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Terracotta Collective: Chania Harbour

Those eagle-eyed amongst you might have noticed a painting in progress hidden in amongst the photos paying homage to Crete in Tuesday’s post. Perched on a little travel easel on the balcony of our hotel in Chania, a canvas, quickly filled with the sun-soaked colours and gently bouncing water which filled our view. So lucky we were to enjoy such an extensive and exclusive platform from which to enjoy Chania’s harbour at all times. It would have been a travesty not to have painted it.

So the very same afternoon I set about erecting my easel and filling my bite-sized canvas. I started with the background – a broad, roughly applied swathe of terracotta, colour of the rich soil which underpins the geography of Greece. Next, the sea and the sky, roughly applied with ultra marine, brush stroke daubings still visible across both. Then came the houses and the mosque which characterise the view – that pink blancmange dome and the gently crumbling whitewash of nearby houses. I tried to capture something of the delicate, transient beauty of the place, with roughly applied dappled paints and terracotta roofs allowing that original tone to shine through from the base of the canvas.

Terracotta Collective 1 CHANIA

Terracotta Collective 1: Chania Harbour ©2018 Nicholas de Lacy-Brown, acrylic on canvas

This is the first painting in my new Terracotta Collective. Painted on a terracotta background whose rich earthy colour is allowed to shine through amongst surface brush strokes of differing thickness, it is a collection which references the rich ground which underpins the life and vivacity of the wider Mediterranean. 

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit 

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