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Posts from the ‘Photography’ Category

Natale Italiano | Venice – Photography Focus: Ripples

I’ve always loved the effect of water. The way the light shines through it, and on it; the way still water reflects perfectly like a mirror, and conversely the way moving water distorts an image into its own abstract reimagining. My love for the effect of water has always translated into both my art (see my post tomorrow) and my photography so much so that I’ll always remember my friend, Mackenna, lovingly taunting me every time we crossed one of the breathtaking bridges in Paris where upon, almost as automatically as one takes a pause to consider the beauty of the Seine, I would snatch out my camera and start snapping away at the effect of the illuminated bridges reflecting in the water below.

It will come as little surprise then that for me, Venice is like some kind of quasi-orgasmic over-abundant celebration of rippled reflection; a city so spectacular that they managed to build it twice – once in reality, and once in reflection. A city whose very soul is the water which laps around its foundations and without which it would be a city stripped of half the beauty that it manifests to such worldwide renown.

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When you get Venice on a sunny day, those delicate terracottas, pungent oranges and sunny yellows of its buildings reflect to startling effect in its waters against the blue sky beyond. When we were in Venice however, mist largely predominated. This means that my photographic homage to the watery wonders of the city is a more sedate, more muted affair. Nonetheless, there can be no doubting the very transient beauty which nevertheless resides in those photos of ripples and movement through Venice’s canals.

But this post is not just about the ripples. Here too I bring you some of my favourite shots of Venice’s most quaint canals; the characteristic stripy wooden poles which emerge out of the water like a candy-cane forest; and of course the gondolas whose presence is as much an integral element of Venice’s waters as the ravens are to the Tower of London.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. 

Natale Italiano | Venice – Day 2: All that glitters is Venetian gold

A London tourist knows when he is abroad when he awakes, not to the ear-splitting wail of a police siren, but to the tolling bells ringing out from old renaissance bell towers, their calming peal harmonious to the ears, especially when, in Venice, there is no nearby traffic to otherwise preclude the passage of that early-morning melody. And perhaps it is also because we are so used to the animated streets of London that the comparative silence of Venice’s tranquil canals struck such a chord on this misty bright first morning, when the only sounds were the gentle lapping of waters when a lonely gondola passed by.

Now that’s a view to wake up to…

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That we should rise, with some degree of Casanovian elegance, in our sumptuous hotel room lined with fabric wall coverings of golden thread, under a bed spread which reflected this glory with its own ample gold thread-count kick-started what was to become something of a theme to the day, if not to the whole Venice trip: Glorious and Golden. For all its decay, the neglected paint work, the stagnant waters, and the dirt-ridden façade of the Piazza San Marco’s colonnaded palazzos, Venice is, at its heart, a city of insuperable decadence, glamour and sophistication. And just in case the point could not be made obvious from the lavish boutiques, the jewel-covered masks and the elaborate architecture, one building more than any other shouts out glamour more than any other: from its richly coloured marble façade right up to its astonishing golden cupolas. The Basilica San Marco. And it was to this beating heart of Venice’s identity that we headed first, as we set out on a new day ambling amongst the jewels of the Queen of the Adriatic.

The Basilica’s marble-clad exterior

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Ever since its first construction in the 9th century to commemorate the arrival in Venice of the (allegedly) stolen remains of St Mark, this magnificent cathedral, prime example of the Byzantine style of architecture, has been at the heart of the city. Adorned with 8000m squared of golden mosaics, and jewels and treasures aplenty collected from across the world in the aftermath of Venice’s many historical conquests, the Basilica is not just a symbol of religious devotion, but also historical prowess. Above all things, it is a temple of the utmost opulence. When visitors first enter, you can literally hear the little eruptions of “wow” escaping from tourists’ mouths as their astonishment is articulated at a first glimpse of this heavenly space.

