De Lacy-Brown | The Daily Norm

May 14

Oxford-v-Cambridge: Gardens of Eden

My post about the discovery of the secret garden of Peterhouse College in Cambridge will have left none of you in any doubt about my love for the gardens of Oxbridge. Be they less secret, the formal quads and extensive grounds of all the sprawling colleges are no less of a treat to behold. While my previous post concentrated on the colleges of Oxford and Cambridge, today I’m focusing in on the gardens which transform those places of learning into havens of tranquility. How life studying in these flower-filled Edens must differ from the smog-filled campus of my London university!

As is evident from the photos I am sharing, we visited when the gardens of both Oxford and Cambridge were at their floral best. While my visit to Oxford was earlier in the year, and therefore decorated with the happy nodding heads of yellow daffodils and cautiously opening blossom, by the time of our April trip to Cambridge, tulips were abundant in a panoply of ravishingly colour, while blossom trees seemed to test the limits of their own staggering colour as they exploded in shades of arresting fuchsia pink. Sloping green lawns, many alongside rivers and waterways, lushly demonstrate Britain’s great love of green and pleasant pastures, while extensive oaks and willow trees suggested through age that they had born witness to many a famous student passing through these grounds.

The presence of students quietly working in most of these gardens is evidence of their importance in providing the perfect level of concentration and tranquility to aid study and well-being. I only hope that study gives way to an unbridled appreciation of these magnificent grounds once the books are closed.

© Nicholas de Lacy-Brown and The Daily Norm, 2019. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

May 12

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Oxford-v-Cambridge: Colleges in abundance

Oxford and Cambridge are university cities, and perhaps more than any other university cities in the world, their character and urban geography are dominated by their colleges. When I was young, it was always something of conundrum to get my head around: do Oxford and Cambridge have one respective university or many, and if the former, why are they split into so many smaller units? Yet those units, or colleges, are evidentially what make these universities so special, and famous. As a student applying for either university, the applicant applies for the prestige of the whole, but the particular specialism, history or atmosphere of the relevant college. And it is precisely that individual character belonging to each of Oxford and Cambridge’s colleges which makes strolling around them such a joy.

Cambridge colleges

While Oxford feels like more of a living city beyond its colleges, Cambridge is very much a city which has grown around the confines of each respective college. This makes walking around the city almost maze-like, as you attempt to ascertain which passages are public and which privately college owned. Even in the colleges themselves, there is a clear hierarchy at work, as sections are cordoned off for the sole respective enjoyment of students, fellows and finally, the public. Yet even in the public parts, one gets a real and immediate sense of the very tangible history imbued by these colleges in all their ochre stonework and architectural mastery.

In both Oxford and Cambridge, I loved strolling around the colleges which dominate both cities. Collectively, they hold examples of almost every architectural style since the medieval period. Their gardens (for which a separate post will be shared) are stunningly cared for and places of the utmost tranquility. Their great dining halls ooze tradition and Hogwarts-esque formality, and their chapels are a veritable museum of exquisite stained glass and biblical artworks.

Oxford colleges

I have not gone to the rather laborious task of labelling each of my photos in respect of their locations. Instead, I present something of a hodgepodge from each city. Amongst the Oxford photos are the colleges of Balliol, Christchurch, Trinity, Magdalen, Brasenose and New College. In Cambridge, you will see glimpses of Downing, Peterhouse, Sidney Sussex, Pembroke, Emmanuel and Corpus Christi amongst others. All combine to present these cities at their most beautiful and historical best – certainly worth visiting, even though, in some, an entry fee is very much a sign of more modern times.

A bit more of Cambridge

© Nicholas de Lacy-Brown and The Daily Norm, 2019. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

May 1

Oxford-v-Cambridge: Masterful Museums

Not all the nation’s artistic treasures are in London it seems. For Oxford and Cambridge play host to two of the most spectacular museums in the country. Both the Ashmolean Museum in Oxford and the Fitzwilliam Museum in Cambridge hold stunning collections of art and antiquities which befit the learned character of their sponsor universities.

They are, in effect, like all the museums of London rolled into one, conveniently collected under one respective roof. Here, a plethora of ancient relics including treasures from ancient Syria, Egypt and Rome, sit alongside collections of art with a broad sweep across the ages, from Italian renaissance altarpieces to works by Edouard Manet and Pablo Picasso. They host temporary exhibitions so significant that they bring culture lovers from across the world to these alternative cultural capitals. And their collections are hosted in buildings so grand that they out-do some of the world’s most prominent palaces and museums.

