Spain | The Daily Norm

Sep 28

My Palma: 6 months, 157 buildings and 205 boats

I interrupt my weekly digital exhibition of gouaches in my Ocho Balcones collection to present, with a considerable degree of excitement, my newest oil painting: The Bay of Palma. Started back in April when I found a typical little postcard of this typical view of the sprawling bay of Palma de Mallorca, I couldn’t resist the temptation to paint this city I have so come to love on the largest scale possible. So starting work on an immense 152 x 101 cm canvas, I set about painting what must be one of the most complicated painting projects of my art career.

Just the cathedral alone took endless hours of laboured work and adjustments of proportion, let alone the city which surrounds it and then those dreaded boats. Ah the boats… how I agonised over painting these seemingly innocuous white forms, correcting shadows and trying to paint masts with a shaking hand. But once 205 of them were done, I stood back in pride and admiration at what I had a achieved: a landscape which is both a typical view of this most admired of cities, but which was nonetheless technically difficult to capture, both because of its size and its detail. But I am delighted with the result.

I am therefore proud to share this painting exclusively on The Daily Norm along with a few shots of some of the many details which fill the work. I hope you like it!

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Sep 16

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My travel sketchbook: Plaza de Santo Cristo, Marbella

Of the many pages now full of pen-drawings in my sketchbook, a hefty percentage show Mediterranean city squares, usually with a fountain in the middle. Last week I featured my sketch of the Plaza de la Victoria in Marbella, and this week continues the trend with the Plaza de Santo Cristo, which can be found a mere 5 minute stroll away in the same pretty Casco Antiguo (old town) of Marbella. Why I have such an obsession with sketching these squares remains ever clear to me. In the streets you discover a quaint atmosphere, but in these little cobbled plazas, you find all that and more – the trickle of water from a central fountain, the grandeur of bigger buildings reserved for these show-piece plazas, and a panoply of plants and flowers giving shade to the locals who gather there.

All of these features can be found in the Plaza de Santo Cristo, which features one of Marbella’s most iconic little churches, a flamenco club, mountain view, and of course a fountain at its centre. But perhaps what I love most of all in the square is the relationship between the long bendy palms set against the typically Andalucian white-washed walls of the church. Magnificent.

Plaza de Santo Cristo, Marbella (2015 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown 2000-2015. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included on this website without express and written permission from Nicholas de Lacy-Brown is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacybrown.com

Sep 11

Living off the land; moving with the seasons: The Mallorquin Huerta

I was recently lucky enough to be invited to a stunning little Huerta (kitchen garden) clinging to the terraced slopes of the Mallorquin coastline. Between the dry stone walls of terraces made long ago by arab occupiers in their magnificent process of taming the otherwise unreachable landscape, this little vegetable garden lay nestled in perfect order, with the mountains on one side and the sea on the other. From an initial sweep of green emerged vegetables the colour of which you would be hard-pressed to find in even the best quality supermarket.

Keen to show me the fruits of his labour, the farm manager went about collecting samples of his home-grown produce. As he created a pile of the best of the harvest, the collection before me grew in both voluptuous size and magnificent colour. From super green cucumbers and a richly purple aubergine, to wonderfully fragrant basil, bright yellow peppers and startlingly intense red tomatoes, this gathering of produce was worthy of a museum piece, rather than a humble feast.

And yet feast we did, sampling flavours the likes of which I have never had the pleasure to enjoy before. The tomatoes were so sweet, and so complex in their flavour contrasts, that the sweet sticky small tomatoes might have been an altogether different fruit from the large meaty giant tomatoes which I could have feasted on forever.

But behind the intensity of the flavour and the quality of the produce was the rationale which went with it. These vegetables were grown in alignment with the seasons. They tasted so good because they emerged from land grown traditionally, with no additives, at the time of the year when they are meant to be harvested. No tomato, artificially grown under a lamp light in the winter could ever have tasted this good. And what struck me most of all was the pride glowing from within the farm manager. Because he had presented the very best product from his intensely laboured land – the fruit of his work, with a little help from the perfect timing of mother nature’s seasons.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2015 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Sep 9

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My travel sketchbook: Plaza de la Victoria, Marbella

The next page of my sketchbook to have its day in the limelight is another sketch from my recent trip to Marbella, this time depicting the Plaza de la Victoria in Marbella’s Casco Antiguo. Nestled besides the famous Plaza de los Naranjos, and filled with trees and foliage, it is a real highlight of Marbella’s quaint Andalucian old town. But it is perhaps the fountain at its centre which gives the square its real character, and sitting at a little cafe serving crispy churros and coffee beside it, I was able to enjoy this perfect vantage point. You can even see the cafe’s popular churros sneaking into the sketch on the left. Ah… the halcyon days of summer.

