Terracotta Collective: Poolside on Mirabello Bay
I can well imagine how Hockney must have felt, when he first left the subdued isles of the UK and arrived in Los Angeles to an explosion of colour characterised by vibrant tropical plants, uninterrupted blue skies, flashy modern architecture and of course those dazzling turquoise pools, rippling and reacting to the burning ball of sunshine overhead. No wonder those pools in their respective post-modern garden spaces inspired Hockney to commit them to canvas. What a startling sight those rectangles of electric blue are for any artist… and yet it’s funny to think that before Hockney, few had ever tried to capture the pool in a painting. Perhaps they were scared of the insuperable challenge of capturing sun on water. Not me. The moment I laid eyes on our rectangle of cerulean happiness, I knew I would paint it, ripples, reflection and all.
Continuing the theme of my previous Cretan artwork, working up from a painting base splashed with a terracotta undercoat, I committed myself to capturing every aspect of our marvellous villa, and the view which made it such a stunning place to stay. So having tackled the pool, which thrusts its vivacious way into the canvas like an electric eel fully charged by ultraviolet, I moved onto the mountainous landscape which so masterfully framed our view. For me, the vision of overlapping mountainous strata, in every shade of mauve and pale ultramarine, is the very archetype of Greece. And here we had the perfect specimen, to enjoy every day, and now to capture on canvas.
So with a few touches of stone surround and aspects of the lush greenery which kept our garden fresh, I finished this ode to our paradise pool. Much inspired, and as wide eyed with poolside wonder as Hockney must have been when he first arrived in LA, I decided that this pool painting would be only the first. And true to my instinct, I have already started the followup… a true homage to the pool and the beauty of Crete which surrounded it.
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