For me, with its expanse of paradisal golden cupolas glimmering and sparkling across every curve and corner of the cathedral’s vast ceiling, Saint Mark’s is without a doubt the most stunning church in all the world. And while photo taking was banned, Dominik and I naturally ignored this, surreptitiously taking photos, largely from cameras wrapped up in our scarves (before we became a bit more brazen in our approach). So while gazing at the incredible majesty of the Basilica as represented in these photos, don’t forget the extra effort we had to go to in order to bring them to you!

…but the real treasure is inside

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Having become almost tongue-twisted with awe in the Basilica, we spent the rest of the morning largely ambling around Venice’s superfluity of canals and side streets, shop-lined passages and piazzas – for what greater joy is there than to get lost in Venice. And while it would be difficult to beat the splendour of St Mark’s, even in that pursuit we could not help but be wowed by the opulence which scatters its luxurious bounty all over the city: Gondolas with their highly ornamented damask seating fringed with golden unicorns and lions glided elegantly down canals and under bridges; in the shops, windows came alive with glinting gold masks and sparkling glass Christmas trees; and lining canals and cobbled streets, Venice’s palazzos and houses, while often tired and ageing, retain the unique grace and characteristic elegance which has made them famous throughout the world.

All that glitters is Venetian gold…

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The Daily Norm’s Photo of the Week: The Napoli Puddle of Mystery

Following on from the all sparkling, all dancing spectacle of yesterday’s Italian festive lights post, today’s post, and indeed this week’s Daily Norm photograph of the week, focuses specifically on one photo from Italy which, like yesterday, features Christmas lights, but is characterised by an altogether different mood. With its gloomy dark lighting, this photograph is an altogether more mysterious image, one which feels edgy, and almost intimidating, as though we have emerged from the darkness which surrounds the frame of the photo. In the sinister blue glow, the glistening cobbles of a Naples street can be seen, fresh after a recent rainfall. The crack down the cobbles, which has collected more water owing to the incline of the road runs almost like a wound through the centre of the photo; while the puddle in the centre, reflecting the street decorations hung above, looks like some kind of mysterious magical cauldron, filled with a potion created with a sorcerer’s touch.

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The fact of the matter is that no matter how fantastical my description, or indeed the finish of this photo may be, it was taken in the notoriously dark, gloomy and at times dangerous streets of Naples’ old town one December evening after the rain. Because of the rainfall, the usually crowded streets were near deserted, and the shop keepers had shut up shop for the night. That made the area, with its dark unforgiving alleyways no friend of the guileless tourist, and for me this photo carries with it the dark edginess of the mood prevailing at that time. Needless to say, shortly after it was taken my partner and I ran off to the safety of our hotel, my camera safely stowed away as we did so!

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2013 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Natale Italiano | Photography Focus – Christmas Lights of Italy

If I could point to one event in my life which changed my entire outlook, totally revolutionised my innermost creative soul and ultimate appreciation for art and aesthetics, and instigated my love for travel and gastronomy, it was my art history trip around Italy in my gap year of 2001/2. Travelling from Venice, to Verona, Florence to Siena, and finally Rome and Naples, my eyes were opened to an art historical universe the surface of which I had previously only scratched. But despite the very obvious attractions of those travels, one element I really loved was the fact that it introduced me to Italy in the period immediately before Christmas. In doing so, it transported me to a world whose Christmas celebrations lacked the commercial exploitation of the UK or the US, and which retain a certain charm and unique family-aspect which I just adored. While not religious myself, there was something about the fusion of those stunning candlelit churches packed with some of the world’s most famous renaissance art together with the essence of the true Christmas story which struck me as being ultimately and authentically festive, and whenever I now consider Christmas, I often look back on my time in Italy with the greatest fondness.

So when the opportunity arose this year to spend Christmas in Italy, part visiting my partner’s Tuscany-based family, and part travelling to a few of the country’s most attractive cities, I jumped. And what will now follow on The Daily Norm are a plethora of Italia posts which will explore my incredible Christmas travels across Venice, Rome and Naples. With much to explore, and yet the Christmas period fast running out, I thought I would start this set of posts with the most Christmassy of them all (lest that by the time I otherwise reach it in the ordinary chronology of things, it may already be mid-January and the thought of Christmas would be as welcome to my readers as an out-of date chocolate bar) – the Christmas lights of Italy!