Plaza de la Victoria, Marbella (2015 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Sep 4

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Discovering Mallorca: Exquisite exclusivity in the Embarcadero of S’Estaca

I should warn readers now that the photos you are about to see may make your eyes saw from their exposure to beauty. For few readers of The Daily Norm in the last few months can doubt the breathtaking natural beauty of the island of Mallorca I call home. But even paradise has its highlights, and the little port, or Embarcadero of S’Estaca is pretty much as good as it gets.

Nestled in a tiny cluster of rocks at the foot of the steep craggy cliffs of the Tramuntana Mountains, S’Estaca is a breathtaking coastal estate first owned by the notorious Archduke Salvator and subsequently by the even more famous Hollywood star Michael Douglas together with his exwife. While the glamorous Mallorquin finca he now calls his home is strictly off limits to most but a lucky few, the tiny little landing port of the same name can be enjoyed by the wider public, or at least those adventurous enough to traverse the steep cliffside paths stretching from the Port of Valldemossa.

Those who make it will discover what is easily one of the most stunning little ports I have ever encountered in my life. With just a few fisherman’s huts clinging to the cliff like birds nests, a semi circular landing platform on which local fishermen still sit to mend their nests, and surreal rock clusters like an illusion straight out of the mind of Salvador Dali, S’Estaca is the epitome of picturesque. And what perhaps tops it off is the water: naturally enclosed by the rock forms encircling the bay, the water is as clear, as turquoise and as stunningly beautiful as a manmade swimming pool, but with all the enticing extras that only Mother Nature can afford.

This is beauty at its most unbeatable.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2015 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Aug 28

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Musings on Marbella: My little neighbourhood

Marbella is a name synonymous with glamorous hotel resorts, mass tourism and indulgent beach parties, tacky celebrities and multiple cosmetic surgeries. But as I have pointed out so many times before, beyond Puerto Banus and the vast stretches of tourist-ravaged coast either side, the actual centre of Marbella on Spain’s Costa del Sol is an authentic gem in the crown of Andalucia. Not only does the town boast an utterly picturesque old town at its core, including a baroque masterpiece of a church and ancient Moorish walls, but its modern expansion has an altogether more down to earth atmosphere, where chirpy Andalucian locals take a coffee on the sidewalk, walk along the seaside and even head occasionally to the gym.

This is the real Marbella which I am lucky enough to call my neighbourhood, for my family have owned a home at the heart of the old town for almost a decade and a half, and as a result I have become well accustomed to this part of the world. The result is that when I visit, I reflect more introspectively, and create on canvas rather than take a whole raft of new photos of sights often explored before. My collection from this year’s trip is not therefore extensive. But it is characterised by the very authenticity which makes this area of Marbella the real soul of the city, rather than the superficiality which exists at its fringes.

These photos were taken in literally a few hundred square metres of my house and the little hilly street we live in. They present just a few details from the neighbourhood we live in… the real Marbella which so many visitors miss.

All photos and written content are strictly the copyright of Nicholas de Lacy-Brown © 2015 and The Daily Norm. All rights are reserved. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited.

Aug 26

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My travel sketchbook: One-armed lady

There was an awful lot I could have sketched when I was recently in Malaga. It wasn’t just that I was inspired to paint the landscape interpretation I went on to create shortly after our return, but I also felt the need to flip open my sketchbook and capture the captivating elements of the city. And I didn’t need to look much further than the view from my hotel, the Molina Lario, to find inspiration.

For the rooftop of the hotel is easily its best attraction. With a little pool and poolside bar, the roof allows you to splash around to your heart’s content with the most stunning city view as your backdrop. In fact the view had inspired me before, when last year I created a mixed-technique etching and woodcut print of the view. But not content with that, I decided to return to the same inspiration, focusing in on Malaga’s famously unfinished single-towered cathedral for inspiration. And here is the result. The latest page of my travel sketchbook, all with pen.

