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Posts tagged ‘Artist’

Venice 201618

The Daily Norm is kicking off 2019 (better late than never!) with something of a carnival-coloured bang, by launching a Venetian season to knock back the winter blues, and add something of the decadence and Casanova spirit of La Serenissima into this bleak mid-winter. And I start that season as I mean to go on: with a work of art, as I introduce my newest painting: “Venice 201618”. The title of the work references the fact that this painting has something of a lengthy history which pans an interesting period in my art.

I started the work shortly after returning from Venice at the very beginning of 2016. But just as I started the work, my attention was diverted by the very significant pull of Kandinsky and Las Meninas, and my period of interpretative abstracts began. Since the new Venice work no longer fitted into that line of simplified, more abstract works, I deserted the canvas and set it to one side.

Unable to dispose of this unfinished work, I brought the canvas back with me to England when we returned from Mallorca, in case the day should come when I would return to the more figurative style of painting which had dominated my pre-2016 work. That moment came late on in 2018 when, excited by the prospect of a 2019 trip to Venice, I brought out the unfinished canvas and continued with the work. It was a deeply cathartic exercise as I took this work to new levels beyond which the 2016 planning had gone, adding, for example, energetic new ripples to the centre of the work, designed to resemble the marble reflections bouncing off Venetian canals, as well as the marbled ink paper which is a typical product of the city.

Venice FINAL

Venice 201618 (©2018, Nicholas de Lacy-Brown, oil on canvas)

For me, the finished work encapsulates touches of the many aspects of the Venice I love – the gondolier waiting patiently for some passengers, his glittering gondola moored nearby;  the predominance of the turquoise green of the canals, contrasting with the pinky red of the buildings; the masks of the carnevale flittering nearby like dancers whisked around the dance floor of a masquerade ball; and the steadily crumbling facades and algae-covered steps which characterise the city.

I’m delighted I was able to resurrect this work, and present it today as my true homage to a unique city.

© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the art of Nicholas de Lacy-Brown, visit http://www.delacybrown.com

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Painting Budapest > Great Spa City

Funnily enough, I was inspired to paint Budapest by our hotel bathroom. Simple, understated but insuperably elegant, the bathroom of the Callas House boutique hotel featured beautiful gold fittings offset against a floor of black and white marble mosaic tiles, and a basin whose lines exuded sheer classicism. That simple bathroom exemplified for me European elegance, and a painting started to form in my mind. As the image developed, it became more and more appropriate as an image representing Budapest. For the Hungarian capital is one of the great spa cities of Europe. And as we were to find out from a visit to the famous Gellért Baths, the locals benefit from the health-giving qualities of mineral rich naturally heated waters around which an industry of bathing has developed over the centuries.

Budapest FINAL

Budapest: Great Spa City (2018 © Nicholas de Lacy-Brown, acrylic on canvas)

As these factors combined, the bath became the central symbol in my painting of Budapest, featured on this post. The mineralised waters of the city are enjoyed by two bathers, while the board which traditionally crosses over a vintage bath is replaced by the iconic Chain Bridge that crosses the Danube. There too, a sparkling afternoon is on standby for he who most indulges, behind which a leafy tree represents the elegant city boulevards, offset against the famous Parliament building subsisting in a dreamy golden landscape. Finally tram cables and the tram itself encapsulates the very European spirit which fills the city.

And of course, to frame it all, I had to paint those little black and white tiles, all the way from the bathroom floor in the little elegant hotel room which inspired this work.

© Nicholas de Lacy-Brown and The Daily Norm, 2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the art of Nicholas de Lacy-Brown, visit http://www.delacybrown.com

Norms go to Verona // Piazza Bra

Despite their curving frame and voluptuous figures, Norms are far from kinky, and they don’t really go for crass language, vulgar innuendo, or sexy lingerie either. So for these rather morose little figures, the Piazza Bra in Verona had nothing of the connotations which would get some tourists giggling. Rather, this impressive open space surrounding the most iconic of all Verona’s monuments – the ancient Roman arena – was seen by the Norms as nothing more or less than the momentously impressive piazza it is.

Norms VERONA Bra

Norms in the Piazza Bra (©2018, Nicholas de Lacy-Brown – pen on paper)

With the Arena behind them, and a plate of croissants, brioches and other delicacies on a table in front of them, the Norms considered that there was simply no better place than this sweeping circular square to take a coffee, enjoy a sunny breakfast and watch the world go by. It’s why they returned to the Piazza Bra for their breakfast everyday as a perfect launch pad from which to enjoy this city of wonders. And they weren’t the only ones…as the pop star fans, the Romeo and Juliet, the morning dog walkers, the loved up couples, the stern bodyguards and the tourists aplenty in this sketch will tell you. See if you can spot them all 🙂

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Breakfast at La Baita

Autumn is a love-hate time for me. On the one hand, I relish the new spectacle of fiery colours transforming the landscape from green lushness to a wealth of auburn warmth. On the other, I bemoan the passing of my favourite season of Summer, and the conclusion of my sun-drenched travels, which feel as though they have ended before they even begun. But in this latter respect, I have an antidote, right around the corner from my London home; a place where I can go and feel every inch as though I am back on holiday, surrounded by the vivacity of the Sicilian spirit, and food to match the very best Italian fare: La Baita on Clapham Common.