Oxford’s Ashmolean

It is on those buildings, and not the collections themselves, that this smaller set of photographs concentrates. Both buildings share a common theme, with ostentatiously grand classical facades imposing themselves upon the visitor with an immediate magnificence. Designed by Charles Cockerell in the 19th century, the yellow stone and marble mix of Oxdord’s Ashmoleon harmonise with the yellow colleges scattered about the city, but stands out for its unapologetic Palladion grandeur in amongst buildings fashioned out of medieval Britian.

The Fitzwilliam building was designed along similar lines, coincidentally with the contribution of the same architect, Charles Cockerell. It is whiter, grander almost from the outside, but here the real treasure is within – in an entrance hall of startling beauty, laced with gold, mosaic, stained glass and marble statutory, designed by Edward Middleton Barry and screaming with Victorian splendour. How can one choose between these two magnificent spectacles?

Cambridge’s Fitzwilliam

My photos focus on that Fitzwilliam interior, and on the yellow-stone exterior of the Ashmoleon (the latter view being conveniently enjoyed from the windows of my hotel room!). To see the magnificent collections contained within… you must visit, as soon as you can!

© Nicholas de Lacy-Brown and The Daily Norm, 2019. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Apr 29

Oxford-v-Cambridge: Punting Pleasures

While the archetypal image of Oxford and Cambridge may be a gown-donned student, mortar-board on head, rushing around on a bicycle with a book under the arm, another is the slightly more tranquil pursuit of punting. Whether it be on the calm, narrow bends of the River Cam in Cambridge, or on the tranquil and bucolic waters of the River Cherwell in Oxford, punting in either city is the ideal way to experience their charms from a unique and consistently stunning viewpoint.

Punting in Oxford

Much like taking a trip in a gondola in Venice, floating around on a punt is truly unique. Because the punt is traditionally a flat-bottomed boat designed for use in small rivers and shallow waters (hence the ability of the punter to steer the punt forwards by propelling a pole against the river bed), passengers enjoy the experience of lying back almost at the same level as the waters which immediately surround the punt, giving one the impression of skimming the surface of the water much like the ducks and swans which will invariably swim alongside you.

As these photos show, punting in either city is both a popular and a beautiful experience. Though in so far as the cities compete, I must give Oxford the gold medal in this race. For in Oxford I was able to punt relatively cheaply and with the tranquil luxury of having very few people around. By contrast, in Cambridge the cost was so exorbitant – and based on being ferried around in a shared punt with at least half a dozen others – that I decided to give punting a miss. One should never be made to punt with strangers. And probably just as well we gave it a miss, given the frequent collisions we bore witness to as the punts came around the narrow bends near St. John’s.

Punting in Cambridge

But whether it be in Oxford, in Cambridge or in both, if you have the opportunity to indulge in a little punting, I urge you to do so. It’s so rare these days to have the chance to truly unwind, and watch the world around you from the unique and somniferous perspective of water.

© Nicholas de Lacy-Brown and The Daily Norm, 2019. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Apr 24

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Oxford-v-Cambridge: Paradise at Peterhouse

I continue my Oxbridge season with a focus in on one of the cities in particular, and on one of its colleges to be exact: Peterhouse College in Cambrige. The colleges of Cambridge are many, mighty and almost universally magnificent, and on our recent visit we spent two days utterly engrossed in just a few of these historical gems. It would be hard to pick a favourite, such is the mix of architecture they offer, the grandeur of their halls and chapels, and the cosiness of the gardens and quads they all inevitably exhibit. However, one college which really struck me like a charmed arrow of Cupid was Peterhouse. This impact was not so much because of the college buildings (which were, by the way, quite stunning); but because of its gardens.

We caught a glimpse of the Peterhouse garden from inside the grand Fitzwilliam museum. We had just been having a look at the museum’s impressive collection of art, including impressionist masterpieces by the likes of Sisley and Whistler. It was perhaps with those paintings imprinted on my mind’s eye that, when through the filter of a blind I saw a paradise garden of wild flowers and picnicking students through a series of windows forming a backdrop to the museum’s collection of antiquities, I naturally assumed that the view was some kind of manmade projection of a painting. It was only when I blinked again that I realised that the garden was real, and we set about trying to find it.

