Seaside | The Daily Norm

Feb 2

Arrival – Painting the moment when the Mallorca Move sunk in

In the time since we arrived in Mallorca a little over 2 months ago, I have been constantly creating. Such are the benefits of stepping into an intrinsically creative role as Artistic Director of an amazingly dynamic company. But the time for painting for my own personal collection has not been so profuse. Yet I knew that I was going to paint very soon after we arrived. It was in fact on the Tuesday following our arrival on a Saturday evening that a painting first appeared in sharp focus in my mind.

We had stepped out on a walk one afternoon in search of water. Living in a city next to the sea, an awareness of the ocean is continuous, and yet an immediate proximity with the water is not always so easy. Here in Palma, before you get to the sea, you need to traverse roads and parks, jogging lanes and a busy harbour. But on that afternoon, we walked our way through one section of the harbour, passing yacht clubs and huge boats being renovated for the summer, only stopping when we came to the water’s edge.

Arrival (2015 © Nicholas de Lacy-Brown, oil on canvas)

There, sitting with my legs flopped over the harbour edge mere inches from the surface of the water, I gazed directly into the sinking sun before me as it plummeted behind the hillside silhouette and the outline of Bellver castle sitting atop the city. The sky was glowing more and more yellow, and as the light darkened, the water became more like silky liquid ink, and the reflections upon it were golden. It was in this moment that I allowed myself to dream, to wander from reality into a moment of a pure epiphany; a time in which it dawned on me for perhaps the first time how our lives had changed for the better, and how we had moved to a paradise of Mediterranean harbours, of white gleaming yachts, and sunshine.

And there it was. An image of that same view floated into my mind. It was always intended to be a simple image – just the water, the sun, the reflection, the sunset and the cluster of white yachts bobbling upon the water. Yet in that simplicity there is carried a weighty realisation – that we had made the big leap to a new life and a new beginning – It was the moment of our true arrival.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Dec 26

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A Seaside Sojourn to celebrate the Season

While the sea may be the same globally-unfied expanse of water wherever it laps and wanders around the world, the nature and appearance of the sea as it washes up upon a shore will differ widely from beach to beach. While on the Mediterranean shores, sandy beaches and clement conditions are conducive to crystal clear seas tinted cerulean by the sunny skies, in England in the winter, the waters of the South Coast take on an altogether more electrifying, menacing quality. And yet those waters, while not inviting the viewer in amongst their freezing watery fold, are nonetheless as enticing as the sea in a warmer location.

So on Christmas morning, with the meat left roasting in the oven, and the family table freshly laid with a Christmas centrepiece made from lustrous winter foliage and gold candles, I was drawn to the Sussex Coast, which happens to be a mere minute from my family home. The weather was not unreasonable, but the beach was frosty and cold. Its waves were charged with so much energy that the water’s edge frothed and bubbled as it collapsed upon the stoney shore – so much so that it reminded me of egg whites whipped manically into meringue. Its wooden groins were almost totally submerged by the sand which had been newly hurled up upon the beach; Its plentiful pebbles were freshly scattered with shells gifted to the shore by the depths of the ocean.

As ever, I was on hand with my camera to capture these details. For Christmas Day is not just about the glitter and gold, but about taking time out from the busy schedule of the festivities to appreciate people, and nature, and the gifts of the season.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Nov 28

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Sorolla: The Colour of the Sea

When I made my life-changing move from London to Mallorca earlier this month, I moved to a place equally as enriched by culture as the city from which I came. In fact comparing the size of Palma de Mallorca to London, you could quite easily declare Palma to be disproportionately abundant in art. Everywhere you walk in amongst the maze of streets in the old town, a flashy new contemporary art gallery or dusty quaint antique shop emerges, and of course the city lays host to Es Baluard, one of Spain’s most significant contemporary art spaces. However Palma is also home to one of the La Caixa Foundation’s finest art galleries, set within the stunning art nouveau setting of the old Gran Hotel building, and its exhibition diary is easily as significant and varied as that of a much larger city. And La Caixa’s current exhibition, Sorolla: The Colour of the Sea is no exception.

