Siena: Doing the Duomo
In choosing Siena’s most iconic building, there are two clear contenders. Sat at the pithy core of the citrus-sliced semi circle of the Piazza del Campo, the Palazzo Pubblico is a clear contender. With its soaring bell tower of red brick characterised by medieval power status and the objective to outdo rival Florence, the Palazzo is in every way iconic as a symbol of Sienese politics and ambition. But while for me the Palazzo and surrounding Piazza may be the brains of Siena, its beating heart and most charismatic structure of all is its Duomo. With a lavishly intricate facade made of blackish green, coral pink and creamy white marble, together with a multitude of gold enhanced mosaics and relief sculptures, the Duomo looks good enough to eat – a minty humbug and a prize wedding cake al rolled into one.
The Duomo and its facade
But to focus on Siena’s exterior would be to miss the treasures on the inside, which range from Michaelangelo’s treasured sculpture of Saint Paul, Nicola Pisano’s impressively intricate Carrara marble pulpit, Donatello’s bronze relief, The Feast of Herod, Bernini’s sunburst lantern atop the dome, and an incredible marble floor depicting a series of biblical tales with pristinely cut delicately interlaced pieces of multicoloured stone which was the life work of some 40 artists across 200 years. What’s more, in the Piccolomini Library off to one side of the main nave, there is the staggering feat of Bernadino di Betti’s ceiling and wall frescos whose multiple areas of gold embellish the room with a lavishness equal only to a jewellery shop.
The Piccolomini Library
Interestingly however, the Cathedral might well have been far greater and even more exorbitantly lavish had a planned (and commenced) extension in the 14th century, intended to more than double its size, been completed. Sadly owing to the onset of the Black Death in 1348, the work was ceased, and the evidence of errors in the construction meant that it was never continued. All that remains of the plans today is a the large outer shell which helps to illustrate the scale to which the Duomo extenders aspired and the power and ambition of the city.
The interior and the incredible pictorial floors
So with those unbeatable views I’m brining this Siena and Tuscany series of posts to a close. They’re photos which capture a region of outstanding natural beauty, and hold the memories of adventures which I will long cherish… until the next time I’m lucky enough to visit the home of my in laws.
Up in the gods… and the views of Siena from the top
© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.
Siena is a Tuscan gem, isn’t it? As usual, love your photos.