sketchbook | The Daily Norm

Feb 11

Mallorca Sketchbook: Olives and Grain

To call these little paintings “sketches” is perhaps something of a misnomer, not least for my sketchbook which is traditionally full of black and white line drawings. However, my move to Mallorca has undoubtedly coincided with a rush of colour into my life, and the drawings I am doing now are more colourful in their creation. They are also painted – these two little detailed sketches are painted in my new favourite medium for quick artwork: gouache.

Representing very much two staples of Mediterranean cuisine, these little paintings illustrate the grain which goes into Mallorca’s local bread, and the black olives which are so plentiful all over the island.

Black olives (2015 © Nicholas de Lacy-Brown, gouache on paper)

Grain (2015 © Nicholas de Lacy-Brown, gouache on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Aug 22

My travel sketchbook: Swimming Pool at the Paradores, Ronda

My third sketch of Ronda marked something of a departure from my two views of the gorge. I had taken my sketchbook down to the hotel pool with me on the afternoon of my birthday, half expecting to capture another glimpse of the sensational hotel views over the surrounding landscape. And while I did begin to draw in a little of that landscape, I soon realised that what was exciting me most about the scene before me wasn’t the landscape at all, but the electric blue swimming pool set within a lush garden dappled with sunlight through sheltering trees. And so in something which recalls the dolce vita represented in the early LA paintings of David Hockney, I made the swimming pool of the hotel Paradores the focus of this sketch, even returning to the completed black and white work to add the same electric blue that had so entranced me. Together there is not only a striking contrast of monochrome and blue, but the very vision of a summer’s holiday afternoon. Bliss.

Ronda Sketch 3 – Paradores Pool (2014 © Nicholas de Lacy-Brown, pen and ink on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Jul 17

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My travel sketchbook: Capri 2 – The Arco Naturale

The Arco Naturale in Capri is one of those sights which just takes your breath from you, propelling it into the atmosphere is a shower of fireworks. For there is nothing quite so stunning as the unexpected, and this mighty towering limestone arch looked so deliciously precarious as it balanced several hundred metres above the turquoise sea below that it felt almost like a stage set. There was something almost arousing about its huge teetering mass, thrust upwards into the blue sky like a declaration of robust resilience in the face of nature’s cruel seas; its hardy mass a swollen emboldened spectacle rising above the battered cliffs and sumptuous plant life besides it to frame the surrounding landscape with its gravity-defying arc. And despite the fact that the little pathway skirting alongside this awesome sight was something of a vertiginous spot, with a sheer drop right below it, I could not resist swinging my legs over the side and getting out my sketchbook to capture the impressive prospect before me.

So my fourth sketch of the Amalfi Coast trip was not made without risk, and although my legs were firmly curled around the railings above the cliff edge, I could easily have dropped my pens, or even my beloved sketchbook down that sheer drop – goodness knows how I didn’t. And it wasn’t like I didn’t have distractions – my sketching attracted not just the attention of fellow tourists, but also a dear little cat who curled around me, rubbing itself against the hard edges of my sketchbook, and at times appearing to teeter horrendously closely on the knife edge of the cliff-edge, its perfectly balanced slender body somehow nonplussed by the drop just below. But as you can see, my sketchbook lived to tell the tale – and indeed to be shared, on today’s Daily Norm.

Capri Sketch 2: The Arco Naturale (2014 © Nicholas de Lacy-Brown, pen on paper)

My sketching companion

Now that’s what I call an artist’s studio…

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Jul 15

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My travel sketchbook: Capri 1– Roof of the Church of Santo Stefano

Being as the island of Capri is not exactly short of a tourist or two, and seeing as the prices which a café there can evidently get away with are sky high, you can understand why the cafés packed into the little Piazzetta at the centre of Capri Town are keen to do a quick turnaround of customers. After all, at nearly €10 a pop for a glass of wine or something similar, why would they not want to churn out the customers like a supermarket conveyer belt? So there must have been some extent of vexation for the waiters of one such café located directly beneath the square’s famous ceramic-faced campanile when I sat down at the café table and, after ordering myself a coffee, proceeded to open up my travel sketchbook and start sketching. Fearing no doubt that I would be there all day on the price of one coffee, I could almost feel their frustrated eyes burning into the back of my head as I began to sketch. And yet how could I do otherwise? After all, Capri is undoubtedly a place of beauty, and in the centre of its small capital city, the architecture is so cutely quaint that it feels a bit like Toytown. In particular, I adored the rooftop of the church of Santo Stefano, whose small little domes and white-washed walls captivated me from our first steps in the town. And it was those which I sat down to sketch at that little front line café table.