Located at the very centre of the Common, alongside the grand Victorian bandstand after which the cafe is named, from a distance you would assume La Baita is your bog-standard park cafe selling bacon butties and ice cream. However the Italian name signifies that this cafe is more than your British norm. Rather, run by Sicilians and southern Italians with a true passion for the food of their great nation, it is a fantastic little eatery with food so good that I have never found an Italian restaurant in London to beat it.

Clapham Bandstand

Breakfast at La Baita (2018© Nicholas de Lacy-Brown, pen on paper)

Whether it be because of the fine food, the passionate staff, or the beauty of its parkland surroundings, La Baita has become our “local” in every sense of the word. Some weekends we even go twice a day! So it felt only natural that over our last few visits, I should capture the cafe’s terrace in my sketchbook, at the season’s leafy best. After all, it won’t be long before those leaves have fallen ground-wards, and the terrace of La Baita becomes paved with a transient crispy carpet of auburn gold.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

My Travel Sketchbook: Ancient Rubble in Jerez Cathedral

Having dusted off the pages of my travel sketchbook twice now this summer, once in Crete and again in Cadiz, I was on a roll, and it felt only natural that I would get drawing again once we had arrived in Jerez. However, while a natural choice for a sketch might have been the impressive baroque dome of the city’s Cathedral, rising over the skyline, or perhaps a barrel or three at one of Jerez’s famous bodegas, my attention was caught by a pile of ancient rubble looking rather abandoned in a corner of some sunny cloisters, hidden at the back of the Cathedral.

I can’t tell you how the rubble came to be in the Cathedral, nor exactly how ancient it is, but the splendid mix of lines and angles, dimensions and textures was a real temptation for me, and I set to work almost immediately, taking great care over the shadows cast and the rough texture remaining from these once fine architectural elements.

Jerez Ruins

Ancient Rubble, Jerez de la Frontera (©2018 Nicholas de Lacy-Brown, pen on paper)

The result is a sketch which shows very little of Jerez itself, but certainly captures something of the historically rich, often dilapidated fabric of this beautiful Andalucian city. And for that reason alone, it seems like an appropriate note on which to end this series on Cadiz and Jerez… until Southern Spain beckons again. It won’t be long in coming.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

My Travel Sketchbook: The Parque Genovés

The curves, the twirls, the uninhibited wonder of the topiary of the Parque Genovés could not help but sew the seeds of creation in my head. From one creator to another, the spirit of free and unhindered artistry traversed the air like pollen flying on a Summer’s breeze. Within minutes of entering this verdant wonderland I put pen to paper, and this was the result.

Sat on a bench in this hallway of manicured box-hedge, it was difficult to feel totally at ease. Somehow those twisted and tailored trees took on an anthropomorphic quality; like statesman gathering for a discussion of grave national import. Yet at the same time, the quality of the air, filtered through a haze of botanical layering, and the sound of nearby birds fluttering from one crafted bush to another, induced a somniferous sense of tranquility which pervaded the moment, and this sketch.

Parque Genovés

The Parque Genovés, Cadiz (©2018, Nicholas de Lacy-Brown, pen on paper)

Lucky I had my trusty travel sketchbook with me to capture this scene. As gardens go, the Parque Genovés is a true mark of humankind getting creative with nature, and nature seemingly condescending to the mark of beauty which ensnares it.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

Terracotta Collective: Poolside on Mirabello Bay

I can well imagine how Hockney must have felt, when he first left the subdued isles of the UK and arrived in Los Angeles to an explosion of colour characterised by vibrant tropical plants, uninterrupted blue skies, flashy modern architecture and of course those dazzling turquoise pools, rippling and reacting to the burning ball of sunshine overhead. No wonder those pools in their respective post-modern garden spaces inspired Hockney to commit them to canvas. What a startling sight those rectangles of electric blue are for any artist… and yet it’s funny to think that before Hockney, few had ever tried to capture the pool in a painting. Perhaps they were scared of the insuperable challenge of capturing sun on water. Not me. The moment I laid eyes on our rectangle of cerulean happiness, I knew I would paint it, ripples, reflection and all.

Terracotta Collective POOL

Poolside on Mirabello Bay (©2018, Nicholas de Lacy-Brown, acrylic on canvas)

Continuing the theme of my previous Cretan artwork, working up from a painting base splashed with a terracotta undercoat, I committed myself to capturing every aspect of our marvellous villa, and the view which made it such a stunning place to stay. So having tackled the pool, which thrusts its vivacious way into the canvas like an electric eel fully charged by ultraviolet, I moved onto the mountainous landscape which so masterfully framed our view. For me, the vision of overlapping mountainous strata, in every shade of mauve and pale ultramarine, is the very archetype of Greece. And here we had the perfect specimen, to enjoy every day, and now to capture on canvas.