Like all promises of paradise, this one was not an easy find. A walk around the museum’s perimeter met with several dead ends against frustratingly impenetrable high brick walls. Then when we entered the grounds of Peterhouse next door, we were met only with a couple of small carefully manicured courtyards. It was only when, at the dark end of a small corridor, we saw an old wooden door, that our curiosity was peaked, and we tried the old antique latch appended to the timbers. The door opened, and like the entrance onto a fairy-tale, a magical, golden light seeped through. Ducking to pass through the 5ft (or lower) door, like Alice walking into her Wonderland having grown big on “eat me” treats, we came across a winding path which led, as if by magic, to that very same floral paradise we had glimpsed from the museum. We had found our paradise garden.

These photos don’t do justice to the true ensnaring wonder of that place, although they go some way to express the extent of floral wonder which met us in that sun-filled Elysium. Long grasses, wild flowers, bees and butterflies created a scene straight from a nursery rhyme. And just in case we suspected that we had somehow become lost in the pages of that same otherworldly tale, small smatterings of students sat within the grass, revising and chatting quietly before us, as though to prove that the place was real. It was like a painted Arcadia, a land where only happiness could pervade.

Sadly the passing of time meant that we had to leave this heavenly place soon after discovering it. But now we know where to find it, our return will be all the sweeter…if, of course, it turns out that this wonderland was real after all, and not just a figment of our wildest imagination.

© Nicholas de Lacy-Brown and The Daily Norm, 2019. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Apr 22

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Oxford-v-Cambridge: Gargoyles and Gothic

The Daily Norm has been off air of late. The Norms have been busy blobbing their gelatinous way through the winter, and I have been doing likewise, although hopefully with less blob and more muscle (I live in hope). Finally the months of darkness seem to have come to an end, as I start to enjoy my home in hours of daylight, and gradually strip off multiple layers of scarfs and other winter accoutrements. While the onset of Summer means that an exciting array of travels are due, I have been exercising something of the fashionable “Staycation” of late, starting with two of England’s most attractive and famous cities… Oxford and Cambridge.

Renowned of course for hosting two of the world’s oldest and most prestigious universities, the cities of Oxford and Cambridge (collectively labelled with the epithet “Oxbridge”) tend to engender a staunch form of loyalty for one city over the other. Whether it be because of a family connection, their own studies, a historical reason or a traditional choice in the annual Oxford-Cambridge boat race, partiality for either of the cities can lead to strong emotions and the kind of alacrity held by football fans for their club. I must admit that I have tended to waver in my favouritism. While my Sister has connections with Oxford, I have found myself almost subconsciously drawn to the light blues of Cambridge. So with the weather at its Spring time best as Winter faded away from these Isles, I took the opportunity to explore both cities afresh, to settle my preference once and for all.

Oxford Gargoyles

Both stays have enabled me to conclude one thing for definite: that Oxford and Cambridge, so rich in historical significance and architectural splendour, are true beauties to behold. With their predominantly yellow stone and wealth of architectural styles dominating their respective cities with barely a modern intervention to spoil them, the university buildings of both cities are stunning. Seen against blue skies, they create a vision of very English magnificence, but also import a range of styles from Italian baroque to Palladian Neo-classicim.

Cambridge Gothic

In the first of a series of posts in which I aim to share my photographs of Oxbridge, I am starting with a look at some of the Medieval and Gothic features which characterise both cities. These photos in turn concentrate on some of the lovable creatures which are most dominant in Oxford especially – the gargoyles, features which the recent tragic fire at Paris’ Notre Dame remind us are treasures of a bygone age, which should be admired and never missed, despite their characteristic timidity, hidden among the eaves, the roofs and the windows of buildings which easily overshadow them.

© Nicholas de Lacy-Brown and The Daily Norm, 2019. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Feb 6

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Venice 201618

The Daily Norm is kicking off 2019 (better late than never!) with something of a carnival-coloured bang, by bringing to your screens a glimpse of Venice to knock back the winter blues, and add something of the decadence and Casanova spirit of La Serenissima into this bleak mid-winter. This I do with the introduction of my newest painting: “Venice 201618”. The title of the work references the fact that this painting has something of a lengthy history which pans an interesting period in my art.

I started the work shortly after returning from Venice at the very beginning of 2016. But just as I started the work, my attention was diverted by the very significant pull of Kandinsky and Las Meninas, and my period of interpretative abstracts began. Since the new Venice work no longer fitted into that line of simplified, more abstract works, I deserted the canvas and set it to one side.

Unable to dispose of this unfinished work, I brought the canvas back with me to England when we returned from Mallorca, in case the day should come when I would return to the more figurative style of painting which had dominated my pre-2016 work. That moment came late on in 2018 when, excited by the prospect of a 2019 trip to Venice, I brought out the unfinished canvas and continued with the work. It was a deeply cathartic exercise as I took this work to new levels beyond which the 2016 planning had gone, adding, for example, energetic new ripples to the centre of the work, designed to resemble the marble reflections bouncing off Venetian canals, as well as the marbled ink paper which is a typical product of the city.

