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Posts tagged ‘Illustration’

Norms: The Saints Collection | St. George

Saint George and his dragon must together comprise one of the most famous icons of a saint there is, not least in England where St George is our patron saint. Yet as I was to discover only last weekend, we English are not the only country to claim him as ours. In fact St George is likewise a patron saint in Bulgaria, Georgia, Greece, Portugal, Ukraine and Syria to name but a few. He is also, I have now learned, the patron saint of none other than Catalonia, the autonomous region of Spain whose capital is Barcelona. And so having just spent the weekend in that very city, there seems no better time than to present the very first Saint of a new Norm sketch collection – I give you Saint George Norm.

Legend has it that St George  defeated a dragon in the far off land of Silene. This dragon poisoned the air of a village, and in order to appease him, the people regularly sacrificed a lamb and a virgin who was chosen. One day the princess of the country met this fate; George killed the dragon and freed her, with the result that the Princess and the entire population were converted to Christianity; the religion behind whose cross St George had been protected as he valiantly fought the beast.

Here is my Saint Norm doing just that, killing the pesky dragon while his rather attractive horse looks on.

St George Norm (2014 © Nicholas de Lacy-Brown, pen, ink and gold paint on paper)

St George Norm (2014 © Nicholas de Lacy-Brown, pen, ink and gold paint on paper)

I realised that St George was something of a prominent figure in Catalonia only when I noticed statues and icons of the saint when exploring the old gothic quarter of Barcelona on my first day there last weekend. In the tranquil cloisters of the cathedral, a trickling fountain was topped by a bronze statuette of the saint valiantly riding his horse while trampling upon the dying body of the aggressive dragon. Then, upon walking past the city hall in the Plaça St Juame, I noticed the same venerable saint carved into the stone work of the city hall facade. Subsequent investigations reveal that “Sant Jordi” has been venerated in Catalonia since the 8th century, not only in Barcelona but also in Valencia and the Balearics. And in Barcelona itself, the Saint’s presence is felt not just in the obvious iconography – some say that Gaudi himself recognised the saint when he created his dragon-scaled roof atop the famous Casa Batlló.

Cathedral fountain

Cathedral fountain

DSC02536 DSC02540

Another cathedral homage to the dragon

Another cathedral homage to the dragon

Facade of the city hall

Facade of the city hall

Roof of the Casa Batllo

Roof of the Casa Batllo

DSC02847

So with all of this in mind, I leave you to pay appropriate reverence to St George Norm in all of his golden glory, and to look also upon the Barcelona references I found to the saint. But as if by way of further appropriate reference, I also leave you with this English poster using St George as an image to encourage patriotic Englishmen to defend the nation at the outset of World War One 100 years ago. A timely reminder of the continuing power of the iconography of St George to inspire both patriotism and bravery in a time when all faith and hope appeared to have deserted mankind.

Britain_Needs_You_at_Once_-_WWI_recruitment_poster_-_Parliamentary_Recruiting_Committee_Poster_No._108

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

The Norm Nativity (New Year’s Extra) | Madonna Norm Enthroned

Norm Nativity? I hear you ask – Didn’t we just laboriously put away our Christmas decorations for another year? Well yes. But while the birth of Jesus Norm may be over and done with, of course his life (in story terms) has only just begun. While this could theoretically lead me onto all sorts of Norm sketching paths, I have paused for the moment on a time of celebration of the birth of Jesus Norm – when the Catholic Church faithful, in their reverence to Mary Norm, recognised her role in this miraculous birth and promoted her to “Madonna” and enthroned her on high. So here she is, sat upon a mighty adorned throne with Jesus Norm, a clearly intelligent child, already installed with a book (or gospel, whatever it may be).