Malaga Cathedral, detail (2015 © Nicholas de Lacy-Brown, pen on paper)

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Aug 21

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Interpretation No. 15 – Malaga

The week ends as it begun, with the introduction of another of my new little paintings, created comparatively quickly (that is, in relation to my oil works) with gouache on paper, and inspired by another stunning landscape of the Mediterranean. As with the other works in my collection of “interpretations” which began back last summer on the Amalfi Coast, my landscape of Malaga attempts to simplify the forms of the landscape by stripping out many of the architectural details, while using flat areas of colour to delineate architectural forms and their contrast with the haphazard lines of nature around them.

Interpretation No. 15 – Malaga (2015 © Nicholas de Lacy-Brown, gouache on paper)

My photos on Wednesday will hopefully help to persuade you as to why the southernmost large Spanish city of Malaga should have brought out the artist within me, and in creating this 15th interpretative landscape, I have attempted to catch the city at one of its most alluring times, when the sun has set to create a golden backdrop to the diverse architectural shapes of the city: from the baroque majesty of the “one-armed lady” (the cathedral) to the simplified robust walls of the ancient moorish Alcazaba palace.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2015. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

Aug 19

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Musings on Málaga: Southernmost City

The beautiful city of Malaga in Southern Spain is not only the 6th largest city in Spain, but also the southernmost large city in Europe. Located alongside the sparkling Mediterranean sea just south of the sun-roasted mountain plains of Andalucia, Malaga is an ancient city whose streets, style and very essence seem to reflect the baking heat of this most southern of European suns. And while its beating heart may run volcanically hot, the city has recently shown itself to be a hot pick for visitors too, boasting some of the best historical sights and cultural highlights in all of Spain.

Its ancient historical centre is crowned by a magnificent cathedral, unique thanks to its unfinished second tower which has led the monument to become known as “the one-armed lady”. Its eastern hills are topped by the even older Castle of Gibralfaro and the Alcazaba fortress, a potent reminder of the region’s moorish heritage, heavily reminiscent of similar treasures in nearby Granada and Seville. Its newly renovated port and seaside front-line is fringed by stunning botanical gardens which sway gently alongside baroque palaces. And amongst its fantastic collection of impressive museums, the city can count the Picasso Museum, the Carmen Thyssen Museum, the new Russian Museum, the CAC Málaga Contemporary Art Museum and the recently opened Pompidou Centre Málaga amongst its collection.

it was largely because of the opening of this new branch of Paris’ Pompidou Centre that I strayed back to Malaga this month as part of my annual trip to my family home in Marbella, the smaller seaside town nestling on Malaga’s infamous Costa del Sol. Not only was I desperate to see the new Pompidou, but equally attracted by a temporary exhibition of Louise Bourgeois at the Picasso Museum and an exhibition of Summer-inspired works at the Thyssen. While I could easily fill this post with my reactions from those shows, I decided instead to be more visual in expressing my Malaga experience by sharing a few of the photos I took in the city. There aren’t many mind you… we were there only 24 hours after all, much of which was spent within art galleries. But I think this little collection pretty much sums up the heat, the colour and the spirit of this southernmost city.

Aug 12

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Mallorca Landscape (Chiringuitos)

Last Friday I was thrilled and proud to have one of my paintings featured on the front cover of the food magazine supplement of Diario de Mallorca, the island’s principal daily newspaper. The work was painted especially for the monthly supplement, which included a special feature on chiringuitos, the uniquely haphazard little beach cafe-grills which pop up all over the island on some of the most hard to reach beaches and calas and serve up the freshest fish to those lucky enough to reach them.

But my painting represents more than just chiringuitos, although it features two, one precariously balanced on long spindly legs, and the other nestled against the side of a pile of rocks. This painting is also my homage to Mallorca, with a backdrop of the famous blue and white lenguas material which has been a protagonist of traditional Mallorquin design for centuries, and with a rocky beach setting closely resembling the kind of mysteriously surreal craggy rock forms which characterise Mallorca’s consistently surprising rocky coast.

Returning somewhat to my more surreal style, but injecting a fresh whiteness which I have not exhibited much in previous works, this feels like both a welcome reprise of a favourite style, and a new departure onto artistic pastures new, and in all things a devoted homage to the island I now love to call home.

© Nicholas de Lacy-Brown 2000-2015. Unauthorised use and/or duplication of the material, whether written work, photography or artwork, included on this website without express and written permission from Nicholas de Lacy-Brown is strictly prohibited. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com