DSC01326 DSC00814 IMG_7088 DSC01212 DSC01341Yes, there was never going to be a chance that the super sophisticated cities of Italy would do Christmas without introducing a fetching spray of lights to buildings and monuments, bringing a whole new veil of elegance to their already astonishing city facades. But tacky Santa’s and red-nosed reindeers these are not. When Italy does lights, it gives us elegant shopping streets strung with uniform and co-ordinated white lights, whose subtle sparkle reflects gloriously in the glossy facades of designer stores and boutique hotels. When Italy does trees, it brings us large Christmas trees tastefully lit and situated before some of the most recognisable monuments around the world – St Mark’s basilica in Venice, the Spanish Steps in Rome, St Peter’s in the Vatican. And when Italydoes novelty decorations, its offerings remain inexorably sophisticated, like the illuminated oversized baubles in streets and piazzas in Naples, whose glorious halo of coloured light could be seen for miles. As this photographic post hopefully shows, this is Christmas done with style.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2013 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. 

2013: My Year in Photos

What a year 2013 has been! When I look back across the year, it strikes me how lucky I have been to have enjoyed such a diverse year, full of travels, artistic appreciation, artistic creation, plenty of good food, fun with family and friends, a happily long summer (to counter the hideous long winter which brought us snow in April) and a 30th birthday like no other. That the year has been full of inspirational times is perhaps best reflected in the sheer volume of blogging upon which I have embarked during 2013: Some 200 posts, meaning that on a day-to-day basis, I was blogging more often than not, and added to that the very valuable support of some 2,400 followers and a total 120,000 views for the year – thank you.

So what better way to look back on the year than to do as I have now done for the previous two years – through photos. The sheer number of photographs I have snapped this year scares me. How my computer remains in one piece with all of the weight of that extra digital memory is astounding; more so that I have even had time in the year to produce them all! But what a collection they make. Looking through my pictures and selecting my year’s highlights for this post has been almost as joyful as the process of taking them in the first place.

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The innate beauty which some of those scenes reflect – the Sunflowers of Aix-en-Provence; the crystal clear waters of Pollensa Bay in Mallorca; the stunning cupolas and spires of old town Krakow – make me realise how fortunate I have been to have seen so many places and to have had the opportunity to indulge in so much beauty during 2013. But there too are the more familiar yet no less enticing shots of home – the red buses and union jacks which pepper London’s streets with the familiar colours of red, white and blue; the fruits of Autumn which fill the ground of London’s parks and gardens with new, hidden gems; and the stunning panoply of colours at Chelsea’s annual Flower Show. These photos are a tribute not only to a year of travelling, and of new experiences, but also a tribute to the annual cycle of seasonal changes which make living in a seasonal country like the United Kingdom such a constantly exciting experience.

But that’s enough words – my photos do tribute to 2013 much better. So without further ado, I give you 2013: My Year in Photos.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2013 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. 

Friends, food and fancy: The Sensational Season of Christmas

Christmas is a time of joy, for every little girl and every boy… so go the words (or variations thereof) which pepper the variety of children’s stories written around the theme of Christmas; stories like Snug and Serena at the Rose and Crown and The Nutcracker and the Mouse King, where a child’s eyes are widened in anticipation of the pure excitement of the season, and of course a visit from Santa, while at the centre of those stories, families gather in social spirit, to make joy and be merry at Christmas time. Happily for most, the warming conviviality of the Christmas season is not just something confined to the pages of a children’s story, and just as soon as the festive season comes upon us, so too do the party invites begin flying out to all and sundry.

This year has been a particularly manic one for me, with some 8 parties attended over the last 7 days alone, many of which left me wanting in the sleep stakes, but very much over-indulged in food and wine. But the one thing that struck me across all of the parties, weddings, dinners and lunches I attended was the overwhelming capacity of the season to bring people together in happiness and appreciation, the opportunity for guilt-free indulgence, and the occasion to reconnect with friends and colleagues who the busyness of the year has kept apart.