Joaquín Sorolla. El balandrito, 1909. © Fundación Museo Sorolla

Exploring the oeuvre of Spanish master, Joaquin Sorolla, the exhibition focuses on what the artist, famous for the luminosity of his light and the proficiency of his landscape, painted best: the sea. Sorolla was born in Valencia in 1863 and as such was painting at a time when impressionism was at its height. Often compared to his friend, artist John Singer Sargent, Sorolla painted both people and landscapes with great sensitivity, and captured a startling degree of light. In painting the sea, Sorolla managed to capture a luminosity which I have always found so difficult when working on coastal images myself. Take his 1904 Estudio del Mar for example: This simple painting of waves breaking upon the shore is alive with the current of water, and magnificently captures the many colours hidden within the ordinary blues of the water. Similarly, his 1905 painting simply entitled Mar depicts shallower waters magnificently, with the light glinting over the surface and the dark purples suggesting rocks lurking just beneath.

Joaquín Sorolla. Estudio de mar, Valencia. 1904. © Fundación Museo Sorolla

Joaquín Sorolla. Mar (Jávea). 1905. © Fundación Museo Sorolla

No wonder this exhibition is called “the colour of the sea”, and no better example exists of just how rich those colours can be than Sorolla’s depictions of Mallorca itself, such as his painting of the Cove at San Vincente. If you hadn’t been to Mallorca, you might assume that these superb aqua marines and subtle mauves of the surrounding mountainous landscapes were made up, but I can assure you that they are very much representative of reality. Even my lucky November dip in the sea last weekend proved that much.

Joaquín Sorolla. Cala de San Vicente, Mallorca. 1919. © Fundación Museo Sorolla

Joaquín Sorolla. Rocas de Jávea y el bote blanco, 1905. © Colección Carmen Thyssen-Bornemisza en préstamo gratuito al Museo Carmen Thyssen Málaga

Joaquín Sorolla. Mar de Zarauz. 1910. © Fundación Museo Sorolla

Awash with mediterranean light, Sorolla’s seascapes are alive with the fresh coastal air and tranquil dance of the waves. Seen as a group, you could almost be excused for feeling as though you were on the beach, watching Sorolla painting (he invariably took his canvases down to the beach, hence why they are probably so imbued with the naturalistic light that one sees in reality). However, it’s not just Sorolla’s landscapes which come alive before your eyes. For as this exhibition shows, Sorolla was also particularly adept at portraying people naturalistically, and this is seen no more so than in works such as Saliendo del baño, where a mother dries her child after a dip in the sea, and Pescadora con su hijo – a brilliantly realistic depiction of a mother masking her eyes from the sinking late afternoon sun.

Joaquín Sorolla. Saliendo del baño. Firmado y fechado. 1915. © Fundación Museo Sorolla

Joaquín Sorolla. Pescadora con su hijo, Valencia, 1908 © Fundación Museo Sorolla

Joaquín Sorolla. Nadadores, Jávea. 1905. © Fundación Museo Sorolla

So even if you come to Mallorca and the weather is not at its best, this superb exhibition has the power to transport you right to a sunny day on the coast. Although let’s face it, with Mallorca’s track record of brilliant sunny record all year around, you should probably be able to do both.

Sorolla: The Colour of the Sea runs at La Caixa Foundation Palma until 8 February 2015.

Nov 10

Comparing Seascapes: Sussex and Spain

Two Seascapes, one England, one Spain. In Sussex in England, the sea is a silvery shade of grey. No surprise there, as it is an inseparable reflection of the cloudy skies above, whose repressive covering is broken only by a single glimmer of hope as a glint of light shines through. The seas are active, but not rough, but the winds are sufficiently energetic to catapult the kite surfer across the waters. At the shore the sand is dank and wet, it’s lightening colour resaturated with each swift revolution of the waves.

The only thing Marbella in Spain has in common is the sea. But its colour is a startling warm blue, glimmering almost independently from the yellowing evening skies above. Above the beach, a golden paseo maritimo is fringed with regal palms whose large canopy of leaves hang as silently still as the warm balmy calm air around them. Through the leaves, the multiple strata of a mountain layered landscape each deliver a different shade of soft pink, while in front the white harbour wall of Marbella’s port colours gently to cream in the face of the setting sun.

Seascape III: Silver Surfer (2008 © Nicholas de Lacy-Brown, oil on canvas)

Seascape IV: Marbella (2008 © Nicholas de Lacy-Brown, oil on canvas)

I painted these two seascapes in 2008 when I was making a more intentional transition from acrylic into oil. These were part of a series of studies I made as I tried out the medium for the first time. Today, they hang at my parents house in Sussex, and it was when I was there this weekend that I was given the opportunity to reflect upon them, and the marked difference between seaside landscapes.