Capri Sketch 1: The church of Santo Stefano (2014 © Nicholas de Lacy-Brown, pen on paper)

Capri Sketch 1: Roof of the church of Santo Stefano (2014 © Nicholas de Lacy-Brown, pen on paper)

The waiters needn’t have been worried however. As ever with my impromptu sketches made in pen, I wasn’t working on this for long, and in fact had to leave said café before the sketch was completely finished owing to the fast approaching time of the last ferry back to Positano. And yet I’m glad I risked their wrath for the short time I did, because this is definitely one of my favourite sketches of the holiday.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Jul 8

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My travel sketchbook: Positano 2 – View from the Beach

You will have seen from yesterday’s Positano beach post just how incredible the views of the town were from the average sunbed on its wide pebbly beach. They were indeed the same views that inspired my first gouache painting of the holiday (posted last week). The views were so good in fact that it felt sinful to simply lie out on a lounger, eyes closed against the sun, ignoring the view. Rather, not only did I feel compelled to keep my eyes on the view for fear of wasting such an incredible sight, but I also felt the inspiration rise within me to sketch it.

And so, stretched out on a beach lounger, a glass of wine in one hand and a pen in the other, I set about sketching this very detailed but fairly quick impression of the town of Positano – the gem of the Amalfi coast. Unlike my gouache interpretation of the same scene, this sketch is more fastidious in capturing the details of Positano’s buildings, and all of their details – windows, balconies, garden terraces and so on. But devoid of the pastel shades contrasting against the grey-purple and forest green backdrop of the mountain, the whole architectural force of Positano appears to melt more permissively into the mountainside, as though nature and mankind have become a single inseparable form. And it’s a beautiful form to behold, both in reality and, I think, on the pages of my sketchbook.

Positano Sketch 2 – View from the beach (2014 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Jun 11

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My Dubrovnik Sketchbook (Part 3) – Viewed from the beach

My third and final post sharing extracts from my progressively filled new sketchbook are those pages which I sketched while on the beach adjacent to the old walled city of Dubrovnik. I was a little reticent at first to take my sketchbook on the beach – I envisaged grease splodges from suntan cream and grains of sand getting into the binding. But then owing to the unique position of Dubrovnik’s beach right next to the city affording views over its world-recognisable skyline, who could resist? And so taking extra caution with my sketchbook, I stretched out like a sun-loving cat on my lounger and propped my sketchbook up on my knees and drew.

My first sketch is not of Dubrovnik itself, but of the verdant island of Lokrum which sits bang opposite the city out at sea and is covered all over with a lustrous growth of greenery. The island is mysteriously beautiful, and while its green colour may not come across in my black and white sketch, hopefully the texture of its rich vegetation does.

The island of Lokrum (Dubrovnik) viewed from the beach (2014 © Nicholas de Lacy-Brown, pen on paper)

For my second sketch, I departed my lounger and went to sit on a nearby rocky pier which affords the most perfect views of the city beyond. And it was this incredible view that I sketched that afternoon, taking a good 20 minutes or so sketching the various details of the city, and getting myself a royally sunburnt shoulder in the meantime!

The Old Port at Dubrovnik, viewed from the City's Beach (2014 © Nicholas de Lacy-Brown, pen on paper)

I’m delighted with these first attempts at proper on-site sketching and miss the very process of taking out my book to start a new scene afresh. But I’m sure that this summer will provide further inspiration for me to fill those pages – and you can be sure that whatever I draw will feature on The Daily Norm!

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Jun 6

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My Dubrovnik Sketchbook (Part 2) – Created from a Café

Almost as exciting as the prospect of filling my new sketchbook with views of Dubrovnik has been the process of lifting my sketches out of my sketchbook and onto The Daily Norm and the wonderful reception they have received from all of my kind blog readers. My last sketch post was so well received that I have been doubly inspired to fill the eager remaining pages of my sketchbook with further views from my forthcoming summer travels. But before I start my work on them, I still have a few more Dubrovnik-inspired sketches to share.

Next up are two of my favourite sketches from the bunch; favourites not just because of the views they share but because of the memories they hold. For these sketches were made during my favourite time of the day – when after a day’s hard sightseeing, we would settle down into one of the city’s perfectly scenic cafes and I would open up my sketchbook and record the always sensational views just ahead of us.

View of Dubrovnik Cathedral from the terrace of the Gradska Kavana Café (2014 © Nicholas de Lacy-Brown, pen on paper)

The first of these views was drawn from the rather swanky terrace of one of the city’s most popular cafes: the Gradska Kavana Café. Situated right opposite the church of Dubrovnik’s patron saint, Saint Blaize, and just along the shiny marble road from the city’s main cathedral, this terrace offered perfect views ripe for capturing in my sketchbook, and as soon as my coffee was served, I set about sketching one such view before us, looking down the Pred Dvorom onto the grand domed cathedral.In the bottom left hand corner you can see a corner of the cafe terrace and its mighty awning offering shade to all the elegant customers. It reminds me of Van Gogh’s famous cafe terrace featured in one of his most famous views of Arles.

The Amerling Fountain on the Gunduliceva Square, Dubrovnik (2014 © Nicholas de Lacy-Brown, pen on paper)

The second sketch features the beautiful Amerling Fountain, which is to be found on the corner of the bustling market square of the Gunduliceva Poljana. I set about drawing this sketch as we finished a delicious portion of fired squid and whitebait, accompanied by another creamy coffee as I drew this, our favourite of the city’s several beautiful fountains.

And just in case you should doubt the beauty of the surroundings which inspired me as I sketched these two beautiful views, here are some photos of me taken by my partner as I went about capturing the city in my sketchbook.

More to come… next time!

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com