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This post, and these photos pay homage to the delightful jovialities of the season, the latter manifesting as often blurred shots taken in the low lights of winter, but all the more atmospheric, at least to my mind, as a result. Here are my photos of the flickering candles which so effectively create the intimate setting for a chilled party or dinner; the pecan pie which the delectable Cassandra made from caramelising crème fraiche; the purple lit ice rink of Somerset House buzzing with whizzing skaters; the Christmas tree silhouetted against a rosy morning sky. Here too are the jellies and desserts which make us happy and fat; the gingerbread man sat upon a burst of fresh Christmas foliage; the fairy lights, the cheese board, the gifts under the tree; the red leaves, the boxed panettone, the friends who make me happy.

This is Christmas…and I love it!

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2013 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. 

Paris | Photography Focus – Campana d’Orsay

The last post of my recent Parisian adventure, and the fourth set of photographs emanating from the trip pulls something of a sharp focus on a particular place in Paris, and not one that is all that well known either. In the insuperably brilliant Musee d’Orsay, behind one of the two huge round glass windows which double as the prominent clock faces which characterise the building’s impressive riverside façade, is a super chic new café opened following the major renovations of the museum in 2011. The café, which was designed by the Campana brothers, and now carries their name, is very different from the typical bistros and brasseries which are so characteristic of Paris. Ultra modern in its design, throwing diners into something of an undersea aquarium-come-fairy tale palace with its waving lines, bubble like round-patterned chairs, and striking aquamarine backdrop, this café is nothing if not eccentric, but therefore perfectly placed in its location next to the galleries containing France’s foremost collection of impressionist art – after all, these were the artists who challenged all of the art which had gone before them. As a café, the food isn’t all that great, and the selection is even worse, but the design is such a winner that I couldn’t help but give this genius of café design its own little space on The Daily Norm.

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The photos which follow focus mainly on the various unique features of the Café Campana, but also include some cheeky shots of fellow diners. I’m not even sure that I’m really allowed to take photos of people without their permission, and still less publish them online. But if that’s the case, it’s a real shame, because there is nothing quite like a voyeuristic glance at fellow dinners to really capture the essence of a place. In fact like the Impressionists before me, these photos represent my way of doing what those artists did best: representing real life, and recognising reality as a thing of beauty in itself. Surely no activity could be more appropriate at the d’Orsay’s café, where only rooms away, Degas’ famous painting of desolate drinkers staring into their glasses of Absinthe in a Paris bar (l’Absinthe) hangs amongst the masterpieces on show.

Admittedly the diners in my photos are enhanced by their surroundings, and in particular the glittering gold lights which are by far my favourite aspect of the design. Hanging in their multitudes, these lights give the feeling of being in a kind of Olympian paradise, where over-sized golden blue bells hang abundantly above. Their splendid shiny gold surface, and their installation, hung from great steel joists also painted gold, makes for a lavish spectacle in a way that only gold can; a spectacle which is all the more enhanced by the sheer abundance of it – when you have gold, why not have plenty of it? And hung as they are, all at different lengths, in irregular groupings, these lights seem so unplanned as to be a natural phenomenon; the kind of visionary wonder that makes you appreciate the glory of the world all around.

In short, the Musee d’Orsay is well worth visiting for the Café Campana alone. Not necessarily to anticipate a gastronomic revolution – it is only a café after all, and a museum café at that – but to gaze in wonder at what must be one of the most impressive contemporary restaurant designs in Paris. I leave you with my photos – which include a few inevitable shots of the impressive d’Orsay itself – a former left bank station which has more than found its own as a bastion of 19th and 20th century art. Until next time Paris…

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2013 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. 

Paris | Photography Focus – Rues and Rooftops

There’s no denying that Paris exudes charm around every corner, in every cobbled street (or rue), across its extensive grant Haussmann boulevards and in the intricate details of its architecture. And of course, on my recent visit to Paris I was moved to capture, as I have done so many times before, all of those beautiful little details. For no matter how many times you visit Paris, it is still abundantly generous in providing picture after picture of incredible angles and tantalising sights. I suppose in a way it’s akin to my daily walk to work through the grand streets of Westminster – where even on my 600th journey I might find a new architectural detail to tempt my camera into action.