So with a few touches of stone surround and aspects of the lush greenery which kept our garden fresh, I finished this ode to our paradise pool. Much inspired, and as wide eyed with poolside wonder as Hockney must have been when he first arrived in LA, I decided that this pool painting would be only the first. And true to my instinct, I have already started the followup… a true homage to the pool and the beauty of Crete which surrounded it.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

My Travel Sketchbook: Chania Harbour

It’s been a long time since I took out travel sketchbook. Not since Aix-en-Provence have I set pen to paper, and yet I suppose there’s plenty of argument for London being sufficient source of sketching inspiration. Sadly, this life of ours does not provide time for everything, but our Cretan Odyssey was one such occasion which felt apt for a little sketching. So to Crete we return (after our brief sojourn in Sussex) and onto the pages of my sketchbook which had turned their sights in the direction of Chania’s stunning little Venetian harbour.

Chania Harbour

Chania’s Venetian Harbour, looking East (©2018 Nicholas de Lacy-Brown, pen on paper)

When we first arrived out our hotel in Chania, and stepped onto the balcony, light met our eyes with a dazzling intensity as the Grecian sunshine reflected off the cerulean sea and onto the glimmering whites and creams of the painted harbourside buildings. As an artist, spoilt for choice was to put it mildly. I could have painted and sketched and taken inspiration from 50 or so details of the awe-inspiring views set out before us. But sadly, time was short. With only 4 days to enjoy the vistas, I set about painting the view looking East in the evenings, when the sun from the West illuminated the mosque and the surrounding buildings, and in the mornings, I would turn Westwards, to this beautiful view of the harbour curving its way around the sea, like a mother’s embrace of the ocean – her favourite child.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

Terracotta Collective: Chania Harbour

Those eagle-eyed amongst you might have noticed a painting in progress hidden in amongst the photos paying homage to Crete in Tuesday’s post. Perched on a little travel easel on the balcony of our hotel in Chania, a canvas, quickly filled with the sun-soaked colours and gently bouncing water which filled our view. So lucky we were to enjoy such an extensive and exclusive platform from which to enjoy Chania’s harbour at all times. It would have been a travesty not to have painted it.

So the very same afternoon I set about erecting my easel and filling my bite-sized canvas. I started with the background – a broad, roughly applied swathe of terracotta, colour of the rich soil which underpins the geography of Greece. Next, the sea and the sky, roughly applied with ultra marine, brush stroke daubings still visible across both. Then came the houses and the mosque which characterise the view – that pink blancmange dome and the gently crumbling whitewash of nearby houses. I tried to capture something of the delicate, transient beauty of the place, with roughly applied dappled paints and terracotta roofs allowing that original tone to shine through from the base of the canvas.

Terracotta Collective 1 CHANIA

Terracotta Collective 1: Chania Harbour ©2018 Nicholas de Lacy-Brown, acrylic on canvas

This is the first painting in my new Terracotta Collective. Painted on a terracotta background whose rich earthy colour is allowed to shine through amongst surface brush strokes of differing thickness, it is a collection which references the rich ground which underpins the life and vivacity of the wider Mediterranean. 

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2018. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com 

Post 1004 | Mountains Pass

I feel giddy with the excitement of this past week on The Daily Norm. Celebrating the moment when my blog reached 1000 posts gave me a perfect opportunity to take a retrospective glance back across 6 years of musings, and realise just how vital blogging has become in my life. As this week nears its end, I felt it was time to look forwards again, and as The Daily Norm surges forwards into a new thousand, I wanted to share one of my newest artworks with you.

Entitled Mountains Pass, this gouache was inspired by the most momentous of train journeys which we enjoyed on a perfectly streamlined, brilliantly efficient Swiss train as we traversed the boarder between Italy and Switzerland and sped through the stunningly snow-topped Alpine scenery on our way to Zurich. Journeys are so often a means to an end, but this one was an event all of its own.

Mountains Pass FINAL

Mountains Pass (Journey to Zurich) ©2018 Nicholas de Lacy-Brown, gouache on paper

Sitting in the very luxurious first class carriage, we were able to enjoy these views from the comfiest of seats; and the views couldn’t have been any better. As if they weren’t vast enough already, the enormous mountains were doubled by their reflection is mirror-still lakes, while up their craggy sides, little idyllic wooden chalets pumped small streams of log fire smoke into the clear blue sky. It was just like the most perfect Christmas card image blown up into super-sized reality.

So from that journey to this: a simple gouache which, with modern lines and an earthy colour palette which recalls the scenery as it sped past our windows and I gazed, captivated, by the majesty of landscape before me. As the mountains passed by, this image lodged itself in my mind. Now it’s on paper and ripe to be shared in this new era of The Daily Norm.

Wishing you a wonderful weekend.

© Nicholas de Lacy-Brown and The Daily Norm, 2011-2018. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.