Madonna Norm Enthroned (2014 © Nicholas de Lacy-Brown, pen and gold paint on paper)

Madonna Norm Enthroned (2014 © Nicholas de Lacy-Brown, pen and gold paint on paper)

So why have I chosen to add this extra little scene to my Christmas Norm Nativity on what must be the equivalent of at least the 20th day of Christmas? Well, if the connection hasn’t already struck you, I was inspired to draw this additional little Norm sketch by a painting which was hanging in the Gallerie dell’Accademia and featured in yesterday’s post on Venice Day 3 – Antonio Rosso’s Madonna Enthroned. Having used Rosso’s work as the basis of my own Norm Madonna enthroned, my Norm finds herself inadvertently sat in a throne elegantly embellished with the Venetian lion of St Mark alongside all sorts of other religious characters, while at the foot of the throne below, Madonna Norm is greeted by an accompanying troupe of musical angel Norms, playing a perfect harmonious accompaniment in melodic celebration of this wonderous birth. Hallelujah – Madonna Norm is enthroned!

More gold-based Venetian lavishness coming up…tomorrow!

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2014. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

The Norm Nativity | Jesus Norm is Born

And so it was in a little dirty stable on the outskirts of the small town of Bethlehem that Mary Norm gave birth to a baby Norm called Jesus Norm. And at that moment all of the heavens broke forth into song; the stars across the globe grew brighter, and one dazzling star in particular guided the most eminent of guests to pay homage to this new King of all Norms, including, in particular, the Three Wise Norms from afar. And so upon this first Christmas Day, which Norms all around the world now celebrate, this little dazzling baby-Norm was placed in a cosy hay-filled manger, while before him the local Shepherd Norms and their little sheep looked on, awestruck by the glory of the occasion; besides him Nancy the Donkey and a charming Ox called Oliver provided comfort and warmth; his daddy Joseph Norm gazed upon him full of pride; and the Three Wise Norms brought forth their gifts of Gold, Frankincense and Myrrh. Hallelujah! Jesus Norm is Born!

The Norm Nativity: Jesus Norm is Born! (2013 © Nicholas de Lacy-Brown, pen, ink and gold paint on paper)

The Norm Nativity: Jesus Norm is Born! (2013 © Nicholas de Lacy-Brown, pen, ink and gold paint on paper)

So that is the end of our story; a Norm Nativity told through pen on paper with lavish layers of gold paint. What was to come of Jesus Norm you may well ask? Well, we’ll leave the answer to that question, perhaps, for another time.

Until then… a Very Merry Christmas to you all, from me, and from the Norms everywhere.

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2013. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at http://www.delacy-brown.com

The Norm Nativity | Visit of the Three Wise Norms

The Shepherd Norms weren’t the only Norms heading towards the stable in Bethlehem. Three exceptionally wise Norms who each in turn lorded over little glittering neighbouring kingdoms in Eastern Normland had heard about the birth of a new King of Kings, a Norm to save all of the world, and decided that it was only right and proper that they visit this future great Norm a visit. And how to find this little Norm who had been born in a mere stable without an address? Well luckily an ever brightening star had appeared before their path, and guessing that the star was acting as a kind of celestial guide towards their destination, the three Wise Norms followed the star towards Jesus Norm.

The only problem was that the star kept on moving, and as it did so took the Wise Norms over fields and mountains, rocky plains and wide expanses of perilous sandy desert. Luckily they were not on foot, travelling instead upon the seated humps of their trusty camels, ensuring that not only their lavish persons remained clean and unweathered by the journey, but also that their presents of Gold, Frankincense and Myrrh remained safely installed above all of the sandy terrain. Let’s hope they make it to Bethlehem safely…

The Three Wisenorms (2013 © Nicholas de Lacy-Brown, pen and gold paint on paper)

The Three Wise Norms (2013 © Nicholas de Lacy-Brown, pen and gold paint on paper)

Come back next time, to see where both the Wise Norms and the Shepherd Norms ended up! In the meantime, here is Matthew’s account of the Magi’s visit, the only one of the gospels to mention it.

