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Jun 5

Marrakech on Paper: Tea at the Café de France

As The Daily Norm’s great Marrakech series continues, I am feeling as inspired to create artwork reflecting the trip as I am to share those special holiday moments with you on this blog. Looking back to one of my earliest posts, you will remember me telling you about our very fortuitous tea at the emblematic Cafe de France; fortuitous because of the luck we had in arriving just as the best corner table became free with its perfect view of the bustling Jeema el Fna square. Having since painted one of my favourite afternoon spots – the terrace at the Riad 19 La Ksour – it was perhaps inevitable that I would follow it with a depiction of that other great afternoon experience at the Cafe de France. After all, with its amazing sun set view, its charismatic zig zag floor and tiled walls, and the sun blinds up ahead creating cosiness to its well-appointed terrace, there were plenty of details at the Cafe de France to capture as I went about immortalising the occasion.

Tea at the Café de France, Marrakech (2017 ©Nicholas de Lacy-Brown, gouache on paper)

The result is rather complex for a collection of gouache paintings otherwise characterised by their relative simplicity, but it makes for a fine addition to my collection of holiday illustrations, and another way in which our Marrakech trip will be long rooted in the forefront of my imagination.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com

May 24

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Marrakech on Paper: Rooftop Afternoon at the Riad La Ksour

Our trip to Marrakech would have been half the experience were it not for the utterly comfortable, sensationally stylish and perfectly hospitable experience of staying in the Riad Dix Neuf La Ksour. Despite being located mere steps from the bustling Souks and the main Jemaa El Fna square, as soon as you walked through the discreet doorway into this traditional Moroccan home, it was like entering into a kind of parallel universe, where a haven of utmost tranquility ensnared the senses and provided complete rest in the very centre of Marrakech.

Like most Riads, La Ksour follows the traditional set-up of these ancient Moroccan houses, focusing around a cool patio garden with a pool at its centre before ascending to a resplendent roof terrace from which the views of Marrakech and the Atlas Mountains beyond were all that they were promised to be.

It was on this roof terrace that we loved to pass an hour or so of each day, especially in the morning to hear the first early call to prayer, or later in the evening when sunset turned the pink city even rosier than usual. However under the sun of the mid afternoon, my favourite retreat would be to head for a lovely covered canopy on the terrace where an abundance of cacti and other succulent plants grew in ancient looking pots of every shape and size. The resulting corner was so cosy and green that I would never have known that around me temperatures were ascending to desert highs, and instead I would settle down there, usually alone, with my diary to hand, and write my account of our Marrakech experience.

Rooftop Afternoon at the Riad La Ksour (2017 ©Nicholas de Lacy-Brown, gouache on paper)

This little painting, created with gouache on paper, captures that quaint corner and the moment in mid afternoon when I would enjoy it most. Painted in the same format as my Honeymoon Suite series of 2015, it represents a continuation of that collection, and of that same blissful feeling which made our original honeymoon travels so unique.

Thanks to the team at the Riad Dix-Neuf La Ksour for making our stay so comfortable, pampered and safe. You made it for us, and this painting is dedicated to you.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2017. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the artwork of Nicholas de Lacy-Brown, visit http://www.delacybrown.com

Jan 6

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My travel sketchbook: Canal View, Venice

It seems like a longtime has passed since the halcyon days of summer were upon us, and indeed it was. For the entire season of autumn has passed since then, and the leaves of the summer’s luscious green branches have all but fallen. And yet that was the last time I opened my travel sketchbook, at least until Venice came.

For Venice is a renowned artist’s paradise, a utopia whose every turn and corner provides a sensational new detail to inspire a creator’s hand. My trip this Christmas past was sadly short (but sweet), and neither the duration nor the temperatures allowed for me to spend much time sitting in one of the city’s many stunning squares or canal sides sketching all of the beauty which was before me. But there was time enough to capture this view, especially since it was the vista we were lucky enough to enjoy from our hotel bedroom. And thus while we rested from the day’s adventures, I sketched. And this is the result.

