To say that my wedding and the honeymoon which followed was a whirlwind of emotions would be no exaggeration. Within minutes of cutting our sensational ombre wedding cake in Chelsea, we were whisked off in the old fashioned style, straight to our honeymoon, leaving our guests behind, and sadly no tied up cans trailing our vehicle. Our destination was the French Riviera, and with only further wedding cake to keep post-wedding hangovers at bay, we tried to prepare ourselves mentally for this further change in circumstances as we were whisked through the night to the South of France.
Our arrival in the tiny village of Saint-Paul de Vence near Nice could not have been more different from the city we had departed. Utterly at peace, with a distinctive fragrance of pines and cypresses freshening the air. As darkness had already descended, the village was permeated by little yellow street lamps, subtly illuminating the central plaza where pétanque balls lay in wait for the following day’s play. And amidst the darkness, one sign glowed more than any other: Lighting a golden dove on a blue and yellow sky, it was the sign of La Colombe d’Or – we had arrived.
Our bedroom at La Colombe d’Or
La Colombe d’Or (the golden dove) is a legendary destination in the South of France. First opened in the 1920s by Paul and Baptistine Roux, it began life as a quaint little inn nestled against the magnificent ancient ramparts of the village of Saint-Paul de Vence. Its stunning garden terrace abundant in shady fig trees together with its cosy restaurant interior soon began to attract a faithful clientele, and as the French Riviera became progressively more a centre for thinkers and artists, so too did La Colombe become a gathering place for the crème of the artistic set.
Around the pool and in the gardens
As the years went on, and the Roux family continued to welcome and befriend some of the world’s most famous artists and intellectuals, so too did La Colombe’s remarkable collection of modern art grow, much of which was swapped in exchange for accommodation and their famously delicious Provençal cuisine. So La Colombe d’Or grew, both physically (gradually subsuming neighbouring buildings) and reputationally, and its art collection today stands as one of the most staggering private collections of modern art you could ever hope to see. On its walls, original works by Picasso, Braque, Sonia Delaunay, Calder, Miro, Chagall, Cesar and so many others hang; its leafy terrace is dominated by a stunning ceramic mural by Fernand Leger; and its most stunning swimming pool languishes alongside a remarkable Calder Mobile, a mosaic by Braque, and a recently installed ceramic mural by Sean Scully.
Interiors, and La Colombe’s incredible collection of modern art
For any enthusiast of 20th century art, or indeed for anyone beloved of the utmost aesthetic tranquility, La Colombe d’Or is a paradise on earth, beyond mere description – it has to be experienced. In the unpretentious little chairs which are clustered on its restaurant terrace, one can see the ghosts of the famous writers and artists who used to sit there in the shadows of the fig trees Jacques Prévert, Yves Montand, James Baldwin, Pablo Picasso… In the unapologetically rustic walls and furniture, you feel as though invited into the warmest of family homes. And in its paradisal gardens, fringed by pillars and scattered with fallen blossom, and alongside that most sensational of swimming pools, you feel as though you have entered some kind of parallel world. Utterly at peace. This was paradise found.
La Colombe’s stunningly cosy restaurant terrace
And so in La Colombe d’Or, we happily stationed ourselves for the first four days of our honeymoon. And so the rush of emotions which had commenced at our wedding continued. It was to be the most sensational few days imaginable.
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