In the time of King Herod, after Jesus was born in Bethlehem of Judea, wise men from the East came to Jerusalem, asking, “Where is the child who has been born king of the Jews? For we observed his star at its rising, and have come to pay him homage.” When King Herod heard this, he was frightened and all Jerusalem with him; and calling together all the chief priests and scribes of the people, he inquired of them where the Messiah was to be born. They told him, “In Bethlehem of Judea; for so it has been written by the prophet: ‘And you, Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who is to shepherd my people Israel.'” Then Herod secretly called for the wise men and learned from them the exact time when the star had appeared. Then he sent them to Bethlehem, saying, “Go and search diligently for the child; and when you have found him, bring me word so that I may also go and pay him homage.” When they had heard the king, they set out; and there, ahead of them, went the star that they had seen at its rising, until it stopped over the place where the child was. When they saw that the star had stopped, they were overwhelmed with joy. On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path.

Matthew 2:1-12

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2013. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

The Norm Nativity | Angels visit the Shepherds

In the last installment of the Norm Nativity, we left poor Mary Norm and Joseph Norm upon their arrival in the little town of Bethlehem. With not a room to be found in inn nor hotel, they were facing a night out sleeping rough – hardly the best conditions for giving birth to the promised one. Luckily for them, the surprisingly sharp intuition of Nancy the donkey led them all to a far warmer and cosier alternative (if a little pongy) – a stable on the outskirts of town, where soon enough Mary Norm lapsed into the inevitable agonies of labour, and gave birth to a darling little Norm baby who they called Jesus Norm, who was very soon comfortably installed on a bed of hay in a manger.

The birth of Jesus Norm very soon caused waves of celestial excitement. Above the stable, a particularly bright star grew even brighter, and in the stars around it, angel Norms started gathering to celebrate the birth, flying then from place to place to spread the great news. One of the first places they visited was a nearby field, where a group of shepherds sat about having a little evening supper after a hard day looking after their not insubstantial flock. When the shepherds caught sight of a group of angels coming towards them, they almost collapsed in shock – their poor little sheep didn’t know what to do with themselves and promptly hid behind their shepherd masters. Only when the excitement of the news relayed by the angels sunk in did the shepherds (and the sheep) begin to settle, jumping up with some excitement and declaring that they must visit the baby forthwith!

So unto Bethlehem the shepherds headed then, to see little baby Jesus Norm in all his glory. Join the Norm Nativity next time to see who else is making their way to celebrate the birth.

Angels visit the Shepherd Norms (2013 © Nicholas de Lacy-Brown, pen and gold paint on paper)

Angels visit the Shepherd Norms (2013 © Nicholas de Lacy-Brown, pen and gold paint on paper)

In the meantime, here’s how another writer, one Luke, described the angels’ visit in the bible:

And there were shepherds living out in the fields nearby, keeping watch over their flocks at night.  An angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were terrified.  But the angel said to them, “Do not be afraid. I bring you good news of great joy that will be for all the people.  Today in the town of David a Savior has been born to you; he is Christ the Lord.  This will be a sign to you: You will find a baby wrapped in cloths and lying in a manger.”  Suddenly a great company of the heavenly host appeared with the angel, praising God and saying,  “Glory to God in the highest, and on earth peace to men on whom his favor rests.”  When the angels had left them and gone into heaven, the shepherds said to one another, “Let’s go to Bethlehem and see this thing that has happened, which the Lord has told us about.”  So they hurried off and found Mary and Joseph, and the baby, who was lying in the manger. 

Luke 2: 8-15

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2013. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

The Norm Nativity | Journey to Bethlehem

In the last instalment of The Norm Nativity, we left Mary Norm just as she had learnt the startling news, from her visitor Angel Gabriel Norm, that she was due to give birth to a son called Jesus Norm. The visit from a flying angel would have been startling enough, but the news that Mary was somehow inexplicably become pregnant despite being an untouched virgin was enough to make the hardest of souls go soft in the head. But not Mary Norm. Strengthened with the affirmation that the baby Norm she was carrying would one day be a saviour of the world, she was determined to do this properly. And so, having told her then boyfriend, now hubby Joseph Norm the rather stunning news (and having finally got over the months of arguments when he accused her of having an affair – it was inevitable I suppose), Mary Norm and Joseph Norm set out on their old little donkey, Nancy, and made their way to Bethlehem, the city of Joseph’s birth and thus where they were required to register the oncoming birth of their child.