It comes at a pertinent time: in just a few days I will leave England, including the Sussex seaside town where I grew up for 18 years and which is featured in the seascape above. I will then move to Palma de Mallorca, the archetypal Mediterranean city, fringed with glorious palms and benefitting from sunshine almost the whole year around. Yet despite the very obvious benefits of moving to such a paradise, there will always be a part of me that will miss the English coast – for in its silvery wind swept beauty, the sea in England is just as special as in the Med. It’s just that more often than not, you may need a scarf and some gloves in tow to appreciate it.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Sep 26

Sunset on Tuscany

Just as this week of Tuscany posts began with an essay on a sensational sunny morning, when the sun was slowly rising over the calmest of seas, so now it ends with the most sumptuous of sunsets, as that round ball of fire on which we are all so inherently reliant made its 180 degree course through our northern hemisphere before dropping gracefully beyond the reach of the equator to pursue a further path on the other side of the world.

As the Tuscan coastline universally faces west, wherever you are on that beautiful stretch of pine tree lined coast, you are guaranteed to be treated to the most stunning of sunsets, whatever the time of the year. Over just a short weekend in Tuscany, we witnessed three incredible shows, and with each the panoply of colours striding through the sky seemed to increase. From a lemon yellow deepening through to mango, when the sun eventually plunged beneath the horizon, the sky was shot with the most exquisite shades of rose and raspberry ripple so that, by the time night descended, the sky had danced its way through a cabaret of colours, inspiring fruit filled cocktails and artists aplenty in its wake.

But just as the sun had to set, a little earlier each day, so too did the time have to set on our little trip to Tuscany. For the nature of a weekend is the inevitable onset of work the following Monday, and with this damned thought in mind, we made our long way back, besides a fading purple sky, along the dark winding road to Pisa.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

May 5

Marbella Medley | Folio 3 – Seaside Jungle

My final folio of Marbella photos is entitled “seaside jungle” because this, for me, is what Marbella – a city abundant in plant life, people, exuberance and beauty – represents. The city, like much of the Costa del Sol, jostles upon the seaside, making the most of the beautiful sea views after which it was named – there, charismatic blocks of flats and beautiful white-washed villas overlook a seaside packed with loungers and sardine-filled barbecues, yachts and cafes. However the thing I love the most about Marbella is its equal abundance of greenery. For walk a few hundred metres out of the city and you discover a seaside walk full of every variety of succulent plant, of cacti galore, of secluded piers reaching out to see, of sun-dappled pine forests and of uninterrupted views out onto the coast of Africa.

This set of photos therefore gives an overview of the many facets of this seaside-facing city, from its old town bustling with colourful little houses and full of plant pots and restaurants, to its coastal pathways, its marinas and the joys of a lifestyle which allows engagement with the sea. I yearn to be back there, smelling the salt water wafting over the wind, hearing the trickle of the fountains echoing against the marble of old town pavements, and watching the sun setting over a shiny dark sea. But now back in London we are only one week away from my new solo art exhibition. So Marbella must wait, as the art is rolled out into London – come back for more on that, tomorrow.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Mar 12

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My Barcelona, on canvas: Port Vell

Back in 2007, when I had finished 5 years of full time legal studies and was waiting for my professional training to begin, I decided to take advantage of having a certain amount of time on my hands both to travel as much as possible, and to teach myself how to paint in oils (having thus far painted largely in acrylic). The two things inevitably combined, and having travelled to a few cities in Spain and beyond when venturing to and from my family home in Marbella, I decided to test out the results I could achieve in oil paint by working on a series of cityscapes and landscapes based on those travels. You saw my Venice paintings which I worked on around this time. Having mastered that watery city, I decided to move on to a series of seaside cities, and Barcelona was top of my list.

It was therefore as part of that series that I painted this work of the Port Vell. As yesterday’s post showed, Port Vell is part of the expansive marina and beach which now provides Barcelona with a beautiful Mediterranean facade where previously (pre-1992 Olympics) there was only a heavily industrialised port. Being filled with yachts of many shapes and sizes, this painting would have been a challenge for the most seasoned of oil painters, but for me, a mere beginner, it presented even more of a challenge. I was nevertheless pleased with the resulting work, which captures, I think, something of the compact collection of yachts which fill Barcelona’s marina, as well as illustrating something of a transitional weather effect as the sun begins to shine from under the passage of a thick layer of grey cloud.

