Skip to content

Positano & beyond | Photos Part 4 – Mountain Passage

The thing about the wildly romantic mountainous geography of the Amalfi coast is that its pure altitude and geological breadth gives rise to equally dramatic weather conditions. And so in the short time that we were on the coast, we not only enjoyed days of glorious sun and blue skies, but also intense humidity, evening temperatures in the 30s, thunderstorms which came as barely a relief, and some mornings when clouds were literally tumbling over the mountains which loom large over the town. These days, while not as dazzling as the sunny ones, were still gloriously warm, but not so uncomfortable as when sun is beating down upon your shoulders, and so they made for the perfect weather conditions to hike up the steep stairs and slopes of which Positano is comprised, and explore the town.

On one such day, instead of turning right out of our hotel and down into the valley and onto the beach of Positano as we usually did, we headed up a very small little set of stairs opposite our hotel to try and establish where they led to. Unbeknownst to us, those stairs led up and up and up, almost to an endless infinity of altitude, until we reached an until then undiscovered upper road snaking around the town. This road not only led us along the quaintest of little shops, garden stores, and one of the most charismatic coffee bars we visited on our whole trip (where the coffee was by far the best – the most authentic flavour of Italy), but it also afforded us some of the most stunning views across the mountainous valley, stretching all the way down to the town below.

DSC02271 DSC02923 DSC03072 DSC02274 DSC02934

One gets the feeling that much of the glitz and glamour of Positano’s boutique lined streets is put on for the tourists, and as lovely and extravagant as the experience of walking in amongst them is, the little mini town, higher up in the mountains, felt truly, authentically Italian. Old locals sitting outside doorways gossiping; others meeting in a bar clad with old adverts for coffee; garden shops and groceries overflowing with the most mouthwateringly fresh produce and stunning floral displays; and old fiats and scooters parked haphazardly in the streets in a way that looks as though they had been set up for a vintage movie shoot.

That wonderful walk, and all of the sights it delivered are the subject of this fourth photo display from my trip to the Amalfi coast. I hope you enjoy them.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Art-in-Amalfi – Painting 2: Positano II (the other side of town)

So excited was I by my first gouache interpretation of the Italian town of Positano, that as soon as I had completed it, I started another. This one is based on the other side of town, Positano viewed from the densely packed cluster of houses which had inspired the first painting, with only the rooftops of that view visible in the immediate foreground. Otherwise, the town’s iconic domed duomo takes centre stage in this depiction of the town, alongside a number of buildings which, like before, are stripped back to their basic cubic elements, devoid of all of the architectural details which might have spoilt the simplicity of the image. Meanwhile, in the background, the awe-inspiring silhouette of the Amalfi Coast’s mountainous scenery fades gradually off into the background, towards the little white-washed down of Praiano.

Positano II (2014 © Nicholas de Lacy-Brown, gouache on paper)

Positano II (2014 © Nicholas de Lacy-Brown, gouache on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

My travel sketchbook: Positano 2 – View from the Beach

You will have seen from yesterday’s Positano beach post just how incredible the views of the town were from the average sunbed on its wide pebbly beach. They were indeed the same views that inspired my first gouache painting of the holiday (posted last week). The views were so good in fact that it felt sinful to simply lie out on a lounger, eyes closed against the sun, ignoring the view. Rather, not only did I feel compelled to keep my eyes on the view for fear of wasting such an incredible sight, but I also felt the inspiration rise within me to sketch it.

And so, stretched out on a beach lounger, a glass of wine in one hand and a pen in the other, I set about sketching this very detailed but fairly quick impression of the town of Positano – the gem of the Amalfi coast. Unlike my gouache interpretation of the same scene, this sketch is more fastidious in capturing the details of Positano’s buildings, and all of their details – windows, balconies, garden terraces and so on. But devoid of the pastel shades contrasting against the grey-purple and forest green backdrop of the mountain, the whole architectural force of Positano appears to melt more permissively into the mountainside, as though nature and mankind have become a single inseparable form. And it’s a beautiful form to behold, both in reality and, I think, on the pages of my sketchbook.

Positano Sketch 2 - View from the beach (2014 © Nicholas de Lacy-Brown, pen on paper)

Positano Sketch 2 – View from the beach (2014 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Positano & beyond | Photos Part 3 – Giornate in Spiaggia

Ah beach days. Those heady days of sunshine bliss, when you can lie out in the sun, meditating upon the swish of the waves curling in upon the sandy shore; when lying back enjoying the sun makes relaxation feel purposeful (after all, you are getting your intake of vitamin D, with all of the protections of sun lotion, naturally); when a refreshing dip in the sea affords all of the thirst-quenching satisfaction of an icy drink on a hot summer’s day; and when, at the day’s end, your skin feels sweetly sun kissed and your whole body groans in the pleasure of having embraced the good life. I’ve always been a beach lover, my partner even more so, and in Positano on Italy’s Amalfi Coast, we were afforded the opportunity to enjoy beach life with an indisputable bonus: a view which has to be one of the most stunning I have ever experienced from a sun bed.

