lemony yellow, to a rich raspberry pink. However in an attempt to pare down my selection to a mere few, I have selected what was undoubtedly my favourite view of all – the double whammy which was provided in seeing the recognisable London skyline (London Eye and Parliament included) reflected in the sparkling new surfaces of the glazed and angular shard.

Quite unable to choose between these three views, each taken slightly later during the evening, I simply opted for all three. One series – a view in transition – taken in three successive shots.

Love it or loathe it? How the Shard has divided the capital (standard.co.uk)
Postcard of the Week: The Shard, London’s Tallest Building (thewell-travelledpostcard.com)

Aug 19

6 Comments

Marbella Twenty-Thirteen | Double-Starred Calima for the Big 3-0

For a relatively small town sitting in the shadows of the larger cities of Malaga and Seville either side of it, Marbella has an astonishing number of restaurants to suit every taste, and of those a large proportion find themselves glowing at the higher end of the gastronomic echelons. Yet only one restaurant in the whole of Andalucia can boast the glittering accolade of two Michelin stars, and that sparkling temple to gastronomy is to be found tucked away in the pine-tree sheltered gardens of Marbella’s Gran Melia Don Pepe hotel, with its large open veranda facing straight onto the Mediterranean Sea. I am talking about Calima by Spanish extrovert chef Dani Garcia, a restaurant which many have called “Fat Duck by the Sea” in homage to Heston Blumenthal’s innovative cooking style, a testimony with which the judges at Michelin would surely agree. And having read rave reviews about the place in the UK press way back in the Spring, I knew that this glittering gem in Marbella’s foodie crown had to be sampled – and when better than on the evening of the biggest birthday in my life so far!

En route to Calima

Working under the tag line “Cocina Contradicion” Dani Garcia promises to bring to the table cusine embracing multiple contrasts, while savouring traditional Andalucian flavours and exciting the senses. A quote on his website pretty much says it all:

“Into a tradition-based sauce, pour opposing and unique flavours, add a tablespoon of intense nuances, a pinch of talent and a sprig of innovation. Add a mixture of disconcerting textures and sprinkle with thrill.”

He promised food theatre, flavour sensation and gastronomic thrill, but would Dani Garcia’s cooking live up to the mark? Well as we sat down at our sumptuous table, one of only four enjoying the stunning Mediterranean view (that’s what booking 3 months in advance gets you!) and saw the 22 course tasting menu with its €139 price tag, we certainly hoped that we were in for a treat. And, on the whole, we were not disappointed.

The prospect of eating 22 courses is somewhat alarming, until your realise that really, these courses can be called nothing really more than bitesize samplings. Consequently, by the end of the meal, it’s highly unlikely that you will feel full up. At Calima, it’s also highly likely that you would have forgotten much of what you have eaten. For while we were given a copy of the menu, we did at time feel as though we had a conveyor belt of food before us. No sooner had one course come, than it was whisked away by the very attentive waiting staff and another introduced. The overall result of this was that, first and foremost, we felt that the dining experience was too rushed to properly appreciate the complex flavours of each dish, and indeed to revel in the beautiful appearance of every course, but secondly, it means that in writing this review, my memory of the dishes consumed is scant to say the least. Luckily I took photos of each course, so that you can see, if not read about each tantalising sampling.

So the tasting menu began with three little “snacks” – I felt a little disappointed that three courses had been served at once, but then that very much set the tenet for the evening: efficiency and speed. I wasn’t disappointed by the flavours however, starting with crunchy baby sweet corns layered with a “kimchi” seasoning which, much like Garcia had promised at the outset, popped and crackled on the palate with sweet and sour contradictions. Alongside that, a kind of aerated bagel seemed to melt in the mouth before I had properly appreciated what was inside, and a clustering of what can only be described as rice crispies enveloped deceptive flavours in their recreation of the traditional patatas bravas tapas dish.

We moved onto a sensational reinvention of the typical caviar tin – this one filled with an unctuous cream combined with dates and caviar making for an incredible flavour balance, and something which should surely be tried at home. Following on, a little “empanadilla” again melted in the mouth owing to its “pastry” of sweet rice paper (contrasting deliciously with its smokey meaty interior). Next, the kind of theatre to be expected of a Michelin star eatery: “egg with no egg” – an apparently goey soft boiled egg which actually contained a foamy, fruity smoked fish concoction. Further theatre followed with a box full of almonds, two of which were frozen droplets of foie masquerading as almonds, but exploding in the mouth like a foie gras ice cream truffle. Serious yum. Such a beautifully multi-coloured fusion followed, as the vivid purples and sunshine yellows of tomatoes, and beetroot and oranges contrasted fantastically with the plumpest oyster of my acquaintance; while further theatre was presented in the form of a tomato which was actually a jelly-skinned fake containing a rich moussey interior.