Seascape VI: Port Vell, Barcelona (2007 © Nicholas de Lacy-Brown, oil on canvas)

Strangely, despite making 7 visits to the city, I have only painted Barcelona twice. While I’ll give you a glimpse of the second work sometime soon, I think that further Barcelona creations are somewhat begging. Watch this space.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Jan 28

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Natale Italiano | Naples – Photography Focus: Ripples of the Riviera

I may have thought the ripples and watery reflections of Venice were great, but in the sun-drenched marinas of Naples, we were given a ripple spectacle like Venice on ecstasy. Boats in vibrant primary colours of yellow and red and blue scattering a kaleidoscope of colour into the water, yachts with their proud white masts punctuating the cerulean ripples reflected below, and the sunshine glinting over the sea like a carpet of crystals – this was photographically seductive, ripple-ravishing heaven.

No doubt it was the timing of this visit – a sunny stroll on an otherwise cold December day – which made the experience of dipping into the sensations of the summer all the more special. Breathing air which is tinted with warmth feels like indulging in a glass of heavenly nectar after a day when wretched thirsty work has left the mouth parched; being by the sea when all of the senses have become numbed by the smoke, the rush and the monotony of city life is like a face splashed with freshness on a hot clammy day; feeling the rays of the sun filling the skin with its vitamin-filled goodness is like applying a glinting layer of gold to a dull pot of steel.

Not only did this reconnaissance with the summer make us feel optimistically alive, and produce some stunning photos of the water, but it also seemed to have the world out to enjoy the weather in unison. And so this little set of photos includes not just the incredible effects of mother nature’s fusion of sunshine and water, but also glimpses of Neapolitan life, as fishermen go about their business by the waters edge, and locals come out from their winter-clad houses to enjoy the hope that the fine weather brings.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2014 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Jun 17

Sunday Supplement: St Ives

We Brits are so accustomed to heading down to Gatwick and jetting out to the Mediterranean, the French Countryside or the Aegean Sea for our summer holidays that we forget what we have on our doorstep. It’s not that we can be blamed – look at us now. Mid-June, almost the longest day, and last week we had temperatures in the region of 12 degrees. Last Monday in fact that skies were so dark as they spouted out a continuous torrent of abusively heavy rain that I felt as though apocalypse had fallen. However on the rare occasion that the weather actually behaves in correlation with the seasons, England can do summer holiday like each of its European neighbours.

I love my photo of old women on a bench – so marvellously English

There’s nothing quite like an English summer – Pimms in the garden on a setting sun, when the grass goes slightly dewey and the sunlight dapples on the dinner jackets and ballgowns of attendees to Glyndebourne Opera, or open-air Shakespeare in Regent’s Park; picnics under willow trees, next to ponds quietly humming with the sounds of multi-coloured dragonflies dancing across the surface of lily-pads; and the coast. The English coast is emblematic of old-school summer holidays, as men took out their handkerchiefs and tied knots in the corners to make a hat providing scant protection of their bald-batches, children risked breaking their teeth on a lump of sticky-sweet “rock” complete with writing running through the middle, and others took up exploring in rock-pools searching for crabs and shrimps and other creepy crawlies which lurk in amongst the rocks and seaweed when our extreme tidal system takes the sea way out beyond the beach.

Yes, this IS English sea!

Together with this tradition, you expect to find plenty of seaweed, lots of rocks and stones and a slightly dull tinge to the seawater, making it altogether a more English, slightly less comfortable affair. But last year when I headed down to Cornwall, right at the bottom of our fair nation, I was flabbergasted by the site of such a stunning coastline, with such sapphire-sparkling crystal-clear turquoise waters that I could have been in the Caribbean. No wonder then that the little harbour town of St Ives has proved such an inspiration to generations of artists (Barbara Hepworth and Ben Nicholson being two foremost examples of modern times) that the world-famous Tate Gallery has set up an outpost there.

Well when I stayed last year, I too became inspired by the burst of very mediterranean colours that were all around me and, when I was, ironically, sat in the garden of my family home in Spain on the Mediterranean itself, I took to my canvas and recollected the beauty of what I had seen in Cornwall a few weeks before.