As Luke more eloquently tells us…

In those days a decree went out from Caesar Augustus that all the world should be registered.  
This was the first registration when Quirinius was governor of Syria.
And all went to be registered, each to his own town.
And Joseph also went up from Galilee, from the town of Nazareth, to Judea, to the city of David, which is called Bethlehem, because he was of the house and lineage of David,
to be registered with Mary, his betrothed, who was with child.

Luke 2:1-5

Journey to Bethlehem (2013 © Nicholas de Lacy-Brown, pen and gold paint on paper)

Journey to Bethlehem (2013 © Nicholas de Lacy-Brown, pen and gold paint on paper)

So over hostile terrain they travelled for days, their worldly possessions, and the heavily pregnant Mary Norm pilled upon poor Nancy’s back, trekking across dessert and wide open plains until finally they could see the little town of Bethlehem glittering like a mirage in the distance. But their relief was short lived, for no sooner had they made out the outline of the city than they had caught sight of various road-side advertising posts advertising hotels and inns – yet all of these adverts bore the ominous news that all of the accommodation was booked up! (Well, it was Christmas I suppose…) What would Mary Norm and Joseph Norm do? Find out… next time!

The Norm Nativity | The Annunciation

In 2011, I brought you the Norm Christmas Carol. Last year we watched the developing tale of Normy and Normette’s turbulent relationship in the 12 Days of Normy Christmas. And this year I bring you, exclusive to The Daily Norm, The Norm Nativity! It’s a story which is known throughout the world, which fostered a global religion two millennia ago, and without which there would be no Christmas. But never before has the Nativity story, favourite of nursery schools throughout the land, been played out by the Norms. That is, until now.

It all began with the Annunciation. When, 9 months before Christmas day, the Angel Gabriel Norm visited Mary Norm and told her the startling news that she was to give birth to a son called Jesus Norm. Incredulous with disbelief (and having dropped the sponge in shock which only moments before she had been dutifully cleaning her dusty terracotta floor with), Mary could not understand how she, having not indulged in any such…err…action as could be said to lead naturally to the instigation of a pregnancy, was to have a baby. But at that moment a little dove flew through the air, and appeared almost to pierce her belly with life – some would have it that that very dove was the Holy Spirit incarnate.

Norm Nativity: The Annunciation (2013 © Nicholas de Lacy-Brown, pen and gold ink on paper)

Norm Nativity: The Annunciation (2013 © Nicholas de Lacy-Brown, pen and gold ink on paper)

And so it was that Mary Norm became pregnant with a little baby Norm who’s name she already knew. But an old writer known as Luke puts it much better than me:

And in the sixth month the angel Gabriel was sent from God unto a city of Galilee, named Nazareth,
To a virgin espoused to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary.
And the angel came in unto her, and said, Hail, thou that art highly favoured, the Lord is with thee: blessed art thou among women.
And when she saw him, she was troubled at his saying, and cast in her mind what manner of salutation this should be.
And the angel said unto her, Fear not, Mary: for thou hast found favour with God.
And, behold, thou shalt conceive in thy womb, and bring forth a son, and shalt call his name JESUS.
He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David:
And he shall reign over the house of Jacob for ever; and of his kingdom there shall be no end.
Then said Mary unto the angel, How shall this be, seeing I know not a man?
And the angel answered and said unto her, The Holy Ghost shall come upon thee, and the power of the Highest shall overshadow thee: therefore also that holy thing which shall be born of thee shall be called the Son of God.
And, behold, thy cousin Elisabeth, she hath also conceived a son in her old age: and this is the sixth month with her, who was called barren.
For with God nothing shall be impossible.
And Mary said, Behold the handmaid of the Lord; be it unto me according to thy word. And the angel departed from her.

Luke 1:26-38

Nine months later and with a baby Norm well on its way, it was time for Mary Norm and her new husband Joseph Norm to register their forthcoming baby, and of course for Mary Norm to give birth. Find out what happened in the next instalment of the Norm Nativity… coming soon!

