Art | The Daily Norm

Jul 7

Art on the Riviera: The Fondation Maeght

There can be no doubting the significance of the French Riviera to the history of modern art. Since the time of the Impressionists, the Riviera has been inspiring artists with its incredible light and the potency of its colours. Renoir lived in Cagnes-sur-Mer, Picasso in Antibes, Cezanne in Aix, Fernand Leger in Biot and Matisse in Nice, and surrounding them a seemingly relentless flow of visiting and other artists came to the Riviera in turn. The result is an artistic heritage which is almost unrivalled by other European regions.

Amongst the many artist-museums which consequently pepper the area, the Fondation Maeght is amongst the most important. Located only minutes from La Colombe d’Or, the foundation was entirely conceived and financed by Marguerite and Aimé Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluís Sert by creating frequently monumental works integrated into the building and gardens: the Giacometti courtyard, one of the world’s most famous ‘in-situ’ works, the Miró labyrinth filled with sculptures and ceramics, the mural mosaics by Chagall and Tal-Coat, and the pool and stained glass window by Braque.

When we ventured to the foundation after some hours languishing by the Calder mobile of La Colombe’s pool, we were somewhat disappointed by the extent of the famed collection. Entire galleries were given over to temporary exhibitions, with only one room seemingly devoted to a permanent collection. However, we could not deny being impressed by the gardens, so sumptuously saturated in art, densely packed under the canopy of a pine-tree forest. There amongst the faded light, a labyrinth collated from sculptures by Miro formed unique and startling silhouettes against a stormy sky, and as the earth rumbled with a humid thunderstorm, the atmosphere seemed charged with the almost surreal atmosphere created by these sculpted forms.

More than 200,000 visitors come each year to the Maeght Foundation, which has put on over 100 monographic or thematic exhibitions since its opening. We were perhaps unlucky to visit when only a fraction of the permanent collection was on display, but for the uniquely conceived art of its gardens, it lived up to its fame. The photos in this post show the best of the incredible outside installations permanently on display.

Jul 2

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The Honeymoon Suite I: Bedroom at La Colombe d’Or

I knew that staying at La Colombe d’Or would inspire me. It wasn’t just that it happens to be stationed in one of the most exquisite locations in all of the French Riviera, but it has also inspired countless of the world’s most famous modern artists, and I wasn’t going to be the exception. So armed with my handy box of gouache paints, brushes and using the Colombe d’Or’s ashtray for water (sorry Colombe!) I set about painting what most inspired me. And from the very first morning, when I awoke to find light flooding into our bedroom, the rays dancing and undulating as they reflected across from the swimming pool right outside the room, I knew what I would have to paint.

The work which resulted is this one, the first in my Honeymoon Suite series. The painting depicts not only the effect of the light entering through a quaint wooden window into our pastel-coloured room, but also the proximity of the Alexander Calder mobile, and the Braque mosaic, just outside our room, which never failed to excite me. In the foreground is the little desk which I used to paint this very same painting, breathing the cypress-perfumed air which wafted through the window as I did so.

Honeymoon Suite I: Bedroom at La Colombe d’Or (2015 © Nicholas de Lacy-Brown, gouache on paper)

Like so many artists who went before me, I could have stayed in the Colombe d’Or to paint forever.

© Nicholas de Lacy-Brown 2000-2015. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included on this website without express and written permission from Nicholas de Lacy-Brown is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Jun 30

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Roots entwined: Our story illustrated

Two weeks ago I married my soul mate, and the man I am now lucky enough to call my husband, and on yesterday’s Daily Norm you were bombarded with photos of our ceremony. However, our marriage was a culmination of 6 years together, almost to the exact day of our first date in fact, on 16th June 2009, and from that moment onwards, I lived life as a man complete.

In celebration of our journey together since that first June date, I prepared for our wedding by drawing a little illustration of our adventures as a twosome. Inspired by the magical words of Louis de Bernieres in his stunning novel, Captain Corelli’s Mandolin, which were read at our wedding, my illustration takes the form of a complex interlocked image of our adventures, each stemming from the routes which now bind us so firmly together.

Roots entwined (2015 © Nicholas de Lacy-Brown, pen on paper)

Love is a temporary madness, it erupts like volcanoes and then subsides.
And when it subsides you have to make a decision.
You have to work out whether your roots have so entwined
together that it is inconceivable that you should ever part.
Because this is what love is.