My painting of Cornwall uses a simple colour palate with fresh oranges, greens and purples, while the turquoise qualities of the sea are reflected in all their beauty. I’ve introduced something of a cubism element when tackling the many rocks which frame the coast and most unusually of all, I’ve actually painted an impression of how the light dappled upon the canvas when I sat painting it in my parents’ garden, with the light cast through the intricate mesh of the jasmine tree. In this way I have forever captured a St Ives imbued with the light of the Med where I was inspired to paint it.

In addition, take a look at this little gallery of some of my photos from St Ives so you can see what inspired it.

: Yes, this IS English sea!

: I love my photo of old women on a bench – so marvellously English

Have an amazing Sunday.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2012. Unauthorized use and/or duplication of the material, whether written work or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content.

Sunday Supplement: Fish in Four Quadrants (normsonline.wordpress.com)
Sunday Supplement: High Perspective (Viewed from 21c) (normsonline.wordpress.com)
Sunday Supplement – The Joie de Vivre Triptych (normsonline.wordpress.com)
Sunday Supplement – Metamorphosis: Pond Life in the Afternoon (normsonline.wordpress.com)
Sunday Supplement: Achean adventure and Cruise thru Cubes (normsonline.wordpress.com)

May 27

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Sunday Supplement – The Joie de Vivre Triptych

The sun is shining in London, the olympic torch is gradually winding its way around the country to rapturous applause, and the nation is decking its streets in union jacks in anticipation of the Diamond Jubilee celebrations next weekend (you notice I’ve ignore the slight blip that was eurovision last night, when the UK came second from bottom in the results table – but no surprises there, it only goes to emphasise our disconnection from continental europe). So with spirits high, and with what looks like the arrival of summer (finally!) I have decided to showcase a triptych of paintings which I completed when the times were good, the sun was shining, and I was enjoying uninhibited zest for life. I was holidaying in Marbella, Spain at the time. I had just finished my law degree, and was spending almost a month in Spain. By day I would enjoy the freshness of the mediterranean sea, the heat of the beach, and the pleasure of seafood and of wine. In the balmy afternoons, I would retreat to our sun-dappled garden, under the shade of our fragrant jasmine tree, and rest, contemplate, and (being english, even when in Spain) drink tea.

It was in these times of ultimate afternoon delight that the Joie de Vivre triptych was born, three paintings which were unplanned, but which burst freely out of my paintbrush and straight onto canvas, an apt demonstration of my uninhibited happiness when life was good, the drinks flowed, the sea lapped upon the shore and my imagination came to life.

The resulting triptych sold at my 2006 exhibition, Between me and my Reflection and is now one of my best selling limited edition prints (with some still for sale on my Etsy store). It celebrates the ‘zest’ or joys of life through an illustration of the three stages of culinary and alcoholic indulgence during the day; lunchtime, afternoon tea and evening. Recreation and hedonism are central to the juxtaposed images with a further emphasis on home entertainment, namely piano/music, cards/gambling and chess. Opulence is illustrated by symbols of extravagance contained within all three images, as well as buried treasure and jewellery. Sea food is the culinary indulgence on the menu: many other life-forms or objects are anthropomorphised, for example, the sheep seen in the domestic setting of its whale-house, the musical notes struggling to save each other from the perils of a rough sea, and a snail which digs underground to retrieve the buried treasure. The ‘zest of life’ which these images embody is also specifically reflected by the citrus slices which radiate perfect weather conditions in each scene, while a human hand is always “on hand” to assist in the activities being illustrated, whether it be pouring the cream for the afternoon’s strawberries and the marie-rose sauce for the crab, or dealing out the cards for an evening of casino entertainment. The painted images flow and metamorphose from one object to another, as a string harbour-side lights becomes a string of pearls which in turn becomes of floating buoys or a sudden rain shower becomes ice cream, piled on a cone to be enjoyed with a glass of rosé.

There’s a lot to explore in these paintings, which are typical of what happens when I set my mind loose, so without further ado I will let you enjoy the paintings in full, hoping that you take from them the optimism for life which they engender as you go about enjoying your sunny sunday and forthcoming summer.

This print is available to purchase as a limited edition print at my Etsy store

This print is also available to purchase as a limited edition print at my Etsy store

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2012. Unauthorized use and/or duplication of the material, whether written work or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content.