For me, the finished work encapsulates touches of the many aspects of the Venice I love – the gondolier waiting patiently for some passengers, his glittering gondola moored nearby; the predominance of the turquoise green of the canals, contrasting with the pinky red of the buildings; the masks of the carnevale flittering nearby like dancers whisked around the dance floor of a masquerade ball; and the steadily crumbling facades and algae-covered steps which characterise the city.

I’m delighted I was able to resurrect this work, and present it today as my true homage to a unique city.

© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the art of Nicholas de Lacy-Brown, visit http://www.delacybrown.com

Jun 4

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Norms in Rome | The Piazza Navona

Norms in Rome, Rome in the Norms… such has been the delicious longevity of the Norms’ devoted acquaintance with Italy’s beating heart that the Norms feel permanently wedded to this city of ancient glory and modern glamour. They’ve been in piazzas aplenty, gorged on delectable Roman food fare, explored ruins, historical monuments and strolled riverside. But as the Norms prepare to take their leave of the city, with their bags packed from some summertime travels, these blobby creatures have made one last visit – to a Piazza equal in glory to the spectacle of the Piazza della Rotonda where their adventure began some three months ago… the glorious Piazza Navona.

Retaining the shape of the Stadium of Domitian which lies beneath its current day ground-level manifestation, but filled with some of the most magnificent sculptures of the Roman baroque, the Piazza Navona embodies Rome at its unique best, evidencing like a geological cross-section Rome’s complex trajectory throughout history. Whether it be those exquisite fountains, the countless cafes, or the temporary carousel which appears whenever a festival is in town, the Piazza Navona is the ideal location for the Norms to bid Rome arrivederci…until their inevitable return very soon.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com

May 10

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Norms in Rome | Trajan’s Wedding Cake

Oh dear. The Norms’ reversion to the simpler things in life didn’t last for long. No sooner had they settled in the laid back Roman neighbourhood of Trastevere than they got itchy bottoms, and decided to trek again across the river in search of the grandeur for which Rome is famous. And this time they have hit the bullseye, arriving at the monument which, in modern times at least, is probably the grandest spectacle the city of Rome has ever created. Conspicuously named the Altare della Patria (Altar of the Fatherland), but otherwise known as “the Wedding cake”, “the Typewriter” and the “English Trifle”, this pompous and mammoth construction was, in the early 20th century, built in honour of Victor Emmanuel, the first King of a unified Italy. However, it caused great controversy in its construction, doing away with large swathes of the historically critical Capitoline Hill as well as sticking out like a sore thumb for its gleaming whiteness in amongst a city of ochres and reds.

Yet for all this, being white themselves, the Norms feel rather attracted to this mass of dazzling white theatricality and have made it a high point in their Roman adventure. That is not to say that they are ignoring the spiralling column of Trajan in the ruins of said Emperor’s forum just across the road. For one really can’t do one of these historical monuments without the other. And happily there’s an ice cream stop between the two, just in case the Norms required further inducement to enjoy these two indisputable icons of Rome.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com

May 8

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Norms in Rome | Trastevere living

The Daily Norm office may have decamped to Porto, but the Norms have decided not to stray from Roma. And if the Norms’ trip around Rome is about immersing themselves, unquestionably, in every aspect of the city, then they don’t want to visit just temples and ruins. For the essence of Rome extends far beyond its historical significance, to the robust character of her people, and the sense of contemporary spirit filling her streets and piazzas. The Trastevere may be an area popular with tourists – it is after all undeniably quaint – but it is also a part of the city with a proud working class heritage which is in no way acted out for the benefit of visitors. This is an area where laundry is strung across the streets because it needs to dry, not because it looks good in photos. And here, the restaurant terraces which hug buildings in narrow cobbled lanes serve up great Italian fare because the locals go there too.

So to this most authentic of Roman neighbourhoods the Norms have strayed, enjoying a lunch of home made pasta which is as delicious as it is simple. Here the Norms can take a break from the big monuments and the grand boulevards, but focus instead on the charms of a very charismatic village-within-a-city, where plants grown in abundance and the architecture follows no pre-planned objective. It’s an atmosphere that suits the Norms down to the ground… in fact, after lunch, their next stop is an estate agent. This is clearly where they need to settle indefinitely!

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com