From Positano’s surprisingly long stretch of beach, your lounger gives you a view not only on the crystal clear Mediterranean sea, with the swish yachts moored a little further out and the small ferries gliding in and out from the island of Capri and the town of Amalfi further down the coast, but it also gives you an unbroken panorama of the splendidly clustered town of Positano, its little pastel houses gathered together on the steeply plunging mountain sides. There was therefore no greater pleasure than simply lying out on a lounger gazing at this view – on one particular occasion I don’t think I was able to close my eyes once for fear that I would somehow betray the beauty of this landscape. And when taking a dip in the sea, and therefore straying a little further out, the views just got better and better.

DSC04139 DSC04129 DSC02319 DSC04207 DSC02317

This set of photos was taken either from the beach, or of the beach, both viewpoints providing wonderful vantages from which to catch a beach and a town full of abundant colour in the Mediterranean sunshine. On one particular occasion, we managed to bag two sunbeds set out on their own on a jutting rock, giving us unrivalled views of the town and the beach below – no wonder we had to toast the occasion with a glass of chilled white wine. This was a beach experience which is unlikely to be beaten.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Wonderful Wimbledon: strawberries, cream and a place to be seen

I interrupt this ambrosial Amalfi story to sneak a peak at the sweet verdant lands and the rolling hills of summertime England, where far away from the sun-baked mountains of the mediterranean, different peaks are being climbed – peaks of physical fitness and sporting prowess when the world’s best tennis stars come together for the ultimate in tennis championships, the creme de la creme of all tournaments: Wimbledon.

Wednesday may have been a grey day for British tennis, when national hopeful Andy Murray was chased out of the championships in a depressing straight-set defeat, but above the perfectly manicured lawns of centre-court where I was lucky enough to be a spectator all day, the skies shone a vivid blue, and all around the many courts of the All England Lawn Tennis Club, the glamourous and chic of high society perambulated in their finery, clutching glasses of lansen champagne in one hand and a tub of the traditional Wimbledon accompaniment of strawberries and cream in the other.

DSC04290 DSC04276 DSC04406 DSC04272 DSC04286

For even those few who do not get caught up in the all-encompassing excitement of riveting rallies and tense tie-breakers, Wimbledon is an unmissable event of the season. With a ground filled with perfectly manicured floral blooms in the championship colours of green and purple, when styled summer frocks and panama hats get an airing, and some of the world’s best players and celebrity spectators gather together, Wimbledon is surely the high point of the British summer, when the tennis loving crowds include even the royals themselves – why yesterday the Duke and Duchess of Cambridge (otherwise known as Wills and Kate) were in attendance.

DSC04444 DSC04509 DSC04371

Naturally, while I rode the emotional wave of highs and lows that came with watching Murray’s defeat and Federer’s later quarter final victory, I also felt happily immersed in the high-flying excitement of the entire Wimbledon experience, and these photos are testament to the day we had. As with the good english weather, these two weeks of Wimbledon are a transient experience – so like me, I hope you will enjoy the brief interlude of Wonderful Wimbledon while you can.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Art-in-Amalfi – Painting 1: Positano I (viewed from the beach)

Having seen my post of photos on yesterday’s Daily Normand perhaps even my photos of the incredible views which we were lucky enough to enjoy for our week’s stay at the Palazzo Talamo Hotel, you will easy to understand why I was inspired to create by the town of Positano on Italy’s Amalfi Coast. Not only is the town a picture perfect dazzlement of beautiful houses clustered against a vast imposing mountain backdrop, but it is also a riot of pastel colours in an otherwise natural landscape of verdant greenery and sheer greyish purple rock. The most striking thing about Positano is the fact that the small town appears to defy nature as a small cluster of dwellings clinging, almost like limpits, to the sheer side of the otherwise inhospitable mountain sides. The effect is a stark and beautiful contrast between the man-made regularised geometric forms of buildings and the irregular looming presence of the nature-made mountains, and it was this contrast which struck me the most as I set about painting my first homage to the town.