Canal view, Venice (2015 ©Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2016. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacybrown.com

Nov 10

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Interpretation No. 16 – From La Rive Gauche, Paris

Although this week will mark a year’s anniversary since we moved from London to the Mediterranean island of Mallorca, I am invariably a creature of habit, and while I surround myself daily by some of the most beautiful views Europe has to offer, there are still some things I miss about my former London life. Prince among them, ironically, is not a London experience at all, but our annual trip, taking what I always consider to be a glamorous sub-Channel rail journey from London St Pancras to L’Estacion Gare du Nord, to visit my favourite amongst cities, Paris. And as that annual trip always happened around about now, I cannot hide my internal pining for the French city of lights.

So in my efforts to satisfy something of my longings, I have somewhat franco-fied my home life of late. On my ipod, the hauntingly beautiful songs of old 20s French cabaret play; on the TV, film favourites such as La Vie en Rose are on continuous repeat, and moving from my paintbrush, this very Parisian scene emerged – a gouache painting which becomes the newest in my simplified interpretations landscape series.

Interpretation No. 16: From La Rive Gauche (2015, © Nicholas de Lacy-Brown, gouache on paper)

With its simplified colour palette of turquoise, ochre and grey, it reflects the memory of a similar such scene encountered just as we were crossing from the left bank on our last trip to Paris. I remember that the day had been pretty grey, but about the time the sun set, the clouds dispersed and left the sky a creamy golden yellow. This in turn reflected on the water, turning the grey River Seine a beautiful shade of turquoise which then glowed, almost unnaturally, against the greys and beiges of the surrounding city architecture.

It feels good to have Paris back in my life again… even if it is just on paper.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacybrown.com

Oct 12

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Ocho Balcones (No. 8): The Artist’s Studio

It’s almost unbelievable that over 2 months have gone by since I shared the first balcony from my Ocho Balcones collection, the series of gouaches which illustrate the 8 balcony views which we have enjoyed over the past year living in the old town of Palma de Mallorca. But on this final post of the series, the collection comes to a close, and a very appropriate close at that… since the last balcony which remains is the view of, and from, my art studio.

It’s by far the space in which I have spent the most time in this Palma apartment, since in this little space which I can call my own, I not only created all of the art works which have filled my oeuvre over the last year, but I also spend time editing photos, working on admin, and of course writing this very blog. The painting is more multicoloured than the rest of the series, in an apt illustration of my studio which is full of paintings characterised by my iconic use of colour. And while this painting of course focuses on the balcony at the heart of the studio space, there are a few tantalising glimpses of some of the paintings which have filled the space… from the large Palma landscape which I was working on for 6 months, to Arrival, the first work I completed in Palma, and a thin slice of Pink Bf, one of my most beloved paintings. Also in the painting are various other personal touches, from the collection of Alexander Girard wooden dolls which I always keep close at hand, to the little cuddly pear which I recently collected with a series of vouchers from my local supermarket, El Corte Ingles.

Ocho Balcones VIII: The Artist’s Studio (2015 © Nicholas de Lacy-Brown, gouache on paper)

And so, with my art studio, I close the Ocho Balcones collection. And this closure is appropriate in a number of ways, not only because it shows the heartland of my creative life, but because it is posted just days before we leave this lovely apartment for good. For we are moving on to pastures new, not outside of Mallorca, but somewhere close by… a fresh new apartment with a new art studio space. And amongst those works which I am sure will be made there, maybe our new balcony/terrace will feature too.

© Nicholas de Lacy-Brown 2000-2015. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included on this website without express and written permission from Nicholas de Lacy-Brown is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacybrown.com

Oct 5

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Ocho Balcones (No. 7): Dominik’s Office

After a week’s break, it’s back to business as usual this week as I share the penultimate balcony from my new Ocho Balcones collection of gouaches, all of which feature one of the eight different views we enjoy from our old town apartment here in Palma de Mallorca.

This week, I feature the exclusive little office space which my partner Dominik occupied with such enthusiasm from the first days of our time in this apartment, filling this classic study space with his many books, a fancy glass desk, a whole host of my norm sketches, and best of all… a balcony full of cacti of every different shape and size. And in wanting to focus in on this verdant feature of the balcony, I used a small dose of artistic license to tone down the colours of the street outside in order to create a more uniform sepia backdrop, allowing the green of the cacti to pop.