Probably the most beautiful dish of all followed on: entitled simply “Rocky Seabed”, it appeared to be a rock clustering of sea life served on a decorative box of shells and sea salt. It was in fact entirely edible – the rock collapsed and melted in the mouth like a wafer-thin rice cake, while the treats on top, including Marbella-fished baby shrimps were an exquisite cocktail of jellies and seasonings. My favourite dish of the lot. Then came the “muffins” which contained a yellow smoked fish cream and whose paper cases were also edible. This was followed by a sensationally presented scallop dish, in which thinly sliced scallops were presented like a rose, surrounded by tiny edible flowers and served with a sharp and sweet citrus cream.

Up next, a partridge foie dish – two explorations on the foie theme, one like a round truffle, the other a soft mousse in between two crispy wafers, both presented elegantly on a block of real wood. Then another of my favourite dishes: wafer thin potato pillows scented with lemon flavourings and dipped into an exquisitely rich, salty meat gravy. Eel followed: tender slices of eel buried in an avalanche of garlic cream, balance with blood red orange and again decorated with edible flowers.

Jul 31

4 Comments

Summertime Sussex (Part 2) – Pre-birthday Garden Party

For me, the highlights of my childhood were the times spent outside in the spring and summer; my sister and I playing endless games such as flower fairies and thundercats in the daffodils, or picnicking under our lilac tree on a Sunday evening; sleeping in my tent on a damp dewy midsummer’s night; the smell of Avon suntan cream and the texture of my mother’s toweling dress; dragon flies hoping over the surface of our still reflective pond water, and the sound of their wings getting stuck underneath the netting which kept cats away from the fish. More recently, I’ve loved to indulge amongst privilege few in the elegant gardens of Glyndebourne opera, dressed up to the nines, a picnic basket in one hand and a glass of champagne in the other; and to this day my favourite thing in all the world is to dine al fresco.

So being that it is approaching my birthday, and that this build up has fallen, fortuitously, within a period of unseasonably fine weather, I decided that when a visit to my family home in Sussex fell due, there could be no better way to celebrate my birthday that with an elegant garden party for all the family. This had parallels to a lavish do that I put on for my 12th birthday, when I transformed the garden into an Alice’s wonderland, painting a Cheshire cat to sit up in the tree, and bedecking the garden with playing card garlands. 18 years later, I got out that same, slightly tatty Cheshire cat that I painted as a boy, and sitting him in the very same, now slightly more slumped iris tree he sat in all those years ago, I went about decorating the rest of the garden for the occasion.

The result was a slightly more elegant affair than the wonderland spectacular I conjured up all those years ago, and perhaps more suitable for the grand old 30 years I will reach on my birthday in two days time. Pearlescent balloons and large oversized paper chains that I made in the car journeying down from London (I wasn’t driving, I should note) were an easy but effective decorative option. But the real heart of the party of course was the table, where I wanted to build a focus while making the table cosy and intimate – something not easily achievable when dining out in the open air. This I did through the use of a large umbrella, from which I dangled single flower stems of every conceivable kind gathered from around the garden (much to my father’s horror). The result was an impromptu chandelier of flowers, forming an elegant canopy over the table and later reflecting the candlelight from the tealights set out in odd glasses on the table below.

As for the dinner, well a barbeque made posh with all manner of Mediterranean salads and salsas and marinades delighted all family members present, but not nearly as much as the cake – something of a last minute gathering of a Marks and Spencer Percy Pig cake, surrounded by a mud bath of chocolate additions. Most importantly of all were every one of the required 30 candles, the heat from which made for our very own outside patio heater, at least for the short duration before my birthday wish extinguished them forever.

So the moral of the post, apart from to show off my photos of course, is that with a few single flower stems, an umbrella and a bit of ribbon or string, you can make a table centrepiece that will wow your guests before the food even hits the table.

Jul 23

3 Comments

Provence Odyssey | Aix: Le Dîner – La Cantine

Oh pretty Aix, if only I could write you an ode that befits the glory of your pastel-coloured visage, your night times streets ambient with the warmth of your peoples’ passion, night strollers treading the tango under the shelter of wide plane trees hung with glowing lanterns, around your fountains bustling restaurant tables clustered, and on your honey-painted walls, light reflected from street lamps and cafe candles. Aix, the city of students, of Cézanne, of the chic and the cultured, a city whose spirit is unceasing throughout day and night, and whose elixir of life bursts like electricity bolts through the long boulevards and across your terracotta rooftops.

Ice cream delight!