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But I would be lying if I said that Paris’ charm resides exclusively in its streets. For one of the defining sights of Paris for me, and the one which makes me gasp more than any other, is the city viewed from the rooftops. Whether it be from atop the Tour Eiffel, at the climax of the external escalator of the Centre Pompidou, up the spiral stone staircase of the Notre Dame, or at the summit of the romantic Butte de Montmartre, the view of Paris’ almost uniform tapestry of silver slate roofs punctuated by the gilded domes and gargoyle-covered spires of its monuments and churches is always breathtaking. On this trip, we were therefore especially lucky to be given a room in our fantastic Citadines hotel which boasted superb views not only over the Palais Royal immediately adjacent to the hotel, but also across the 3rd and 4th arrondissements towards the Notre Dame and beyond.

So in this third set of photos from my recent Paris trip, a collection which focuses on the architectural details which characterise Paris, do not be surprised to find a whole host of different roof-top shots; under grey skies and pink, close up and far away, but always, distinctively, Parisian.

Paris | Photography Focus – The city by night

The twinkling lights of the eiffel tower, its mile-high search light cutting through the starry skies; the cosy brasseries with tables squeezed under gas heaters on the pavement outside; the wondrous art nouveau metro signs which glow an eery red when illuminated; the cabarets, the wine, the sparkling fountains, the floodlit buildings – isn’t nighttime in Paris the time which exudes the greatest charm of all? They say that Paris is the city of light, but that light can, ironically perhaps, never truly be appreciated until darkness falls, allowing the city to light up and truly come into its own. For Paris is the city of soirees and banquets, of midnight feasts and follies in the Palais Royale. It is the city which brought us the can-can and the spinning red sails of the Moulin Rouge, and at Christmas it is a city more alight than ever, as the twinkle of the festive season adds extra sparkle to the dazzling streets of the city.

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Taking photos at night is never easy without a tripod and all sorts of special flashes and settings, so you’ll excuse why half of the photos I have taken may be a little blurred. But for me that blurring does nothing to distract from the atmosphere these photos create – perhaps it even enhances it – as through the slight blur or subdued light you can still appreciate the glowing warmth of cafes and patio heaters, the sparkling celebration of a glass of champagne set against the blue lights of Christmas, and the stunning effect of illuminated bridge upon the cool waters of the Seine. I give you Paris, by night – Paris, city of light.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2013 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. 

Paris | Photography Focus – Les Jardins et les chaises

Paris may not be the greenest of cities in the world, but there is something intrinsically Parisian about the parks and gardens which shape it. With their tightly trimmed box hedges and carefully manicured trees, their gravelly, sandy ground and lack of lawns (perfect for a game of  pétanque or boules with a few amis) and with their long wide promenades punctuated by lone statues and cluttered with strolling well-dressed flaneurs with their equally quaffed dogs, the parks of Paris are to me the heart and soul of the city, representing the ordered formality of the Haussmann planned boulevards, reflecting the grandeur of the more built up areas of the city, and providing much needed space for the residents of the city to collectively let their hair down.

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But more than the sandy paths, the clipped hedges and the boules, the randomly collected green metal chairs are for me the symbol of Paris. Rather than, or sometimes as well as the benches which line the parks, Parisian gardens are always full of scattered chairs, some angled at a steep incline to allow the sitter to langour in the sunshine, and others more upright and formal, but none of them attached to the ground so that, at any one time, you can find them in a diverse array of compositions. So characteristic are these chairs of the gardens of Paris that I have made them the focus of my photographic exploration of the Paris gardens which we were strolling through between our various trips to art galleries, photos which also aptly reflect the wonderful array of autumn colours which burned brightly in Paris despite the overcast weather and the very cold winter temperatures. Enjoy!

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2013 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.