Ocho Balcones No. 7: Dominik’s Office (2015 © Nicholas de Lacy-Brown, gouache on paper)

But while the cacti may be the protagonists of this piece, Dominik’s simple desk lamp tends to take on its own staring role, its angular black structure contrasting perfectly with the curving wrought iron balconies and horizontal stripes of the electricity cables outside in the street.

7 down and 1 to go. The Ocho Balcones collection is nearing its close. See you soon, for the final instalment.

© Nicholas de Lacy-Brown 2000-2015. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included on this website without express and written permission from Nicholas de Lacy-Brown is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacybrown.com

Sep 21

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Ocho Balcones (No.6): Angled Perspective

This sixth gouache in my collection, Ocho Balcones, is all about angles. Viewed from a seated position in our dining room, and with a door open to the right, the street outside another of our balconies benefits from a sloping reflection and a slightly different perspective from the rest of the collection. And since it is viewed from below, this painting is the first of the set to include the bright blue sky which so often graces the beautiful views we enjoy in our Mallorca home. Glowing with all its unmistakeable Mediterranean glory, the sky marks a striking contrast against the dark interior whose moody shadows frame this 6th balcony view.

© Nicholas de Lacy-Brown 2000-2015. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included on this website without express and written permission from Nicholas de Lacy-Brown is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacybrown.com

Sep 16

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My travel sketchbook: Plaza de Santo Cristo, Marbella

Of the many pages now full of pen-drawings in my sketchbook, a hefty percentage show Mediterranean city squares, usually with a fountain in the middle. Last week I featured my sketch of the Plaza de la Victoria in Marbella, and this week continues the trend with the Plaza de Santo Cristo, which can be found a mere 5 minute stroll away in the same pretty Casco Antiguo (old town) of Marbella. Why I have such an obsession with sketching these squares remains ever clear to me. In the streets you discover a quaint atmosphere, but in these little cobbled plazas, you find all that and more – the trickle of water from a central fountain, the grandeur of bigger buildings reserved for these show-piece plazas, and a panoply of plants and flowers giving shade to the locals who gather there.

All of these features can be found in the Plaza de Santo Cristo, which features one of Marbella’s most iconic little churches, a flamenco club, mountain view, and of course a fountain at its centre. But perhaps what I love most of all in the square is the relationship between the long bendy palms set against the typically Andalucian white-washed walls of the church. Magnificent.

Plaza de Santo Cristo, Marbella (2015 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown 2000-2015. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included on this website without express and written permission from Nicholas de Lacy-Brown is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacybrown.com

Sep 14

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Ocho Balcones (No.5): The Summer Bathroom

The fifth gouache painting of my collection Ocho Balcones is not strictly speaking a balcony. That is to say the window it features sits right next door to the fifth balcony of our apartment, located within the light bathroom we loved to use in the summer. But with its square framing, this window provides a far more interesting reflection on the same view, not least because on the windowsill sits my first and only ever completed sculpture of a female nude created some 4 years ago and delicately transported out to Mallorca from London.

I love the time of the day when the sun hits the buildings opposite at an angle and the result is a striped sun dance bouncing across the coloured facades. And now that the effect is captured in my painting, I can rest assured that even with the changing seasons, a little slice of summertime in the old town of Palma has been captured to enjoy, siempre.

© Nicholas de Lacy-Brown 2000-2015. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included on this website without express and written permission from Nicholas de Lacy-Brown is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacybrown.com

Sep 9

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My travel sketchbook: Plaza de la Victoria, Marbella

The next page of my sketchbook to have its day in the limelight is another sketch from my recent trip to Marbella, this time depicting the Plaza de la Victoria in Marbella’s Casco Antiguo. Nestled besides the famous Plaza de los Naranjos, and filled with trees and foliage, it is a real highlight of Marbella’s quaint Andalucian old town. But it is perhaps the fountain at its centre which gives the square its real character, and sitting at a little cafe serving crispy churros and coffee beside it, I was able to enjoy this perfect vantage point. You can even see the cafe’s popular churros sneaking into the sketch on the left. Ah… the halcyon days of summer.

Plaza de la Victoria, Marbella (2015 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.