Yes, by evening on our first day in Aix, a passion for Aix had swept over us both, as we wandered its streets and squares captivated by its reflected glory. Finding a gastronomic feast to match our experience was not difficult, and in one large square close to the law courts and the old Hotel de Ville, one restaurant in particular, its tables set out under the natural canopy of trees, candles flickering on its grey tables, drew us to it. The restaurant was La Cantine, offering a mix of corsican, Italian and Provençal food, but with a menu whose platters of charcuterie and oozing local cheeses had about it the casual feel of Spanish tapas.

Dinner at La Cantine

Yet beyond the small tasty samplings of our meat-loaded starter, unctuous main courses more than satisfied our growing hunger at this temple of gastronomic delights – a succulent lamb dish sweetened in honey for Dominik, and for me a pile of perfectly al dente gorgonzola cheese pasta, retaining both a bite to the pasta, but a creamy explosion of rich blue cheese. Exquisite.

For dessert, a fresh tart of strawberries and a salted caramel crunch more than satisfied our now loaded bellies, part filled as they were at the beginning of the evening by spectacular ice cream cocktails, consumed out of the coolest of ice cream containers that I have ever seen.

Words cannot alone describe the buzz of this incredible city, nor my remembrances of a dinner eaten to an accompaniment of chirping birds and splashing fountains aptly recreate the pleasure of that evening. So I leave you instead with some night time photos, of a city alive despite the late hour, of buildings shining with glowing projected words cast upon them, and of fountains and cafes full of the crowds who keep Aix pumping long into the night.

Aix by night

Provence Odyssey | Aix: Day 9 – In search of Cézanne (daily-norm.com)
Provence Odyssey | Avignon: Le Dîner – Coin Caché (daily-norm.com)
Provence Odyssey | Arles: Le Dîner – l’Atelier de Jean-Luc Rabenel (daily-norm.com)

Jul 12

5 Comments

Provence Odyssey | Arles: Le Dîner – l’Atelier de Jean-Luc Rabenel

We had one of those rather embarassing moments on our second day in Arles when, eager to escape the vigorous Mistral wind and therefore sitting down at the first restaurant we came across with a sheltered position, we found ourselves, upon being handed the menu, faced with prices which were well in advance of our lunchtime budget. Splashing out in the evenings is one thing (you can barely do otherwise with Provence’s prices), but if we were to spend similarly at lunchtime, we wouldn’t be able to pay for a bed for the night. So when we sat down at a table outside l’Atelier de Jean-Luc Rabenel (otherwise translated as the studio of Jean-Luc Rabenel), we quickly discovered that we couldn’t afford it. So what did we do? We ran away! (We did however settle on a cute little cafe just down the street – check out these delicious salads…)

This ever so embarrassing escapade may have been bearable, were it not that come the evening, we struggled to find a single decent restaurant which was not a tourist trap anywhere in town, and so decided to return to said restaurant, with our tales between our legs. Luckily none of the waiting staff who had earlier wasted a sparkling water order on us appeared to notice that we were the absconding duo from earlier in the day. Or if they did, they hid it well. Which is what one comes to expect from a quality restaurant, and with two michelin stars to his name, the restaurant of this self-styled artist-chef does certainly did not lack in quality.

Lucky enough to seize upon the last remaining table in the very cute little street – the Rue des Carmes – where the restaurant is located, we could enjoy charming views of old shuttered buildings and grape vines crawling possessively over building facades before we had even gazed upon the visual delight that was the food coming out of Rabenel’s kitchen. To start, neither of us could resist the ice-cold gazpacho, nor did either of us regret the decision to replicate when the dish, artfully presented as a quasi-cocktail on ice with a sprig of rosemary and complemented by a handy straw, was served, alongside mini bruschetta topped by salty serano ham.

The main course followed swiftly, although for me this disappointed. Sticking to the more economical fixed price menu afforded me less choice for mains, but the fish pie upon which I eventually settled lacked the kind of originality in both presentation and flavour which is to be expected of a michelin star establishment – although the handmade pesto side dish was an indisputable delight. Dominik did better, with a huge pan full of succulent muscles, plunged into a soup-like jus filled with delights such as rustic chorizo sausage and caramalised prawns.

But as mains paved their way to dessert, another duplicated choice for us both – a chocolate cake with a wonderfully strong vanilla cream, pistachios and berries – again exhibited all of the flourish of fine dining, if it lacked slight the originality which we spoilt London diners come to expect of our michelin stars.

But over all, the restaurant was a delight and wonderfully situated in a quite Arlesienne street, suitably off the beaten track to avoid the kind of tourist groups pouring into the tacky restaurants claiming to have a Van Gogh connection, and excitingly modern despite the aged charm of its situation.

L’Atelier is part of group of restaurants all belonging to the “cercle rouge” group and situated on the same street. Next door is the Bistro a Coté – the wonderfully animated website of the Alan Sugar lookalike chef is worth a gander in itself.