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2013. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content. For more information on the work of Nicholas de Lacy-Brown, head to his art website at www.delacy-brown.com

BreathNorm – Norms inspired by De Waal

For an artist like myself, whose almost complete inability to paint in anything but the brightest of colours (as followers of this blog, or indeed of my art website may have realised) has made colour something of a trademark of my creative output, I sometimes surprise even myself when I start to find myself drawn towards simple, monochrome, muted colourless creations. It happened for example earlier this year, when I shunned the great pasty-coloured nudes of Lucien Freud in order to give my full attention to the stunning works in black and white that are his etchings. Completely captivated by the simplicity of the medium, yet the extent of intricacy and emotion he was able to capture in simple black lines, I became obsessed by printmaking, and started etching myself – a pursuit which continues to occupy many of my weekends as I dabble further in this new medium.

Now it has happened again, with the pots of De Waal. As I described in my post yesterday, I was delighted when, by sheer coincidence as I am reading my way through the enthralling pages of The Hare with Amber Eyes, I caught a documentary on the BBC’s Imagine show last week, focusing on the book’s author. While I was fully expecting my attention to be held by all references in the programme to the book which has captivated me for the last few weeks of reading, what I wasn’t expecting was to become so completely enamoured by the artworks which this great novelist also creates. I say also – however art is in fact Edmund De Waal‘s primary calling in life, and he was turning his hands to the malleable craft of pottery long before he ever began to trace the heritage of his netsuke whose story formed the basis of the book which has now made him famous around the world.

Breathturn II (2013 © Edmund De Waal)

Breathturn II (2013 © Edmund De Waal)

Breathturn IV (detail) (2013 © Edmund De Waal)

Breathturn IV (detail) (2013 © Edmund De Waal)

First Light (2013 © Edmund De Waal)

First Light (2013 © Edmund De Waal)

Edmund De Waal’s art is pottery. He makes pots. But pots whose assemblage is so brilliantly pictorial, so evocative of emotions deeply held within the craftsmanship of their creation, and yet so capable of rousing within the viewer deep, reflective emotions, that as installations, these simple pots create artistic masterpieces worthy of the great art collections of his family predecessors.

De Waal’s pots are simple – usually either in black or white – but their beauty tends to be about two things. First, the naive effortlessness of their shape; the mismatched almost drunkeness of one lean after another, which tends to give each pot a handmade personality all of its own, rather than the feeling of machine manufacture. Second, their grouping – it is the way in which De Waal groups his pots together which makes them so effective as works of art: Is it just that I am coloured by the contents of his book, or by his Jewish ancestry, or did he intend to create row after row of pots so uniquely human in their uneven appearance, that they seem to evoke to Holocaust itself? For me, when I see these works, such as the quartet of huge almost bookcase structures, Breathturn, displaying shelf after shelf of randomly placed pots, I think of the row after row of destitute Jews, stripped of their livelihood and of their dignity, waiting like cattle for train crates on bleak station platforms, ready to face the certain horrors of their final destination.

Your hands full of hours (2013 © Edmund De Waal) (detail)

Your hands full of hours (2013 © Edmund De Waal) (detail)

I heard it said (for Berg) (2013 © Edmund De Waal

I heard it said (for Berg) (2013 © Edmund De Waal

How did we live here (2013 © Edmund De Waal) (detail)

How did we live here (2013 © Edmund De Waal) (detail)

The White Road III (detail) (2013 © Edmund De Waal

The White Road III (detail) (2013 © Edmund De Waal

And then there are De Waal’s works which show groups of pots separated by a sheet of translucent perspex, so that you can see the pots behind it, but only in blurred outline. This produces the effect of a solemn group shot, perhaps a family, estranged – people taunted by the shadows or perhaps memories of loved ones; their presence there close at hand, and yet not there, untouchable, ungraspable; the frustrating feeling of irreparable separation, when a blasted great wall separates you from where, or with whom you should be.

These interpretations may well not be what De Waal intended when he made his works, but what does it matter? For in creating works that inspire these kinds of reactions in me, he has surely done the job of a great artist: he has moved his audience to an imagination all of their own.