Love is not breathlessness, it is notexcitement,
it is not the promulgation of promises of eternal passion.
That is just being in love, which any fool can do.
Love itself is what is left over when being in love has burned away,
and this is both an artand a fortunate accident.

Those that truly love have roots that grow towards each other underground,
and, when all the prettyblossoms have fallen from their branches,
they find that they are one tree and not two.

Louis de Bernieres, Captain Corelli’s Mandolin

Jun 26

Festival of colour: The Summer Exhibition 2015

There’s nothing quite like the rejuvenating power of bright, unapologetic colour to lift the spirits amidst an atmosphere of grey, and this is no more so than in London where, on a recent visit, the skies were characteristically gloomy and very un-summery. Heading therefore towards this year’s Summer Exhibition at the Royal Academy of Arts therefore brought with it the promise of some element of seasonal rejuvenation, even if it could not improve the weather. But this year’s show, the 247th in the Academy’s history, did not just flush us with the spirit of summer, but with a festival of colour, never before seen at the annual show in such quantities.

The reason for this panoply of colour is surely its chief curator, Michael Craig-Martin RA, whose work is famous for its blocky poster-print colours with exact outlines and pop-art motifs. With such an artist in charge, there was no way this show was going to be boring, and any doubts as to the fact were quickly swept away at the entrance to the RA, whose usually beige monochrome staircase had been transformed into a riot of multicoloured stripes in an installation by Jim Lambie.

For those who dared climb what felt like a staircase of moving molten colour, a further punch of colour lay in wait in the form of the first three galleries, painted in bold magenta, blue and turquoise as a magnificently energised backdrop to a surprisingly fantastic selection of works. I never saw those lofty galleries look so rejuvenated, nor did I ever enjoy a Summer Exhibition with as much enthusiasm and high praise. For after years of continuous disappointment and what always seemed to be a relentless recycle of the RA cronies, at last we were presented with a show crammed with unapologetically figurative works, with paintings which exhibited actual talent (Tracey Emin’s usual crappy scrawls excepted), where superb print works were given a rightfully more prominent hang, and architectural models were actually interesting.

Here we had paintings of places and cities, of streets you could walk in, of portraits you could empathise with, and where there was abstract, it was playful and bold – accessible and expertly conceived. In one room, a superb tapestry portrait by Grayson Perry (Julie and Rob) could have stolen the show, but was well accompanied by a gallery of moving, inspirational works such as Elise Ansel’s brilliant take on Bellini and Titian (Feast of the Gods II) – another riot of colour (above, top).

Considering the multiple works in Tom Phillips’ “A Humument”

So many works pronounced that the arrogant age of contemporary art installations and badly conceived “paintings” is dead, from the many offerings of an RA favourite, Stephen Chambers, to the last gallery entirely devoted to the doodles of Tom Phillips, whose work A Humument, involves the almost total recreation of a long lost novel thanks to his reillustration and reinterpretation of every page. And by way of confirmation that this new re-emergence of a classical pictorial style is both correct, and beloved, an already abundant array of red dots was already evident, despite the early days of the exhibition’s season.

For those disappointed by past Summer Exhibitions, this one is not to be missed – it will change your mind for sure. The Summer Exhibition shows at the Royal Academy, London until 16th August 2015.

Jun 17

Mallorca Sketchbook: Café Corner, Biniaraix

My adventures in the tiny village of Biniaraix a few days ago would never have been complete if I had not reached for my sketchbook and captured the little hamlet in all of its beauty. With such picturesque scenes extending from street to street, it was difficult to choose one which could aptly capture the essence of this village in sketchbook size. However, it was upon having a much needed iced coffee in the single old little cafe outside the tiny central church that I settled upon my image – of the sleepy shady terrace of the main square, looking down one of Biniaraix’s few side streets and across to the incredible mountain ranges which make the village so utterly stunning from every angle.

Cafe Corner, Biniaraix (2015 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Jun 2

Mallorca Sketchbook: Resting on La Rambla

La Rambla is easily one of my favourite streets in Palma de Mallorca. Long and abundantly leafy, this civilised avenue keeps cars to the side so that its central avenue can be the preserve of perambulating locals and a host of flower sellers whose daily offerings issue a dreamy perfume at all times of the year. The avenue is also appropriately the location of a good number of cafés and tapas bars, and there is nothing quite nicer on a warm day that sitting out in the dappled sunlight which reaches the elegant pavements through the trees and enjoying a coffee or wine.