Positano I (viewed from the beach) (2014 © Nicholas de Lacy-Brown, gouache on paper)

Positano I (viewed from the beach) (2014 © Nicholas de Lacy-Brown, gouache on paper)

Stretched out on the beach a day after our arrival, I started work on this piece: Positano I (viewed from the beach). Using simplified geometric forms and stripping away all of the details which otherwise characterise the houses and hotels of Positano (windows, balconies and so on), this painting purposefully reduces the buildings of Positano to their most basic cubic form in order to emphasise the contrast between rigid geometry and rugged mountain, all the while expressing the beauty of Positano’s very colourful cluster of houses. The result is a painting I love. Made in gouache on paper, for me its colours and sunshine brightness sum up the mediterranean mood, while the geometric gathering of cubes echoes the shape of this small town which makes it so unique on much publicised postcards and travel guides throughout the world.

As with all of my travel-inspired art works, this painting gave me great satisfaction to create, all the more so because it was started on the beach and completed on my balcony with a view. Now who can ask for a better  art studio than that?

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Positano & beyond | Photos Part 2 – Down into the town

On Monday I shared a collection of photos showing the dazzling views of the seashore and the vast mountains of the Amalfi Coast which greeted us from a hotel balcony every time we awoke and entered our bedroom at the Palazzo Talamo Hotel in Positano, Italy. And this was just for starters. Up in the hotel, on the meandering upper road which snakes its way across the mountain sides and over the town, we were approximately 300 steep steps (or a longer sloped descent) away from the bustling centre of Positano, and if we thought the views from up there had stolen the show in the beauty stakes, Positano’s beachside centre was about to show how it too could take centre stage.

One writer (who shall remain unnamed) in my Rough Guides travel guide to the Amalfi Coast maintained that Positano was unfavourably given over to tourism and lacked authenticity. That writer has either never been to this picture-perfect gem of the Italian coast, or is just plain foolish. Of course, Positano has its fair share of souvenir shops given over to sales of limoncello and beautifully hand crafted pottery, but what shop on the Amalfi Coast doesn’t, when the beauty of its landscape is so obviously going to pull in and ravish tourist hoards in their turn? But in Positano, those same shops are nestled together in a cluster of pastel coloured houses which almost glow by contrast with the dark mountains looming behind them, and which, at ground level, are so small and quaint, situated in tiny little lanes covered from the sun with vibrant pink bougainvillea, that at every turn there is another photograph begging to be taken.

DSC02042 DSC02045 DSC02065 DSC02297 DSC02033

So this post of photos moves from our hotel’s coastal panoramas to the finer details of the town centre itself. From groups of children dancing, to locals chatting over a stall selling granita de limon, and from the brightly coloured tiled dome of the duomo to the vivid stripes of the umbrellas lined up along the wide pebbly beach: these photos show a town which is bursting with the spirit of Italia, and is certainly far from the inauthenticity which Rough Guides has alleged. Picture-perfect houses and a landscape to die for; a beach side paseo bustling with locals and tourists; little shopping streets with their wares almost falling out onto the street like in nearby Naples, and a central core with a grand church at its centre – Positano for me is the very epitome of the Italian dream – an almost fiction-like paradise whose reality is ever questionable – close your eyes before it and you may realise you were simply dreaming.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

My travel sketchbook: Positano 1 – Balcony View

It was only around 5 weeks ago that I was lucky enough to spend a long weekend in the Croatian jewel of Dubrovnik, and there to open the pages of my brand new leather backed moleskin sketchbook and begin covering those pages with pen sketches. There is nothing quite so nice for me as making sketches on the spot, particularly of views from cafes and piazzas, on bustling beaches and of stunning views, because unlike the process of taking a quick photo, the duration and experience of making a sketch makes the process more memorable, and the resulting image far more rich and rewarding. I’ve already shared with you some of the sketches which came out of my Dubrovnik trip, and now I am delighted to be able to share some of the works which have come out of my visit to Italy’s Amalfi Coast.

Following in the tradition of my Norm Sketches, I tend to create my sketches using a fineliner pen rather than the more traditional pencil or charcoal. I find the permanence of pen sketches more attractive, and the depth of black that can be achieved more dramatic. It does however mean that there is no scope whatsoever for mistake, and so very often artistic license takes the place of reality when inevitable errors have to be “corrected” such as to salvage the whole work. This may mean that a few buildings come out a bit wonky, but I enjoy this aspect of the “hand made” about a sketch (and indeed a painting). After all, if you want photographic perfection then you may as well take a photo.