And, as all the great artists have done before him, De Waal not only got my imagination churning when it came to his own works, but also inspired me to create a Norm re-invention of his pottery installations. And so I leave you with my own little Norm group shot; a homage to all those pots and the great variety of emotions their simple poses evoke.

BreathNorms (after De Waal) 2013 © Nicholas de Lacy-Brown, pen and ink on paper

BreathNorms (after De Waal) 2013 © Nicholas de Lacy-Brown, pen and ink on paper

BreathNorm (detail)

BreathNorm (detail)

 

The photos on this page are the copyright of  © Edmund De Waal, and show the works he prepared for his 2013 exhibition at the Gagosian, New York. Norms are the copyright of me © Nicholas de Lacy-Brown, 2013. The works of Edmund De Waal can be seen on his website, here.

Mallorca Map Commission Part 2 – Palma

If I thought the first of my Mallorca maps was a complex undertaking, with its representation of iconic Mallorca filled with the towns and terrain that characterise that Mediterranean gem of an island, then things weren’t going to get any easier when it came to commencing the second of the two commissions undertaken for Cappuccino Grand Cafe this Summer. This time round it was the capital city of Mallorca (and the Balearics) Palma de Mallorca which needed to be put on the map, as it were, a requisite for Cappuccino’s Mallorcan representation, seeing as the popular café chain has some 5 restaurants and two takeaway branches in the city alone.

Map of Palma de Mallorca (2013 © Nicholas de Lacy-Brown)

Map of Palma de Mallorca (2013 © Nicholas de Lacy-Brown)

But quite asides from illustrating the cafés characteristically prime locations, the real dilemma for me, when I set about designing the map, was how best to represent the stunning city of Palma in all its architectural and nautical glory, while ensuring that the illustrations of the Cappuccino cafes did not become overshadowed. My solution was to focus on the areas and the architecture which makes the locations of the Cappuccino cafés so desirable, contributing inexorably to the simple joys of visiting one of their branches, sipping a coffee in the vicinity of the ancient Palau March for example, or overlooking Palma’s yacht-crammed marina; and to otherwise reflect the great mass of this sprawling city with simplified terracotta blocks, these hinting at the architectural maturity of the city, while also resembling the terracotta floors which are characteristic of the Med. However, I suppose the pièce de résistance of the map for me is my representation of the River Borne, cutting through the Western half of the city as it makes its way down to the marina beyond. I could not resist the temptation to give this map a surreal twist, lifting the river like a satin ribbon, out of its river bank, undulating and flapping through the air as it approaches the sea.

Cafes in the Borne and Palau March

Cafes in the Borne and Palau March

The Cappuccino HQ at San MIguel

The Cappuccino HQ at San MIguel

The Colon takeaway

The Colon takeaway

The Weyler takeaway

The Weyler takeaway

The Borne - detail

The Borne – detail

The Paseo Maritimo Cappuccino

The Paseo Maritimo Cappuccino

The result of all this is a map which must surely represent a satisfying climax of my Balearic maps, and one whose result is the self-evident result of hours of laborious and detailed work. But with Mallorca, Ibiza and Palma under my belt, the question has to be: where will my map making take me next? With their capacity to capture the essence and character of a place, while reflecting the topography and geography of a location, I have now realised the potential that a map can have for artistic illustration, while reflecting an accurate representation of location and terrain – and frankly, I cannot wait to explore the medium further.

Detail of the cathedral

Detail of the cathedral

Detail of the Marina and the River Borne

Detail of the Marina and the River Borne

The Cappuccino Brand Fusion placed in an iconic modernista shop sign (now home to Colon takeaway)

The Cappuccino Brand Fusion placed in an iconic modernista shop sign (now part of the decor of the Colon takeaway)

Detail of the Cathedral roof and nearby arab baths

Detail of the Cathedral roof and nearby arab baths

Detail of the Es Baluard museum of contemporary art

Detail of the Es Baluard museum of contemporary art

You can see all of my Balearic maps in the Cappuccino Grand Papier, available online, and in everyone of the cafés irresistibly indulgent branches. What other excuse do you need for a weekend in the sun?

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2013. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content.

