Cambridge is not all that far from London, but when we visited over the Easter weekend, we wanted to truly relax. And such a state was never going to be possible if we were day-tripping, with all the stress that repeated train travel would inevitably entail. Pampering campaign commenced and justified, we opted for a hotel stay in Cambridge, bedding down for the night at the Gonville Hotel, a delightfully appointed boutique establishment just off Parker’s Piece, one of the city’s largest stretches of green.
Our hotel stay was a real treat. The entire accommodation was designed with style in mind. Elegant colours, textures and fabrics combined with modern lighting, plush contemporary furniture, and all the mod cons to create an experience replete with comfort. Our bedroom had its own terrace, a soft lavish bed piled with mountains of snow-soft cushions, a little seating area, and even our first taste of Netflix. But best of all things, it had its own private garden, resplendent with a soft bouncy lawn, trees bursting into blossom, and a feel of careful but decadent neglect.
It was in that garden that we spent a good deal of time relaxing after the excitement of the city, taking the time out to rest in the sun, revel in the simple purity of birdsong, and drink some tea, as one must in England. It was there that I once again opened my travel sketchbook, drawing this sketch of that very garden.
It is a simple image, or perhaps the simplicity is in the collection of roughly piled bricks it depicts. But they were a sight which caught my eye when I saw them, late in the afternoon sun, dappled with sunlight and surrounded by trees not quite in bloom. The sketch started as something of an exercise of angles and shadows, and ended up being one of my favourites of my sketchbook.
It was a truly tranquil spot in which to engage in a little sketching, and a marvellous hotel in which to extend and augment our Cambridge stay.
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