Positano Sketch 1: Balcony View towards the Sirenuse (2014 © Nicholas de Lacy-Brown, pen on paper)

Positano Sketch 1: Balcony View towards the Sirenusas (2014 © Nicholas de Lacy-Brown, pen on paper)

My first sketch is of our base on the Amalfi Coast, Positano, and more particularly one part of the stunning 180 degree panorama we enjoyed from our hotel room with a view. This sketch captures the view looking Westwards towards the tiny group of Sirenusas islands (otherwise known as the Li Galli) which can be seen on the horizon of the sketch. That little archipelago is named after the Sirens of Homer’s Odyssey, as they are reputed to be the location where the Sirens lived, and from whose deathly allure Odysseus had to be protected by being tied to a mast with wax blocking his ears from their tempting song. It is undoubtedly no coincidence that our room was named “Li Galli”, because our balcony probably afforded the best view of these islands of any other in the hotel. There was no way I was going to miss the opportunity to do the view justice therefore, and this first sketch of the holiday is my homage to it.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Positano & beyond | Photos Part 1 – A room with a view

There are few places on the earth that are naturally synonymous with paradise. Even the most beautifully secluded spots have not escaped some degree of commercialisation or urbanisation which detracts from the feeling of finding a paradise on earth. And yet Italy’s Amalfi coast, nestled in between the cities of Naples and Salerno and on the Southern most stretch of the Sorrento peninsula, is one place which is intrinsically described as, and discovered to be, a paradise on earth.

True, the coast has not escaped the touch of humankind, not least because much of the coast is now specifically given over to tourism. But what human development exists is inevitably curbed by the rugged and hostile landscape of steep mountain passages and severe plunging cliffs. It is also precisely that very development – the clustering of white washed and pastel houses against steep mountain passages – that makes the Amalfi Coast so visually stunning. And that beautiful relationship between man and nature is never seen with such perfection as in the little town of Positano, clustered along a fold of one of the coast’s most impressive mountainous passages. And it was to Positano that I have just ventured in my most recent European travels, making this stunner of a town our base for a week’s discovery of the Amalfi Coast and the islands beyond.

DSC02191 DSC02021DSC02190DSC04062DSC04045

There are so many ways in which I can express the beauty of Positano, and as my tales of this Amalfi Adventure roll out on The Daily Norm, you are probably likely to see and read most of them. But as a starting point, I don’t think anything says Positano, and our experience of it better than by sharing the incredible view we enjoyed of the town from our balcony at the Palazzo Talamo Hotel. When we opened the balcony doors and saw what view was to be exclusively ours for a week, I almost fell off the balcony with the joy of the moment. An unrivalled 180 degree view took in not just the pastel and white cluster of Positano, but its beaches, its vast mountain ranges, and the toing and froing of fishing and tourist boats from its harbour.

As the days unravelled, we sat on that balcony morning and night, drank chilled prosecco as the sun set in the evening, took photos as the sun rose again over the Eastern most reach of the mountains gradually lighting up the town, watched the city become a twinkling sea of stars as darkness descended and the uninhabited stretches of the mountains disappeared from view, and painted and sketched the many glorious sights which could be seen before our very eyes. We never even shut the curtains at night – who could close off that view from sight?

And while perhaps a camera can never truly capture the awesome feeling one has when faced with the scale of an incredibly far reaching view, it surely helps to create the mood and the magic which was manifested by every moment’s interaction with this most fantastic of panoramas. And this was before we even got down into the heart of Positano! But more of that another time. For now I would like to share with you: Our room with a view.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Two Mackerels

Fish have always fascinated me. It’s not just how beautiful they look, with their silvery scales and feathered tails, their glassy marble eyes and their silky pink mouths, but they’re delicious too. There is nothing better than some plump fresh fish, simply cooked and eaten with a glass of white wine and a lot of sunshine, preferably in Mediterranean surroundings. And it is largely because I live so far from the Mediterranean but want to recreate that precise moment of bliss that I buy so much fresh fish from my local London fishmongers.

On one recent occasion, I went in wanting sardines, and came out with two mackerels. I had no idea what I was going to do with them, but their beautiful black and silver bodies, with a almost zebra pattern towards the top of their scales so enticed me that I had to buy them. In the end we ended up eating them well seasoned with catalan pan con tomate, but not before I had taken a load of photographs by way of admiration of their beauty.

DSC02019

Two Mackerels (2014 © Nicholas de Lacy-Brown, etching and aquatint)

Two Mackerels (2014 © Nicholas de Lacy-Brown, etching and aquatint)

Before long, these photos sewed the seeds of creation in my mind, and when I decided the time was right to start another etching project, I decided the stark simplicity of these two mackerels would make a perfect etched image. And here is the result – etched into Zinc, including the woodgrain which is, in reality, just small scratches onto the plate but which is meant to represent a chopping board upon which the mackerels lie in wait, ready to take centre stage in some culinary feast.

So that’s the etching done. Now for the exhibition. I’m hoping this one will go on show with others this September when I exhibit alongside the East London Printmakers – more details to follow. In the meantime, should you wish to buy one of my Mackerel prints, get in touch through the contact page on my website

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com