Paris: la visite d’art – Les Photos
I’ve already mentioned that my recent trip to Paris had been justified on the basis that there were at least 3 tremendous exhibitions on show which I was bursting to see. But likewise, while I always try to rationalise my extravagance in visiting Paris as often as possible, for those who really appreciate the aesthetic beauty, the artistic perfection of life, I need justify this visit no further, nor indeed any other foray into this undeniably beguiling city. Just one look at my recent set of Paris photos is justification in itself. For where else on earth could a heaving, busy, pulsating capital city exhibit such indisputably captivating elegance? From its broad Haussmann boulevards and narrow cobbled streets, to the blue lacquered doorways and red wings of the Moulin Rouge Windmill, Paris is a paradise of unparalleled artistic ravishment, seducing every species of the creative collective within its fold.
I have taken so many photographs of Paris, and every time I visit, I think there cannot possibly be anything left for me to capture. And yet with each new visit, Paris proves that I was wrong to doubt, bounteous as it is with fodder for even the most seasoned photographer, constant inspiration to those who like me, cannot resist the temptation to immortalise this city in a thousand new shots at every turn of the corner.
This time round I became freshly inspired by the quaint streets of Montmartre, and the rubicund red of the Moulin Rouge. I was enchanted by some of the smaller details such as the glossy blue lions on the doors of official government buildings, and by contrast, captivated by the creative graffiti art lining the stairs leading up to the infamous Butte de Montmartre, and the oddities of the urban landscape such as this almost melted pavement, above. So from shots of shop signs and garlic filled snails, to souvenirs aplenty and cityscapes which are like poetry on the eyes, I leave you now with just a few of my recent photos – my ode to the true art of Paris: Paris itself.
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