Mallorca Map Commission Part 1 – Mallorca and Ibiza

I never made a secret of the fact that I love Cappuccino Grand Cafe, the expanding café restaurant business which has taken the island of Mallorca by storm and is now gradually expanding across the sea to Ibiza, mainland Spain and the Middle East. In fact my love affair with the cafe, which begun in their sumptuous beachside Marbella branch, first manifested itself in my painting of Norms dining at Cappuccino Marbella, a painting which was later featured in their first issue of the Cappuccino Grand Papier, the suitably glossy homegrown publication which was published in May.

Imagine my excitement then when Cappuccino then commissioned me to hone both my artistic skills and my love for the café by illustrating a series of maps of the cafés across Mallorca and its elegant capital, Palma, to be featured in Cappuccino’s second magazine this summer.

Excited, I boarded a plane from rainy England to the sun drenched Balearics at the end of last May so that I could properly research each and every detail of the many Cappuccinos the island has to offer. I’d be lying if I said it was an arduous task, exploring as I was not only the many stunning and unbeatable sites the cafe inhabits across the island, but also sampling their rich and varied continental menu in each location. Full of ideas, I returned home to the UK in earnest, opened up my large drawing board, and got to work.

The finished Mallorca Map (2013 © Nicholas de Lacy-Brown)

The finished Mallorca Map (2013 © Nicholas de Lacy-Brown)

The maps were not easy. The level of detail required to properly represent the various cafe locations as well as the Cappuccino brand and all its food took many painstaking hours of work over a series of several weeks. But I was delighted with the results. Yet despite finishing my maps back in June (and July for Palma – check that one out tomorrow), they’ve been the art world’s biggest unveiled secret until their publication in the Second Edition of Cappuccino Grand Papier this August. And now, finally, I can unveil the maps to you in all their many details.

On today’s post I present my map of Mallorca, the idyllic Spanish island from where Cappuccino Grand Cafe was born, and with whom the Cappuccino brand is now synonymous. With branches in the Port of Pollensa, the Port of Andratx, Puerto Portals, Palma Nova, Valldemossa and a great many more in Palma itself, there was plenty of detail to capture on my map. Using icons which characterise the various locations across the island, such as the famous Real Cartuja monastery in Valldemossa (where Chopin and George Sand famously spent a miserable winter), the sumptuous pine trees of Pollensa, and the fishing nets of Andratx’s fishermen’s port, I packed my illustration with both geographical indicators, and of course that all important coffee cup symbolising the location of the cafés.

Valldemossa detail

Valldemossa detail

Puerto Andratx detail

Puerto Andratx detail

Puerto Pollensa detail

Puerto Pollensa detail

Palma detail

Palma detail

Meanwhile for the map’s title, the brand of Cappuccino is surrounded by a glorious cornucopia of some of the chain’s most iconic offerings, from classic cocktails to its irresistible creamy banoffee pie.

Puerto Portals, Tahini and Palma Nova detail

Puerto Portals, Tahini and Palma Nova detail

Windmills and sea salt detail

Windmills and sea salt detail

Cappuccino Fusion detail

Cappuccino Fusion detail

And such is the pace of Cappuccino’s current expansion that even while I was designing my map, two new cafes were opened on the nearby island of Ibiza. So a small bolt on map of Ibiza was to follow, including the two new cafes which are perfectly located on the waterside of the island’s stunning Marina Ibiza.

Ibiza (2013 © Nicholas de Lacy-Brown)

Ibiza (2013 © Nicholas de Lacy-Brown)

So without further ado, I leave you to check out the maps. Return to The Daily Norm tomorrow, when I’ll be profiling the second of my Mallorca maps – a focus on the beautiful capital city of Palma. In the meantime, you can see the maps in all their magazine glory in a digital version of Cappuccino Grand Papier. Take some time to flick through – it’s a great magazine!

© Nicholas de Lacy-Brown and The Daily Norm, 2001-2013. Unauthorized use and/or duplication of the material, whether written work, photography or artwork, included within The Daily Norm without express and written permission from The Daily Norm’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Nicholas de Lacy-Brown and The Daily Norm with appropriate and specific direction to the original content.