It was on one such outing that I recently took out my sketchbook and, armed with my trusty staedtler pens, made this little sketch of a small square just off the floral avenue. Just a typical corner of this city I now call home, it contains all of the features that make Palma such an exquisite Mediterranean destination.

Resting on La Rambla (2015 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

May 28

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Mallorca Sketchbook: Palma Cathedral from the Parc de la Mar

Having noticed a considerable period of many months passing during which my travel, and now Mallorca, sketchbook played no active role in my life, I have made a conscious effort to reopen and reinstall my sketchbook’s regular participation in my weekly artistic activities. The result is that my sketchbook is once again travelling outside of my art studio as a kind of regular escort to my journeys across Mallorca and indeed closer to home.

Most recently, a little stroll just round the corner from my apartment provided sufficient inspiration to generate a new sketch in my sketchbook. It’s not hard – after all, I do live in one of the most indisputably beautiful cities in Europe, and the old town of Palma de Mallorca is a true gem in every sense. Best of all, I am but 5 minutes walk from La Seu, the city’s mighty gothic cathedral which is so relentlessly beautiful that it could be sketched from every one of its 360 surrounding angels.

Palma Cathedral from the Parc de la Mar (2015 © Nicholas de Lacy-Brown, pen on paper)

On this occasion, taking a seat in the leafy Parc de la Mar sandwiched between the sea and the cathedral, I took refuge in the shade, opening my sketchbook and making this quick pen sketch of the back of La Seu. True, it is but a small portion of a glorious bigger spectacle, but I have no doubt that this magnificent building will reappear in its full glory in my sketchbook soon.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

May 25

Mallorca Sketchbook: The beach at Banyalbufar

It’s got to be one of the best town names on the island: Banyalbufar, a name which perfectly recalls Mallorca’s rich historical past; the Moorish heritage which laid down the first mountain paths, sophisticated waterways and impressive palaces, and the people who masterfully tamed the inhospitable mountain slopes with agricultural terraces and dry stone walls. It was in the course of exploring and photographing those iconic coastal terraces that my partner and I recently came across Banyalbufar which, owing to its perilous coastal location, more than benefits from its fair share of Moorish terraces. But instead of exploring the town, we decided to head for its far more inaccessible beach instead, taking the countless steps and steep slopes down to the rocky water’s edge.

The terraces around Banyalbufar

The beach was not the most beautiful I have ever seen, but it certainly had its charms, not least in its sloping boat platform loaded with small vessels ready for their launch directly into the crystal clear waters, and it was these charms which inspired me to open up my sketchbook, and start making a little drawing of the beach in my favourite sketching medium: a staedtler liner pen. This is the result.

The beach at Banyalbufar (2015 © Nicholas de Lacy-Brown, pen and ink on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

May 20

Mallorca Sketchbook: Orient Olive Tree

Recent readers of The Daily Norm will know that I am in love with the graceful free-form beauty of Mallorca’s olive trees. So it was only a matter of time before I put pen to paper, and made the olive tree a feature of my sketchbook too. It doesn’t take much in Mallorca to stumble upon a stunning olive specimen, but in Orient, a tiny hamlet nestled in the Tramuntana Mountains, these trees are at their most abundant, and some are pretty ancient too. The tree which I chose to sketch must be hundreds of years old, such are the bountiful folds and undulations of its ancient trunk, and drawing these free forms was nothing but a pleasure, and an act of pure admiration for this incredible work of nature. I hope you like it.

Orient Olive Tree (2015 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Apr 24

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My travel sketchbook: Ibiza Town

Ibiza’s charms not only manifested themselves in the photography i featured on The Daily Norm on Wednesday but in a little artwork too. For despite long working hours and a lot of time out and about, I occasionally returned to my hotel before nightfall and one such late afternoon return was accompanied by a precious sunset which sunk over the island’s famous Dalt Vila. This area – the old town of Ibiza’s capital – is the very antithesis of the club scene for which the island is better renowned – a historical citadel clustered around a domineering hill all set within mighty great ancient walls and crowned with a cathedral on top. It was this ancient view that I was lucky enough to enjoy from my hotel, and I could not help but open up my travel sketchbook to capture the old town, in the late afternoon sun, before I got back down to work.

Ibiza Town (2015 © Nicholas de Lacy-Brown, pen on paper)

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2015 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.